The Monday Tilley Watch, The New Yorker Issue Of April 6, 2020; Today’s Daily Cartoonist & Cartoon; Today’s Daily Shouts Cartoonist

The Cover: A heart-strings reflection of the issue’s Health Issue theme (but it’s tempting to believe we’d see a cover along these lines even if it wasn’t the Health Issue).

The Cartoonists:

The Cartoons:

An umbrella observation from the get-go:  the abundance of color pieces (one by Roz Chast, one by Emily Flake, and one by Liana Finck) in this issue at times kind’ve almost sorta made it feel as if I was paging through a Cartoon Issue. However, unlike the special pieces found in Cartoon Issues of yore, all three of these new pieces are distinctly linked to one subject (can you guess what it might be?).

There are a number of cartoons in this issue that got my attention, beginning with Barbara Smaller’s (p.26) — my favorite Smaller drawing thus far this year. Also eye-catching: Justin Sheen’s castle & moat drawing; Brendan Loper’s getting away from it all cartoon, and Ed Steed’s survivor. All four enjoy a sharply written caption.

A number of drawings (beyond the color pieces mentioned above)  are either directly related to, or can be seen as related to the coronavirus, foremost being Joe Dator’s terrif drawing (p.69), P.C. Vey’s (p.31), and Mr. Loper’s cartoon on page 39. Tom Chitty’s friendly city drawing (p.57), as well as John O’Brien’s drawing (on page 72) could possibly be read as corona-related cartoons. The folks in Mr. O’Brien’s supermarket all seem to be spaced at least six feet apart, but, as with most all of Mr. O’Brien’s drawings, it’s an evergreen.

The remaining four drawings: Sofia Warren’s, Amy Hwang’s, Teresa Burns Parkhurst’s, and an effort from the Bliss/Martin duo, are comic relief unrelated to the health crisis.

Paperwork: the aforementioned Justin Sheen is new to the New Yorker cartoonist fold. He’s the 4th new cartoonist of 2020, and the 57th new cartoonist brought into The New Yorker since Emma Allen was appointed cartoon editor in the Spring of 2017.

The Rea Irvin Talk Masthead Watch:

Read about Rea Irvin’s mothballed iconic Talk masthead (above) here.

And This:

Just noticed that The New Yorker‘s Facebook New Yorker Cartoons page received a make-over. The new look is shown below — new (old) typography, and a (recycled) Rea Irvin inspired banana peel-inspecting Tilley icon replacing Christoph Niemann’s guy at a table icon. Mr. Niemann’s icon showed up in the Spring of 2017, and replaced an existing icon — a drawing by Jack Ziegler.  It puzzled me at the time (and thereafter) that work by a non-New Yorker cartoonist (Mr. Niemann) was chosen to replace an icon drawn by an iconic New Yorker cartoonist.

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Today’s Daily Cartoonist & Cartoon

Kendra Allenby on the newest normal.

Ms. Allenby began contributing to The New Yorker in 2016. Visit her website here.

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Today’s Daily Shouts Cartoonist

Avi Steinberg gives us “Things That Used To Be Annoying But Are Now A Comfort” — Mr. Steinberg began contributing to The New Yorker in 2012.

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of March 16, 2020

The Cover: Talk about yer timely cover: you might think that the cover on the left, by I. G. Haupt, is this week’s New Yorker cover, but it’s not. It appeared August 31, 1929*, not too long before “Black Monday”; the cover on the right appears this week on the magazine — “The Spring & Style” Issue. I’m reminded of The Rolling Stones song, Dandelion, and its catchy “Blow away dandelion, blow away dandelion.”

*Oddly, the Aug.29, 1929 issue is not included in the magazine’s digital archive available to subscribers. If you go to the archive, and look through the 1929 issues you’ll see there’s a gap between the issue of August 24, 1929 (Helen Hokinson cover) and September 7, 1929 (Sue Williams cover). Luckily, I have a copy, but what if you don’t.

The Cartoonists:

As with the other week, I’m showing the entire list of Artists as the Spots artist is Benoit van Innis who has provided a number of splendid covers over the years.

The Cartoons:

A truly wonderful drawing in this issue by Ed Steed (it’s on page 46), and a very clever idea by Will McPhail on page 38. Other drawings that caught my eye: P.C. Vey’s what’s under the bed cartoon (page 36), Drew Panckeri’s lion in a barber shop (p. 69), and Liana Finck’s fitbit drawing (p.66).

