Weekend Spill: 64 Works By Steinberg Go To Long Island Museum; The Tilley Watch Online; Meet The Artist (1943): Alan Dunn; Liza Donnelly Speaks on Drawing For Change; Upcoming Swann Auction Loaded With New Yorker Art

64 Steinberg Works To Long Island Museum

From ArtNews, November 15, 2019, “Parrish Art Museum Acquires 64 Works By Famed Cartoonist Saul Steinberg” 

Mr. Steinberg’s entry on the Spill’s A-Z:

Saul Steinberg Born, June 15, 1914, Ramnic-Sarat, Rumania. Died in 1999. New Yorker work: 1941 – (The New Yorker publishes his work posthumously). Steinberg is one of the giants of The New Yorker.  Go here to visit the saulsteinbergfoundation where you’ll find  much essential information and examples of his work.

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An end of the week listing of New Yorker artists who contributed to the Daily Cartoon and/or Daily Shouts, November 11-15, 2019.

The Daily Cartoon: Kim Warp, Emily Flake, Ellis Rosen, Elisabeth McNair, Christopher Weyant.

Daily Shouts: Teresa Burns Parkhurst, Liana Finck (another in her Dear Pepper series), Tim Hamilton.

…and Barry Blitt’s Kvetchbook.

See all of the above and more here.

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Liza Donnelly Speaks On Drawing For Change

From Elon University, November 15, 2019, “Cartoonist Liza Donnelly offers look at using visual humor to affect change” — a piece on Ms. Donnelly’s recent talk at the university.

Ms. Donnelly began contributing to The New Yorker in 1982. Visit her website here.

 

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Meet The Artist (1943): Alan Dunn

One of a number of self portraits of New Yorker artists included in the catalog Meet The Artist, published in 1943 by the M.H. de Young Memorial Museum.

Alan Dunn’s entry on the Spill‘s A-Z:

Alan Dunn Born in Belmar, New Jersey, August 11, 1900, died in New York City, 1975. New Yorker work: 1926 – 1974 Key collections: Rejections (Knopf, 1931), Who’s Paying For This Cab? (Simon & Schuster, 1945), A Portfolio of Social Cartoons ( Simon & Schuster, 1968). One of the most published New Yorker cartoonists (1,906 cartoons) , Mr. Dunn was married to Mary Petty — together they lived and worked at 12 East 88th Street, where, according to the NYTs, Alan worked “seated in a small chair at a card table, drawing in charcoal and grease pencil.”

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Upcoming Swann Auction Abounds With New Yorker Art

The December 10th Swann Illustration Auction catalog is now available online and, as usual, there is a New Yorker section loaded with original pieces.  This particular offering includes a large number of contemporary contributors as well as work by such Golden Age luminaries as Peter Arno, Charles Saxon, Charles Addams, and Steinberg.

See it all here.

Happy bidding!

From 1943’s Meet The Artist: Steinberg; Article Of Interest: Sempe’s Love For Paris; Release Party For Peter Kuper & Company’s World War 3 Issue #50; Today’s Daily Cartoonist & Cartoon

From 1943’s Meet The Artist: Steinberg

Some years back, hunting through the humor section of a (now closed) used book store in Ellsworth, Maine, I came upon a wonderful catalog, Meet The Artist: An exhibit of self-portraits by living American artists,  published in 1943 for an exhibit at San Francisco’s M.H. de Young Memorial Museum. Among the exhibit’s 150 portraits are 18 by New Yorker contributors. For the next few weeks the Spill will post these 18 self-portraits.

We begin with Saul Steinberg:

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Article Of Interest: Sempe

Here’s an article from a few years back that escaped my attention:  From Bonjour Paris, June 13, 2016, “Sempe, the Celebrated Cartoonist and His Love for Paris”

Mr. Sempe began contributing to The New Yorker in 1978.

— pictured: paperback edition of Sempe’s first collection, Rien N’est Simple (Nothing Is Simple), published 1962.

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Event Of Interest:

This notice of a release party for World War 3  Issue #50:

A release party featuring LIVE presentations by the artists is happening Sunday December 8th at Printed Matter’s New York Chelsea neighborhood shop at 231 11th Ave, (at 26th Street) New York, New York 10001. The event starts at 4pm and runs through 6pm. Many artists will be on hand to sign work and answer questions!

