The Wednesday Watch: Peter Kuper’s NYTs Silent Spring Piece; Today’s Daily Cartoonist & Cartoon; Liza Donnelly’s World Wildlife Fund Earth Day Drawings; The Weekly Humorist’s Cartoon Desk

Peter Kuper’s New York Times Silent Spring Piece

From The New York Times Book Review, this graphic review of Rachel Carson’s Silent Spring by Peter Kuper, who’s on a roll this week — he also has a full page color Comic Strip in The New Yorker.

(read a little about it here at The Daily Cartoonist; a link is supplied to Mr. Kuper’s piece in the New Yorker)

 

Mr. Kuper’s entry on the Spill‘s A-Z:

Peter Kuper Born, 1958, Summit, New Jersey. New Yorker work: June 6, 2011 – . Website: peterkuper.com  For more biographical information, visit his Wikipedia page.

 

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Today’s Daily Cartoonist & Cartoon

An Earth Day cartoon from Avi Steinberg.

Mr. Steinberg has been contributing to The New Yorker since 2012.

 

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Liza Donnelly Draws For The World Wildlife Fund’s Art For Nature

From Twitter, this screen grab showing the info:

Ms. Donnelly has been contributing to The New Yorker since 1982. Visit her website here.

…More Donnelly (& company): From The AAEC, “Live From Their Home Studios — Cartoonists Online” — this piece on various online exploits from members of the  American Association of Editorial Cartoonists.

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The Weekly Humorist’s Cartoon Desk

The other day the Spill mentioned The American Bystander’s  dedicated page for cartoons; here’s another place to go to see a variety of cartoonists. The Weekly Humorist‘s Cartoon Desk includes a goodly number of New Yorker cartoonists, including Bob Eckstein, Ali Solomon, Michael Shaw, Kim Warp, Peter Kuper, David Ostow, Pat Byrnes, Lila Ash, Ivan Ehlers, Jason Chatfield, Cerise Zelenetz, Lars Kenseth, Evan Lian, and Rich Sparks.  Visit it here!  

 

 

 

 

 

 

The Weekend Spill: Cartoonists Offer #Cartoonrelief To Those Hit Hardest By Covid-19; The Tilley Watch Online, March 30 – April 3, 2020; Tom Gauld’s Collection Reviewed

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While checking in on a New Yorker cartoonist Slack group a few days ago I noticed a number of my cartoonist colleagues had begun using their art to help those in need during this pandemic. I asked if one of the organizers would explain in detail what they were up to. So here is my New Yorker cartoonist colleague, Amy Kurzweil to tell you about an incredibly worthy effort, #Cartoonrelief:

#Cartoonrelief was born on the New Yorker Cartoonist Slack channel. Navied Mahdavian posted that he’d just bought some photographs from Italian artists raising money for local hospitals, and wanted to know if we cartoonists were interested in selling prints or drawings for a coronavirus cause. I was just about to do something similar on my instagram; a couple times annually I sell prints and originals and give half the proceeds to charity, and this seemed like a moment to up my charitable game. I chose (and often raise money for) Give Directly because their charitable model makes the most sense to me; they give unconditional, direct cash transfers to people living in extreme poverty; they’re highly rated by charity watch orgs because their model means overhead costs are low and decisions about how to spend money are as local as possible. Usually their efforts are global, but right now they have a fund that sends cash to US families hit hardest by COVID-19. 
Other cartoonists jumped on board, and we each made our own choices about what to offer and for how much, given our various constraints at the moment. Avi Steinberg is offering digital portraits, Navied Mahdavian is offering original cartoon drawings, Brendan Loper is offering original cartoon drawings, digital prints, and pet portraits, Sofia Warren is offering originals portraits and original collaborative cartoons, Kendra Allenby is offering signed prints and one-on-one art consultations, Ivan Ehlers is offering prints and custom digital portraits. Neil Dvorak is offering prints, Tom Chitty is drawing robots on horses. Each of our offerings is set at a different price-point, between $25 and $125; people just have to message us the receipt for their donation. I’m offering drawn portraits for $100 and personalized digital cartoon prints for $50. Most people are going for portraits, usually of a loved one: a child they’re quarantining with, a partner they are or aren’t quarantining with, a coworker they’re missing. Although it’s been a lot of work, it’s felt quite meaningful to enter people’s lives momentarily through the act of drawing the people they love. All the responses have been incredibly validating. Here are a few of the portraits I’ve done so far:
And here are some other offerings:
Original Cartoons from Navied:
A collaborative cartoon from Sofia and a donating contributor:
I’ve noticed people have been making much larger donations than I suggest. For example, someone just sent me a receipt for $1000. I think people who can give, want to give, and they appreciate encouragement and validation for doing so. Together we’ve raised $8,000 +… and counting!
If you’d like to join us: Our efforts are unified under the hashtag #cartoonrelief, and any cartoonists can get involved by offering whatever art they can, for a COVID-19 related charitable cause. We’re encouraging of cartoonists and cartoon supporters to propose their own charity or fund they believe is helping with medical or economic relief right now.
If people have any questions about how to get involved, or want to support our efforts, you can reach out to any of the cartoonists mentioned above on Instagram, or email me directly: amykurz@gmail.com 
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A listing of New Yorker artists who contributed to newyorker.com features during the week of March 30 – April 3, 2020.
The Daily Cartoon: Peter Kuper, Shannon Wheeler, Jon Adams, Johnny Dinapoli, Kendra Allenby.
Daily Shouts: Liana Finck, Jason Chatfield (with Ginny Hogan), Avi Steinberg.
…Barry Blitt’s Kvetchbook.
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Tom Gauld’s Cartoon Collection Reviewed
Mr. Gauld is a New Yorker cover artist.

