The Monday Tilley Watch, The New Yorker Issue Of April 6, 2020; Today’s Daily Cartoonist & Cartoon; Today’s Daily Shouts Cartoonist

The Cover: A heart-strings reflection of the issue’s Health Issue theme (but it’s tempting to believe we’d see a cover along these lines even if it wasn’t the Health Issue).

The Cartoonists:

The Cartoons:

An umbrella observation from the get-go:  the abundance of color pieces (one by Roz Chast, one by Emily Flake, and one by Liana Finck) in this issue at times kind’ve almost sorta made it feel as if I was paging through a Cartoon Issue. However, unlike the special pieces found in Cartoon Issues of yore, all three of these new pieces are distinctly linked to one subject (can you guess what it might be?).

There are a number of cartoons in this issue that got my attention, beginning with Barbara Smaller’s (p.26) — my favorite Smaller drawing thus far this year. Also eye-catching: Justin Sheen’s castle & moat drawing; Brendan Loper’s getting away from it all cartoon, and Ed Steed’s survivor. All four enjoy a sharply written caption.

A number of drawings (beyond the color pieces mentioned above)  are either directly related to, or can be seen as related to the coronavirus, foremost being Joe Dator’s terrif drawing (p.69), P.C. Vey’s (p.31), and Mr. Loper’s cartoon on page 39. Tom Chitty’s friendly city drawing (p.57), as well as John O’Brien’s drawing (on page 72) could possibly be read as corona-related cartoons. The folks in Mr. O’Brien’s supermarket all seem to be spaced at least six feet apart, but, as with most all of Mr. O’Brien’s drawings, it’s an evergreen.

The remaining four drawings: Sofia Warren’s, Amy Hwang’s, Teresa Burns Parkhurst’s, and an effort from the Bliss/Martin duo, are comic relief unrelated to the health crisis.

Paperwork: the aforementioned Justin Sheen is new to the New Yorker cartoonist fold. He’s the 4th new cartoonist of 2020, and the 57th new cartoonist brought into The New Yorker since Emma Allen was appointed cartoon editor in the Spring of 2017.

The Rea Irvin Talk Masthead Watch:

Read about Rea Irvin’s mothballed iconic Talk masthead (above) here.

And This:

Just noticed that The New Yorker‘s Facebook New Yorker Cartoons page received a make-over. The new look is shown below — new (old) typography, and a (recycled) Rea Irvin inspired banana peel-inspecting Tilley icon replacing Christoph Niemann’s guy at a table icon. Mr. Niemann’s icon showed up in the Spring of 2017, and replaced an existing icon — a drawing by Jack Ziegler.  It puzzled me at the time (and thereafter) that work by a non-New Yorker cartoonist (Mr. Niemann) was chosen to replace an icon drawn by an iconic New Yorker cartoonist.

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Today’s Daily Cartoonist & Cartoon

Kendra Allenby on the newest normal.

Ms. Allenby began contributing to The New Yorker in 2016. Visit her website here.

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Today’s Daily Shouts Cartoonist

Avi Steinberg gives us “Things That Used To Be Annoying But Are Now A Comfort” — Mr. Steinberg began contributing to The New Yorker in 2012.

 

 

 

The Monday Tilley Watch, The New Yorker Issue of March 30, 2020; More Spills…

Note: As of 10:00am this Monday morning the magazine’s digital issue has not yet been posted, so, for now, I’m relying on what’s available on other areas of newyorker.com.

Update: Digital issue posted this evening.

The Cover: as mentioned here last Friday, the new issue’s cover (above) was early released.

The Cartoonists:

The Cartoons: As might be expected, several of this week’s eleven cartoons are current event-centric.  Roz Chast’s and Paul Noth’s the most reflective, with Sofia Warren’s very much in the vicinity.  If there’s a non-exclusive theme running throughout, it is domesticity: Lars Kenseth’s couple in the kitchen, Zach Kanin’s dad in the living room, a neighbor showing up to borrow a lot of sugar, Emily Flake’s couple at home in the hallway, and a dad in bed, with little patience to listen to his kid’s dream. Kim Warp’s way out there drawing bucks the surely coincidental at-home theme.

All of the cartoons above can be seen here via a slideshow on newyorker.com

The Rea Irvin Talk Masthead Watch: Mr. Irvin’s iconic masthead (below) is still hidden away, a redraw in its place since the Spring of 2017. Read about it here.

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…Today’s Daily Cartoon: Maddie Dai on staying in.