From the publishers:

World War 3 Illustrated is an American comics anthology magazine. Established in 1979 by Peter Kuper, Seth Tobocman, and Christof Kohlhofer. Now in its 40th year, it continues its proud tradition of publishing more new comic book artists each issue than any publication of its type.

Visit the WW3 website here.

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Today’s Daily Cartoonist & Cartoon

Ellis Rosen on… the winter coat. Mr. Ellis began contributing to The New Yorker in 2016. Visit his website here.

Late Notice: A Launch Party Tonight With Hilary Fitzgerald Campbell Live-Drawing; Today’s Daily Cartoonist & Cartoon; The Monday Tilley Watch, The New Yorker Issue Of November 18, 2019; Some Thoughts After Seeing The Documentary Film, “Stevenson Lost And Found”

Late Notice: A Launch Party Tonight With Hilary Fitzgerald Campbell Live-Drawing

From the Facebook Invite:

Come celebrate the release of Sarah Dooley’s new book ‘Are You My Uber?’ which is a parody of the P.D. Eastman classic ‘Are You My Mother?’ Listen to comedians Sydnee Washington, Eva Victor, Larry Owens, Pat Regan, Marcia Belsky, Gabe Gonzalez, and Taylor Ortega tell hilarious stories of wild cab experiences while Hilary Campbell, the book’s illustrator, does live drawings.

Ms. Campbell began contributing to The New Yorker in 2017. Visit her website here.

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Today’s Daily Cartoonist & Cartoon

A leafy Daily from Chris Weyant, who began contributing to The New Yorker in 1998. Visit his website here.

 

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The Cover: I see leaves. The fifth cover (below right) by Brigit Schossow.  Read a Q&A with her here.

There’ve been a lot, a whole lot, of leafy New Yorker covers, but this current one by Ms. Schossow  brought to mind (courtesy of a helpful New Yorker colleague) the beauty below left by the magazine’s former art & cartoon editor, Lee Lorenz.

 

The Cartoonists:

The Cartoons:

A scattering of thoughts about just a few of the cartoons in this issue:

P.C. Vey’s bear and couple in the woods (on page 33) made my day.

Something totally unexpected cartoon-wise is usually always good, and so it was coming upon a Jack Ziegler cartoon. Especially nice that the drawing is set in one of his favorite cartoon scenarios: a bar.

A fun Pete Mueller drawing (p.27).  Two Mueller drawings in two issues. Yay!

Ellis Rosen’s friend’s shower (p.56) is different. Like the choices of warm/cold and cold/warm.

Needed a ten second Googled refresher course with Liana Finck’s drawing (p. 60).  Not so much what her drawing means, but the meme’s origin (just curious, y’know).

The Rea Irvin Talk Masthead Watch:

Am hoping to open the issue one day and see Mr. Irvin’s iconic design has returned. No dice this week. For now, there’s that re-draw. Read about the classic Irvin Talk masthead here.

Here’s the real deal:

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Some Thoughts After Seeing The James Stevenson Documentary Film, Stevenson Lost And Found

A few random thoughts after attending last night’s premiere of Sally Williams’ fab documentary film, Stevenson Lost And Found.  There are are so many moments in the film — too many to go into here — that cartoonists and people who love New Yorker cartoons will treasure.

One instance I found particularly fascinating: the animated sequence showing what might go through cartoonists brains as they sit down and begin the day’s work. We’re shown a series of cartoons covering a wide variety of subject matter. It is, for this cartoonist, a relatable experience, as the mind careens through unlimited places every morning.

Another instance: in some eye-popping sequences we’re shown images of Mr. Stevenson’s children’s books lined-up, as well as Mr. Stevenson’s New Yorker  black scrap books (shown above) kept in the magazine’s library. These books contain every single signed New Yorker contribution by Stevenson, whether it’s his writing or drawing (including covers of course).*  Most of The New Yorker’s nearly 650 cartoonists (from 1925- present) have not had their work collected in one scrap book, let alone five. **

At the screening, I was lucky enough to be seated next to the legendary artist, Edward Sorel. During one of the sequences in the film where we are grasping the enormous amount of work Stevenson did (both published and unpublished) Mr. Sorel leaned over and said to me, “Do you feel as much like an underachiever as I do?”