 

Weekend Spill: “I Played Ping-Pong” With Thurber…The New Yorker’s Roger Angell Interview; John Cuneo Sketches A Cover On A Napkin; The Tilley Watch Online: February 10-14, 2020

Interview Of Interest: Roger Angell

From The New Yorker, this terrif interview of Roger Angell by Willing Davidson, a senior editor at the magazine: “Baseball, Fiction, And Life: Roger Angell’s Era-spanning Career At The New Yorker”

Left: Mr. Angell, wearing the hat, with another New Yorker era-spanner, Edward Koren

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John Cuneo Sketches A Cover On A Napkin

When I meet up with cartoonists here in the Hudson Valley it’s a rare thing for any drawing to be done. Most of the time — 99.999% of the time — is spent jabbering about all kinds of things. But — there’s always a but, right? — yesterday while sitting in a bakery/coffee joint with New Yorker colleagues, Danny Shanahan and John Cuneo, John began to describe a cover he’s working on for Michael Gerber’s fab American Bystander. As the fine tip Uniball pen often cuts to the chase quicker than the spoken word, John grabbed a napkin and within seconds ( a minute at most) drew the above. Hoarder that I am, I asked him if I could have it just as he was about to crumple it up, and then asked if he would sign it. Luckily, he was  agreeable-enough to both requests. I’ll run his sketch again side-by-side the finished piece once it appears on The American Bystander.

—My thanks to John Cuneo for sharing his napkin with the Spill. 

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The Tilley Watch Online

An end of week listing of New Yorker artists who contributed to newyorker.com features,  February 10-14, 2020.

The Daily Cartoon: Amy Hwang, Ivan Ehlers, Kim Warp, Brendan Loper, Lila Ash.

Daily Shouts:  Olivia de Recat (with Julia Edelman), J.A.K. (with Harris Mayersohn),

…And:

Barry Blitt’s Kvetchbook.

“Dinner Party” — A video with Marc Philippe Eskenazi, who was at one time an assistant in the cartoon department.

 

 

Thurber Thursday; Today’s Daily Cartoonist & Cartoon; Article Of Interest: Sipress’s Appropriated Cartoon

A weekly time-out with something Thurber.

In this first installment of Thurber Thursday I thought I’d show my copy of Burton Bernstein’s Thurber: A Biography. It’s in rough shape now, as you can see; I bought it new in 1975, the year it was published. I was in college, in the beginning years of being totally gaga about everything Thurber, everything New Yorker. The publication of Mr. Bernstein’s book was a dream come true. It is, with the exception of Thurber’s own Thurber Carnival (known around here as “the bible”) the book I’ve re-read the most. When I finally met Mr. Bernstein a few years ago, I was so pleased to be able to tell him what his book meant and still means to me.

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Today’s Daily Cartoonist & Cartoon 

Ivan Ehlers on politics getting us down.

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Article Of Interest: Sipress’s Appropriated Cartoon

A post from artnet about David Sipress’s recent newyorker.com piece, “Stop Thief! My Cartoon Gets Appropriated” — Mr. Sipress began contributing to The New Yorker in 1998.

 

The Weekend Spill; The Tilley Watch Online, January 27-31, 2020; Article Of Interest: Elizabeth Montague

The Tilley Watch Online, January 27-31 ,2020

An end of week listing of New Yorker artists who’ve contributed to newyorker.com features

The Daily Cartoon: Teresa Burns Parkhurst, Ivan Ehlers, Peter Kuper, Kim Warp, Brendan Loper.

Daily Shouts: Sofia Warren, J.A.K..

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Article Of Interest: Elizabeth Montague

From The Washington Post, February 1, 2020, “She is a black female cartoonist, and brings a ‘unique’ perspective to The New Yorker”

Here’s Liz Montague’s Spill entry:

Liz Montague New Yorker work: March 11, 2019–. Born December 15, 1995, attended University of Richmond class of 2018, former D1 track & field athlete, as of 2019 works as a digital storyteller at the Aga Khan Foundation in Washington, D.C. amplifying underrepresented narratives- Website: www.lizatlarge.org