The Monday Tilley Watch, The New Yorker Issue Of September 16, 2019

The Cover: Ivan Brunetti returns with a cat person/dog person cover. Read here what he had to say about the cover.

The Cartoonists & Cartoons:

I spend the wee hours of every Monday morning looking through the latest issue of The New Yorker (it’s posted online at around 4am). I look at every cartoon at least twice, then I close my laptop and think about the cartoons I just saw. The ones that stick with me — the ones I think about the most, are the ones noted here on The Monday Tilley Watch.  And so it is this week with these four (in no particular order):

Liana Finck’s (p. 40) umbrella drawing grabbed me immediately. It reminded me of an early New Yorker drawing by her published in 2014 (she began contributing to The New Yorker in 2013) titled Snow Falling On Accountants (I liked that one so much it’s now part of the Spill‘s collection of originals). The drawing has a 1970/1980s-era William Stieg-ian quality to it.

Roz Chast’s Wizard of Oz drawing (p. 54). I’m a fan of Ms. Chast’s outdoorsy drawings (like this one for instance).  I associate Oz with spectacular color (the film is black & white til Dorothy lands in Oz and opens up the door of her farmhouse). We’ve all seen enough of Ms. Chast’s terrif color work so that I can (possibly) be forgiven for imagining this drawing colorized.

The lead off drawing in the issue is by Adam Douglas Thompson. I like the simplicity of this cartoon — the way Mr. Thompson’s shown us exactly what we need to see, and no more.  Rats (and mice) have a long New Yorker cartoon history (here’s a favorite Sam Gross drawing from 1999).

David Borchart’s end of summer drawing (p. 39) is quite fab. Mr. Borchart, as he usually does in his work, gives us a world to think about. And, of course, the drawing itself is spectacular (note how the ferry leaves a wake).

Cartoon placement/sizing: All of the cartoons in this issue have been given good breathing room. A few examples: William Haefeli’s (p.31), Sharon Levy’s (p.59), and Lars Kenseth’s (p.22).

Rea Irvin’s Lost Masthead: Gone since the Spring of 2017, but not forgotten here.

 

 

 

The Weekend Spill: Exhibit Of Interest “Asian Babies: Works From Asian New Yorker Cartoonists”; The Tilley Watch Online, Sept. 2-6, 2019; Profile Of Interest: Roz Chast

__________________________________________________________________________

Asian Babies: Works From Asian New Yorker Cartoonists

A must-see exhibit curated by Jeremy Nguyen and Amy Hwang.  All the info above!

Alice Cheng began contributing to The New Yorker in 2017; Maddie Dai in 2017; Amy Hwang in 2010; Suerynn Lee in 2019; Evan Lian in 2019; Hartley Lin in 2019; Christine Mi in 2018; Jeremy Nguyen in 2017, and Colin Tom in 2015.

You can see work by all of the above artists here on The New Yorker‘s Cartoon Bank site.

__________________________________________________________________________

The Tilley Watch Online, September 2-6, 2019

 

A gathering of the New Yorker cartoonists whose work appeared this week on The Daily Cartoon and/or  Daily Shouts.

Daily Cartoon: John Cuneo (a Bonus Daily), Ali Solomon, Tim Hamilton, J.A.K., and Jon Adams.

Daily Shouts: Avi Steinberg (with Irving Ruan).

…and Barry Blitt’s Kvetchbook

See all of the above and more here.

_______________________________________________________________________

Profile of Interest: Roz Chast

From Hamilton College, September 6, 2019, “Drawing On Fidgety Brilliance” — a short profile of Roz Chast.

Ms. Chast began contributing to The New Yorker in 1978. Visit her website here.