In a perfect cartoon world, there’d be films such as Lost And Found for a number of the magazine’s artists. It’s heartening that there is already a Thurber film out there, and an Addams documentary in the works, as well as a film about George Booth.  But how about a Steinberg documentary, and one about Steig***?  I can dream, can’t I.  For now, we are quite fortunate to have this gem on Stevenson showing on the big screen. Go see.

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* I say “signed” because The New Yorker  did not and does not scrap book cartoon ideas handled by other artists. Mr. Stevenson, early in his New Yorker career, wrote a large number of captions for some of the magazine’s artists (read about his “secret job” here).

**Artists (and writers) without an enormous amount of work are scrap booked in alphabetically  cataloged books, along with other contributors.

***A short video accompanied the Steig exhibit that ran at The Norman Rockwell exhibit.

There is a 20 minute film about Edward Sorel available here.

A 40 minute Eldon Dedini film here, 

And a short film about C.E.M. (Charles E. Martin) here.

 

 

The Weekend Spill: Peter Kuper’s NYT’s Book Review Back Page; The Tilley Watch Online, October 28 – November 1, 2019; Karasik Speaks; A Mary Petty Exhibit In Maryland

Peter Kuper’s New York Times Book Review  “Graphic Review”

Be sure to check out Peter Kuper’s “Graphic Review” (featured in tomorrow’s New York Times Book Review). His new book, Heart Of Darkness is out November 5th. He’ll be appearing to sign and speak about the book twice in New York next week (see yesterday’s Spill for links to venues).

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The Tilley Watch Online, October 28 – November 1, 2019: an end of the week listing of New Yorker artists that contributed online to newyorker.com features

The Daily Cartoon: Ali Solomon, Karen Sneider, Johnny DiNapoli, Barbara Smaller, Kim Warp, Ellis Rosen.

Daily Shouts: Sara Lautman, Ellis Rosen & Colin Stokes, Ali Fitzgerald.

and…the stand alone feature,  Barry Blitt’s Kvetchbook.

Go here to see all of the above and more (including Lynda Barry’s Daily Shouts piece, “Making Comics: The Face-Jam Excercise”), 

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Karasik Speaks

See the poster for all the info, and/or go here. Mr. Karasik began contributing to The New Yorker in 1999.

His most recent book, co-authored with Mark Newgarden, was How to Read Nancy: The Elements Of Comics In Three Easy Panels, published by Fantagraphics  in 2017.

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A Mary Petty Exhibit In Maryland

A Mary Petty exhibit is about to open at St. John’s Mitchell Gallery.  All the info here.

Ms. Petty’s entry on the Spill‘s A-Z:

 

 

 

 

Mary Petty Born, Hampton, New Jersey, April 29, 1899. Died, Paramus, New Jersey, March, 1976. New Yorker work: October 22, 1927 – March 19, 1966. Collection: This Petty Place ( Knopf, 1945) with a Preface by James Thurber.

 

 

The Wednesday Tilley Watch: Rejected New Yorker Cover Of The Week; The Halloween Dailies (Shouts & Cartoon); 37 Reasons To Buy This Cartoon Collection

Rejected New Yorker Cover of The Week

One of the best there is, John Cuneo, recently posted this rejected New Yorker cover submission. See more of Mr. Cuneo’s work on Instagram; see his published New Yorker cover art here.

— My thanks to John Cuneo for allowing me to Spill it.

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The Halloween Dailies (Shouts & Cartoon)

Shouts:  Ali Fitzgerald’s “America!: Halloween Costumes For People Who Can’t Stop Reading The News”

Ellis Rosen & Colin Stokes’s  “The Headless Horseman Tries Out Some Halloween Looks”

Cartoon:  Johnny DiNapoli’s Monster Mash

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37 Reasons To Buy This Cartoon Collection

Everyone’s A Critic, out now and available wherever great cartoon collections are sold, is loaded — Loaded! — with some of the very best single panel (i.e. New Yorker) cartoonists on the planet, and off.