…a Daily Shouts by Emily Flake: “Adages For The Age Of Quarantine.”

…From Comics DC, March 22, 2020: “Was Emily Richards The First Black Female New Yorker Cartoonist in 2004?”

 

 

 

 

 

 

 

 

The Monday Tilley Watch, The New Yorker Issue of March 23, 2020: No GOAT

The Cover: This week’s cover, by Christoph Niemann is right on the money. The New Yorker‘s art editor, Francoise Mouly, has a Q&A with the artist here.

Historical Note:  this is the first issue of The New Yorker  not to include a Goings On About Town section. A notice appears on this week’s Table of Contents.

A potted history of GOAT (as it’s sometimes affectionately called)

The very first issue of The New Yorker  included a “conscientious calendar of events worth while” called Goings On.  The very first Goings On was just one page, near the back of the book. Below is the heading of that first Goings On.

The Goings On heading survived up through the issue of October 31, 1925. Goings On About Town was used for the very first time in the next issue (November 7, 1925). Goings On About Town was moved to the very front of the magazine in the issue of January 23, 1926.

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And now back to the present…and this week’s issue.

The Cartoonists:

Once again, I’ve posted the entire listing of artists as this week’s Spots are by the fab cover artist, Marcellus Hall.

There is a newbie this week: Matilda Borgstrom, who is the third new cartoonist to enter The New Yorker‘s stable of cartoonists this year, and the fifty-sixth new cartoonist brought in under Emma Allen’s cartoon editorship, begun in the Spring of 2017.

The Cartoons:

There are, as you would expect, a number of cartoons (“Drawings”) this week reflecting directly or indirectly the times we’re in: Roz Chast’s store front sign referencing hand sanitizer and face masks, Frank Cotham’s castle cleaning crew, Liza Donnelly’s kitchen full of fermented food, Emily Flake’s monster coming out of a closet.

The remaining cartoons take us away for awhile– as we’d want them to; the variety includes a mermaid, a couple of cowboys, a typing kitty, stargazers…and more.

The Rea Irvin Talk Masthead Watch: Virus, or no virus, the watch continues. Read about Mr. Irvin’s moth-balled iconic Talk masthead here.

Here’s what we’re no longer seeing:

 

 

Thurber Thursday: A Thurber Dog Cap; Sutton’s Daily; Chast In Florida; Today’s Daily Cartoonist & Cartoon

There aren’t a lot of wearables in the Spill’s archives — a Sam Cobean scarf, and just a few hats: one worn by Mischa Richter for the Arnold Newman New Yorker cartoonists group photo shoot in 1997, and this Thurber cap, bought ages ago in Columbus, Ohio at The Thurber House. I’ve always loved the simplicity of it — no need to fill the hat with running dogs. As befits Thurber’s art, less is so much more.

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Yesterday’s Daily Shouts, courtesy of the fab Ward Sutton: “Where All That Bloomberg Campaign Money Went”

Mr. Sutton began contributing to The New Yorker in 2007. Visit his website here.

 

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Chast In Florida

From Boca, March 4, 2020, “Roz Chast Delights, Moves Audience at Festival of the Arts”***

***A correction regarding this passage in the above piece:

She [Roz Chast] explored a bit of her glass-ceiling backstory as the only female cartoonist at the New Yorker circa 1978, when, at 23, she made a sale from her very first batch of submissions.

Nurit Karlin’s cartoons were being published at the time Ms. Chast began contributing to The New Yorker. Ms. Karlin’s cartoons appeared in The New Yorker from 1974 through 1988.

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Today’s Daily Cartoonist & Cartoon

Being right all the time, courtesy of David Sipress, who began contributing to The New Yorker in 1998. See more of his work here.

The Weekend Spill: Chast & Marx In Connecticut; The Tilley Watch Online for the Week of February 24th-28th, 2020

Chast & Marx In Connecticut

Roz Chast & Patricia Marx will be at the Ridgefield Public Library on March 13th, promoting their most recent book,You Can Only Yell At Me For One Thing At A Time.

It’s probably safe to assume there’ll be some ukulele playing at this ticketed event (five bucks).

Ms. Chast began contributing to The New Yorker in 1978. Visit her website here.

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An end of the week listing of New Yorker artists who contributed to newyorker.com features

The Daily Cartoon: Drew Dernavich, Jon Adams, Teresa Burns Parkhurst, Brendan Loper, Avi Steinberg, Peter Kuper.

 

Daily Shouts: Olivia de Recat, Liana Finck .

…and: Barry Blitt’s weekly Kvetchbook

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