Weekend Spill: Tilley Watch Online, The Week Of May 8-12, 2023; More Spills…Ed Koren’s Film Debut; Documentary Film: “Saul Steinberg’s Line”; Ivan Ehlers’ Graphic Account Of The Writers’ Strike Picket Line; A ToonStack Tribute To Sam Gross; Wertz Reviewed; Finck’s TED; Chast & Flake Talk; Caption Contest Podcast Begins New Feature; Happy 90th, Sid Harris!

Tilley Watch Online…The Week Of May 8-12, 2023

An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features

The Daily Cartoon: Maggie Larson, Ellis Rosen, Brooke Bourgeois, Adam Douglas Thompson, David Sipress, Brendan Loper.

Daily Shouts: Suerynn Lee, (Ginny Hogan) with J.A.K.

Barry Blitt’s Kvetchbook: “Weinstein, Cosby, And Trump Play Around”

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… From Seven Days, May 11, 2023,  “Late Cartoonist Ed Koren Makes His Film Debut In The Farm Boy” 

 

 

 

 

…A documentary film “Saul Steinberg’s Line” — a tribute by French artists.

 

 

 

…From The Los Angeles Times, May 12, 2023, Ivan Ehlers’  “Op-Comic: Funny Business At The Writers’ Strike Picket Line”

…From ToonStack (a themed weekly cartoon newsletter), May 14, 2023,  “We’ll Miss You, S. Gross” (five cartoonists pay tribute). 

…  A review of Julia Wertz’s new book, Impossible People: A Completely Average Recovery Story, in The Washington Post , May 12, “Sometimes Getting Your Life Together Means Making A Mess Of It”

…From Forbes, “At TED, Cartoonist Liana Finck Explores The Sources Of Creativity”

…(with Finck content): From Fast Company, May 12, 2023,  “Motherhood Is Comical, And These Cartoonists Know It”

…From Publisher’s Weekly, May 12, 2023, (Roz Chast & Emily Flake content): “U.S. Book Show: Featured Speakers”

The Cartoon Caption Contest Podcast folks, Paul Nesja, Beth Lawler, and Vin Coca began a new feature this week (episode #107) talking about their favorite non-contest cartoons in the latest issue. The various takes delve into pro and con. 

 

…and lastly… A Very Happy 90th Birthday to Sid Harris, born May 8, 1933. Mr. Harris began contributing to The New Yorker May 6, 1961.  

 

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