 

At The New Yorker Festival: New Yorker Cartoon Editor Emma Allen & Company Talk Peanuts; A Conversation With Alison Bechdel; Chast & Ukulele; Today’s Daily Cartoonist & Cartoon; A Daily Shouts With… Avi Steinberg

At The New Yorker Festival: New Yorker Cartoon Editor Emma Allen & Company Talk Peanuts; A Conversation With Alison Bechdel; Chast, Marx, & Ukuleles 

Cartoon-related Fest Happenings:

The New Yorker‘s Cartoon Editor, Emma Allen will moderate a panel discussion on “Peanuts.” (Oct. 12). All the info here.

Alison Bechdel will speak with Judith Thurman (Oct. 12).  Info here.

Roz Chast, and co-author Patty Marx (Why Don’t You Write My Eulogy Now So I Can Correct It?) will play their ukuleles (Oct. 12th). Info here. 

________________________________________________

Today’s  Daily Cartoonist & Cartoon

J.A.K. on Brexit. Mr. K. has been contributing to The New Yorker since 2014.

______________________________________

A Daily Shouts With… Avi Steinberg

“Existential Dread In The Animal Kingdom” by Avi Steinberg and Irving Ruan.

Mr. Steinberg has been contributing to The New Yorker since 2012.

The Weekend Spill: Fave Photo Of The Day: Gerberg & Booth; Thurber’s Art Celebrated!; The Tilley Watch Online; Event Of Interest: Roz Chast

Fave Photo Of The Day

Courtesy of Sarah Booth, this fab photo of New Yorker artists Mort Gerberg and George Booth, taken this past Friday following Mr. Gerberg’s gig playing Cole Porter’s piano at The New York Historical Society.

Mr. Gerberg began contributing to The New Yorker in 1965.

Mr. Booth began contributing to The New Yorker in 1969.

________________________________

Thurber’s Art Celebrated!

Thurbermaniacs rejoice! Besides two new Thurber books (shown below), there is The Columbus Museum of Art exhibit,  “A Mile and a Half of Lines: The Art of James Thurber” — according to The Columbus Dispatch, it’s “the first major and largest exhibit of its kind” of Thurber’s drawings. The exhibit will not tour, so catch it while you can. There is also a terrific new Thurber website from Michael J. Rosen, who’s central to this 125th anniversary celebration.  Visit the Thurber site here.

James Thurber’s entry on the Spill’s A-Z:

James Thurber Born, Columbus, Ohio, December 8, 1894. Died 1961, New York City. New Yorker work: 1927 -1961, with several pieces run posthumously.  According to the New Yorker’s legendary editor, William Shawn, “In the early days, a small company of writers, artists, and editors — E.B. White, James Thurber, Peter Arno, and Katharine White among them — did more to make the magazine what it is than can be measured.”  

Key cartoon collection: The Seal in the Bedroom and Other Predicaments (Harper & Bros., 1932). Key anthology (writings & drawings): The Thurber Carnival (Harper & Row, 1945). There have been a number of Thurber biographies. Burton Bernstein’s Thurber (Dodd, Mead, 1975) and Harrison Kinney’s James Thurber: His Life and Times (Henry Holt & Co., 1995)  are essential. A short bio appears on the Thurber House website: http://www.thurberhouse.org/about-james-thurber/

______________________________________________________________________

Here’s a roundup of the week’s New Yorker cartoonist contributors to the Daily Cartoon and Daily Shouts.*

Daily Cartoon: Peter Kuper (twice in the week), Joe Dator, Tim Hamilton, Barry Blitt (a Daily Bonus cartoon), and J.A.K.

Daily Shouts: Emily Flake (with David Bradley Isenberg), Liana Finck (another installment of her “Dear Pepper” series), and Sara Lautman.

* a new (?) entry by Barry Blitt — outside of the Daily headings — appeared this week: Blitt’s Kvetchbook (not to be confused with “Barry Blitt’s Sketchbook” published in Graydon Carter’s  Air Mail).

 

_____________________________________

Event of Interest: Roz Chast

Ms. Chast, who began contributing to The New Yorker in 1978,  will speak at The Museum of The City of New York in October. Details here.