Fave Photo Of The Day: Zoomin’ New Yorker Cartoonists; Today’s Daily Cartoonist & Cartoon…and Today’s Daily Shouts Cartoonist; The Holiday Daily Cartoonists

One of the things cartoonists like to do, besides work on cartoons, is gather with other cartoonists. Here’s a crew of Zoomin’ New Yorker cartoonists that gathered yesterday: from top left, going clockwise: Robert Leighton, Bob Eckstein, Ken Krimstein, and Pat Byrnes.

Mr. Leighton began contributing to The New Yorker in 2002; Bob Eckstein in 2007;

Ken Krimstein in 2000; Pat Byrnes in 1998.

— My thanks to Bob Eckstein for the screen grab.

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Today’s Daily Cartoonist & Today’s Daily Shouts Cartoonist…and The Holiday Daily Cartoonists:

Today’s: Eugenia Vita (with Ginny Hogan): “Initial Interpretations Of Quarantine Terms Before I Knew What They Meant”Eugenia Viti has contributed cartoons to The New Yorker since June of last year.

The Holiday Daily Shouts Cartoonist: Sofia Warren with “How My Misdirected Feelings Have Come Out Lately”…Ms. Warren has been contributing to The New Yorker since 2017.

 

Today’s Daily Cartoonist & Cartoon…And Yesterday’s Daily Cartoonist:

Today’s: Amy Hwang on the calendar these days.

Ms. Hwang has contributed to The New Yorker since 2010.

The Holiday Daily Cartoonist: Johnny DiNapoli, who began contributing to The New Yorker in 2019.

Alan Dunn’s New Yorker Honor Roll; The Monday Tilley Watch, The New Yorker Issue Of June 1, 2020

Above: The New Yorker War Cartoons  1945 Special Edition For The Armed Forces.  For more on The New Yorker‘s special war editions go here.

The  above War Cartoons cover by Alan Dunn originally appeared on The New Yorker issue of August 11, 1945. Nearly a year later Mr. Dunn revisited the Honor Roll with this cover of July 27, 1946:

Mr. Dunn’s entry on the Spill‘s A-Z:

Alan Dunn (self portrait above from Meet the Artist) Born in Belmar, New Jersey, August 11, 1900, died in New York City, 1975. NYer work: 1926 – 1974 Key collections: Rejections (Knopf, 1931), Who’s Paying For This Cab? (Simon & Schuster, 1945), A Portfolio of Social Cartoons ( Simon & Schuster, 1968). One of the most published New Yorker cartoonists (1,906 cartoons) , Mr. Dunn was married to Mary Petty — together they lived and worked at 12 East 88th Street, where, according to the NYTs, Alan worked “seated in a small chair at a card table, drawing in charcoal and grease pencil.”

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The Cover:

And on into June with another cover (we are told) reflecting this strange time. You might not know this cover was presented to us as timely without knowing the title (“Lockdown Sampler”). Without the title, in a different time, we would likely see this cover, as William Steig once defined (pre-Tina Brown) New Yorker covers, as a “special moment — fleetingly observed.”

Read a short Q&A with Roz Chast here about her cover.

 

The Cartoonists:

Two duo efforts in this issue, with one duo, Sophie Lucido Johnson (and, I’m taking a guess here on this link:) Sammi Skolmoski new to the cartoonist stable. The Spill custom is to count a duo as one new entry on the A-Z, which means the Johnson/Skolmoski duo are the 9th newbies so far this year, and the 62nd newbies brought in under Emma Allen’s cartoon editorship (begun in May of 2017).

The Cartoons: a number jump out for me — five to be exact. Curiously (or not) they appear in a row, beginning with Emily Flake’s clowns about to pie throw (perhaps my favorite Flake drawing ever), followed by Lars Kenseth’s airport baggage moment, then Danny Shanahan’s fab accessorized dinosaurs, Joe Dator’s E.T. bicycle rental scenario, and finally Farley Katz’s Sunset Boulevard-ish” Instagram drawing.

See the slideshow of this week’s drawings here (if you scroll down a bit).

The Rea Irvin Talk Masthead Watch: Regular Spill visitors will recognize that every Monday Tilley Watch ends with the Irvin Talk Masthead Watch.  Mr. Irvin’s classic design is still missing (it went away in the Spring of 2017, replaced by a…gasp!…redraw…read about it here). Here’s Mr. Irvin’s mothballed classic design:

 

 

 

 

 

Cartoonist Event Of The Month: “Funny Ladies At The New Yorker” With Roz Chast, Liza Donnelly, And Liana Finck In Conversation Via The Society Of Illustrators; Today’s Daily Cartoonist & Cartoon

From The Society of Illustrators, this news of a live online chat with Roz Chast, Liza Donnelly, and Liana Finck, May 27th at 6:30.  All the info here.

Here are the Spill‘s entries for each of these fine cartoonists:

Roz Chast ( Photo: Bill Franzen) Born, Brooklyn, NY. New Yorker work: 1978 –. Key collection: Theories of Everything ( Bloomsbury, 2006). Her book, Can’t We Talk About Something More Pleasant?: A Memoir (Bloomsbury, 2014) was a National Book Awards finalist (nonfiction) in 2014.  Website

Liza Donnelly  Born, Washington, D.C.. New Yorker work: June 21, 1982 –. Key book: Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons (Prometheus, 2005).  Donnelly is the innovator of a form of visual journalism, covering news and cultural events by digitally drawing them in real time and sharing them.  Website

 

Liana Finck ( Photo: John Madere) Born in 1986. New Yorker work: February 25, 2013 –. Studied at Cooper Union College, 2004 – 2008. Fulbright Fellowship to Brussels, 2009. Passing For Human was published in 2018 by Random House.  Website.