 

The Rea Irvin Talk Masthead Watch:

The above has not been seen in The New Yorker since May of 2017.  Read about it here.

 

The Weekend Spill: Chast & Marx In Connecticut; The Tilley Watch Online for the Week of February 24th-28th, 2020

Chast & Marx In Connecticut

Roz Chast & Patricia Marx will be at the Ridgefield Public Library on March 13th, promoting their most recent book,You Can Only Yell At Me For One Thing At A Time.

It’s probably safe to assume there’ll be some ukulele playing at this ticketed event (five bucks).

Ms. Chast began contributing to The New Yorker in 1978. Visit her website here.

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An end of the week listing of New Yorker artists who contributed to newyorker.com features

The Daily Cartoon: Drew Dernavich, Jon Adams, Teresa Burns Parkhurst, Brendan Loper, Avi Steinberg, Peter Kuper.

 

Daily Shouts: Olivia de Recat, Liana Finck .

…and: Barry Blitt’s weekly Kvetchbook

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The Wednesday Tilley Watch: Interview Of Interest: Liana Finck; Cuneo At The New York Comics & Picture-Story Symposium; Today’s Daily Cartoonist & Cartoon

Interview Of Interest: Liana Finck

From Publishers Weekly, February 25, 2020, “Liana Finck on Pop-up Magazine and Taking Her Cartoons To the Stage”

Ms. Finck began contributing to The New Yorker in 2013. Visit her website here.

 

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John Cuneo At The New York Comics & Picture-Story Symposium

A crowded room last night at the New School for John Cuneo‘s fab fun informative talk as part of Ben Katchor‘s New York Comics & Picture-Story Symposium. Spotted in the crowd, besides, of course, Mr. Katchor: New Yorker cover artist Marcellus Hall, illustrator Joe Ciardiello, illustrator Chris Buzelli, illustrator Katherine Streeter, illustrator Stephen Kroninger, Ad Director Soojin Buzelli, photographer Deborah Feingold, New Yorker cartoonists Bob Eckstein, Robert Leighton, Evan Forsch, Carol Isaacs (aka The Surreal McCoy)*, and Attempted Bloggery‘s Stephen Nadler (who kindly provided the photos above).

*Carol Isaacs’s film The Wolf of Baghdad will be screened tomorrow night in NYC.  Info here.

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Today’s Daily Cartoonist & Cartoon

Politics, by Jon Adams. Mr. Adams has been contributing to The New Yorker since 2017. Visit his website here.

 

The Monday Tilley Watch, The New Yorker Issue Of March 2, 2020

The Cover: As mentioned last Friday, Barry Blitt‘s Bloomberg exploding cigar cover (above) was rush-released. Here’s a short piece about the cover’s subject by magazine’s art editor, Francoise Mouly.

The Cartoonists

The Cartoons

A likely too-deep-in-the-weeds observation: I believe (someone please correct me if I’m wrong!) this is the first issue of the magazine in contemporary times composed fully of stable mates whose entry into the stable dates back no further than the early 1990s (Frank Cotham, who began contributing in 1993 is this week’s elder, with 27 years at The New Yorker). On the flip side, you might recall that the last issue of the magazine (the 95th anniversary issue) contained a drawing by Edward Koren, who began contributing to The New Yorker in 1962. A deep (cartoonist) bench remains at The New Yorker.

Here’s the rundown of this week’s cartoonists, in order of their freshman year:

Frank Cotham (1993); William Haefeli (1998); David Sipress (1998); Joe Dator (2006); Julia Suits (2006); Emily Flake (2008); Amy Hwang (2010); Liana Finck (2013); Lars Kenseth (2016); Maggie Larson (2017); Liz Montague (2019).

Two cartoons in the issue that caught my attention both feature non-humans. David Sipress‘s stand-up kitty, and Joe Dator‘s opposum/possum. Also noted: Ed Steed‘s (sort’ve Ben Shahn-esque) full page illustration for Adam Levin’s fiction piece.

The Rea Irvin Talk Masthead Watch: Read about Rea Irvin’s iconic Talk masthead,shown directly below.  Below it is the redrawn version plugged-in Spring of 2017.