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Today’s Daily Cartoonist & Cartoon

Jeremy Nguyen on escaping. Mr. Nguyen has been contributing to The New Yorker since 2017. Visit his website here.

 

 

The Wednesday Watch: Sam Gross Is On Facebook!; Today’s Daily Cartoonist & Cartoon; A New Yorker State Of Mind Looks At The New Yorker Issue Of April 25, 1931; More Spills: Toro’s New Book; Latest Celeb Caption Contest Video

Sam Gross Is On Facebook!

The one, the only, the fabulous Sam Gross now has a Facebook page.

Mr. Gross’s entry on the Spill‘s A-Z:

Sam Gross Born 1933, Bronx, NY. New Yorker work: August 23, 1969 –. Other than his work in The New Yorker, Mr. Gross is probably best known for his work in National Lampoon. He’s edited a large number of collections, including Dogs Dogs Dogs, Cats Cats Cats, Food Food Food: A Feast of Great Cartoons (originally published as All You Can Eat: A Feast of Great Cartoons); Golf Golf Golf, Ho! Ho! Ho!, Movies Movies Movies. Key collections: I Am Blind and My Dog is Dead (Avon, 1978), An Elephant is Soft and Mushy (Avon, 1982)

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Today’s Daily Cartoonist & Cartoon

Lars Kenseth on being there, sort of.

Mr. Kenseth began contributing to The New Yorker in 2016. Visit his website here.

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A New Yorker State Of Mind Looks At The New Yorker Issue Of April 25, 1931

As usual with this Spill fave blog, it’s always a kick looking at what was happening in the New Yorkersphere way way way back when

Gotta love the Helen Hokinson cover.

Here’s Ms. Hokinson’s entry on the Spill‘s A-Z:

 

Helen Hokinson  Born, Illinois, 1893; died, Washington, D.C., 1949. New Yorker work: 1925 -1949, with some work published posthumously. All of Hokinson’s collections are wonderful, but here are two favorites. Her first collection: So You’re Going To Buy A Book! (Minton, Balch & Co, 1931) and what was billed as “the final Hokinson collection”: The Hokinson Festival (Dutton & Co., 1956). According to a New Yorker document  produced during Harold Ross’s editorship (1925-1951) rating their artists, Ms. Hokinson and Peter Arno occupied a special category unto themselves above all others.

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...Tom Toro‘s first kids book is just out.  Read about it here.  Congrats,  Mr. T!

…the latest celeb New Yorker Caption Contest video has been posted. Several fun/funny captions  by Ellie Kemper & Daniel Radcliffe (the cartoons captioned are by David Borchart, Tom Cheney, Joe Dator, Leo Cullum, Maggie Larson, and Danny Shanahan).

 

 

 

Personal History: From Zero To Sixty; Today’s Daily Cartoonist & Cartoon…And Yesterday’s

Personal History: From Zero To Sixty

In the summer of 1977, with college behind me and the demands of school work finally over, I was able to focus all of my attention on getting into the New Yorker — my New Yorker or Bust phase.  I’d begun sending the magazine work when I was still in high school, and then all through college, with no luck whatsoever, and an ever-increasing pile of rejected work.

For some reason, during that summer, I thought it would be smart to make a few stabs at being organized, and so I began a ledger, recording what I sent in to the magazine every week. In those days there were a bunch of other magazines buying cartoons — a ledger would help me keep track of what went where; it became routine to send my New Yorker rejects out to them (I’d somehow learned that’s what the professionals did). By mid-August I’d yet to to sell a single cartoon anywhere; I hadn’t made a penny from my work (think Beatles: Out of college, money spent, see no future, pay no rent, all the money’s gone, nowhere to go”) — even something called UFOlogy was rejecting my drawings.

Everything changed when the August 22nd batch — seventeen cartoons — was submitted to The New Yorker. That week I went from having sold zero number of drawings anywhere to any publication to having my work accepted at The New Yorker (it was a drawing of a fortune teller speaking to a customer, saying,“Nothing will ever happen to you”). As momentous a moment as that was for me — my foot finally in the door at The New Yorker! — the magazine was buying the idea (the caption) and handing it to veteran contributor Whitney Darrow, Jr. to execute. As noted in the ledger, it appeared in a December issue of the magazine — December 26th, to be exact.

By 1977, Mr. Darrow had been with the magazine 44 years. It had long been a practice at The New Yorker to supply artists in need of fresh ideas with work sent in from the outside (like me), or from other cartoonists at the magazine, or from the art department staff. There were even a few idea men contracted to do nothing but think up ideas for the artists.

I knew nothing about that system when the fortune teller cartoon made it through The New Yorker‘s editorial hurdles and was bought. I received a check for $150.00 — the first time I was paid for what I wanted to do for a living. When I look at the list shown above it’s a little frightening how empty the page is — all those empty squares, all those rejected drawings. Only two other sales on the page: both New Yorker rejects from that same August 22nd batch: one to Dawn Dusk magazine, and the other to the about-to-be-refurbished Esquire magazine (Esquire never ran that drawing or others of mine it later purchased — they changed course on running cartoons before the maiden issue under Clay Felker appeared on newsstands).

As summer turned to winter, my initial luck with The New Yorker seemed to have run out. Weeks and then months of empty ledger boxes. In early 1978, justlikethat, The New Yorker bought another from me (this time the drawing they published was mine). Oddly, I abandoned the weekly ledger just before that second drawing was taken. I think all those empty boxes were beginning to get to me.

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Today’s Daily Cartoonist & Cartoon

David Sipress on dinosaurs and stress. Mr. Sipress began contributing to The New Yorker in 1998.

And Yesterday’s Daily Cartoonist & Cartoon

Elisabreth McNair on when it’s safe to go out again.

Ms. McNair began contributing to The New yorker in July of 2018.