Robert Crumb And Aline Kominsky-Crumb At Columbia This Fall; The Tilley Watch Online, July 15-19, 2019; Fave Photo Of The Day: Some New Yorker Folks At The San Diego Comic Con; NYTs Opinion Piece Of Interest: “The Vicious Fun Of America’s Most Famous Literary Circle”

 

Robert Crumb And Aline -Kominsky Crumb At Columbia This Fall

Columbia University’s Curator For Comics and Cartoons, Karen Green, announced at the San Diego Comic Com that Robert Crumb, Aline Kominsky-Crumb, and Peter Bagge will be appearing this Fall at Columbia University…no further info at the moment.  Here’s the article from The Beat, July 20, 2019, “Things Go Off The Rails At The Book Of Weirdo Panel”

Both Mr. Crumb and Ms. Kominsky-Crumb have contributed to The New Yorker.  In 1994, with the magazine was then edited by Tina Brown, Mr. Crumb’s “Elvis Tilley” broke the sixty-eight  year string of Rea Irvin Eustace Tilleys appearing on the anniversary issueFor more Tilley Talk, read my 2008 newyorker.com piece “Tilley Over Time”

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Daily Cartoon Contributors this week: Lars Kenseth, Avi Steinberg, Ellis Rosen, Teresa Burns Parkhurst, and Peter Kuper.

 New Yorker cartoonist Daily Shouts contributors this week:  Jeremy Nguyen (illustrator) with Jiji Lee, P.C. Vey, Ellis Rosen (with Colin Stokes), Olivia de Recat (with Sarah Vollman), Tom Chitty, and Teresa Burns Parkhurst.

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Fave Photo Of The Day

From Jason Chatfield‘s Facebook page, this group photo taken at the San Diego Comic Con.  Four outta five New Yorker  folks are in the line-up. Far left, MAD cartoonist, Todd Clark, then New Yorker contributors Ivan Ehlers, Shannon Wheeler, Lonnie Millsap, and Olivia de Recat.  

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A New York Times Opinion Piece Of Interest

From The New York Times, July 20, 2019, Jennifer Ratner-Rosenhagen’s Opinion piece,  “The Vicious Fun Of America’s Most Famous Literary Circle” 

(photo above from Ink Spill‘s “Posted Notes”)

A Non-Chas Addams Drawn Addams Family Comic Book This Fall; Today’s Daily Cartoonist & Cartoon; McPhail’s Graphic Review

From IDW, news of a one-shot Addams Family comic book this fall. Read about it here on Newsarama (includes the IDW press release).

 Worth noting that the drawings in this upcoming comic book will look like the ones above left, not the ones on the right, drawn by Addams.

Mr. Addams entry on the Spill’s A-Z:

Charles Addams (Born in Westfield, New Jersey, January  7, 1912. Died September 29, 1988, New York City. New Yorker work: 1932 – 1988 * the New Yorker has published his work posthumously. One of the giants of The New Yorker’s  stable of artists.  Key cartoon collections: While all of Addams’ collections are worthwhile, here are three that are particular favorites; Homebodies (Simon & Schuster, 1954), The Groaning Board (Simon & Schuster, 1964), Creature Comforts (Simon & Schuster, 1981). In 1991 Knopf published The World of Chas Addams, a retrospective collection. Visit the Addams Foundation website for far more information : http://www.charlesaddams.com/

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Today’s Daily Cartoonist & Cartoon

A fly, a frog, and airspace, by Lars Kenseth, who began contributing to The New Yorker in 2016. Visit his website here.

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Will McPhail’s Graphic Review

From The New York Times, July 19, 2019, “A Recipe For ‘Heartburn'”

— Will McPhail’s graphic review of Nora Ephron’s Heartburn. Mr. McPhail began contributing to The New Yorker in 2014.  Visit his website here.

 

 

 

 

Fave Photo Of The Day: George Booth, Mort Gerberg, And Sam Gross; A Chitty Shouts; Article Of Interest: Working At Mad Past Its Heyday; Today’s Daily Cartoonist & Cartoon; Two Collaborative Daily Shouts

Fave Photo Of The Day

Via Sarah Booth’s Instagram account, three long-time New Yorker cartoonists in front of a tattoo parlor,  July 2019.

Left to right: George Booth, Mort Gerberg, and Sam Gross.  Mr. Booth and Mr. Gross began contributing to The New Yorker in 1969, and Mr. Gerberg in 1965.

And…another group photo appears on the drawinglifemovie Instagram account (it’s attached to the George Booth Drawing Life documentary film in progress) .

— My thanks to Attempted Bloggery‘s Stephen Nadler for bringing the photos to my attention.

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A Chitty Shouts

Yesterday’s Daily Shouts from Tom Chitty: “Some Questions You May Be Asked When Applying For Ginger Citizenship”

— Mr. Chitty began contributing to The New Yorker in 2014.  Visit his website here.

 

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Working At MAD Past Its Heyday

From The Comics Journal, July 17, 2019, this excellent piece by Ryan Flanders, “An Unusual Gang Of Idiots: The Joy Of Working At MAD Past Its Heyday”

 

 

 

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Today’s Daily Cartoonist & Cartoon

Today’s Daily, courtesy of Ellis Rosen: Technology Meets Wilde.

Mr. Rosen began contributing to The New Yorker in 2016.  Visit his website here.

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Two Collaborative Daily Shouts

Olivia de Recat (contributing to The New Yorker since 2017) teamed up with Sarah Vollman for “Gifts To Commemorate Lesser-Know Milestones”

Visit Olivia de Recat’s website here. 

And also today, this duo Daily Shouts by Colin Stokes and Ellis Rosen, “Facial Expressions For Reacting To The New York Times Crossword” 

Mr Stokes is The New Yorker‘s assistant cartoon editor.  He has also contributed written pieces to the magazine.

 

The Monday Tilley Watch, The New Yorker Issue Of July 22, 2019

The Cover:    As you can see by the puzzled fellow icon, I am a little puzzled (though not completely puzzled) by Christoph Niemann’s Geico-esque subway cover for the July 15th issue. Luckily, there’s the go-to weekly Q&A for those in need of clarity.

The Cartoonists:

The Newbie: Madeline Horwath debuts this week.  She is the 21st new New Yorker cartoonist this year and the 47th to join the magazine’s stable under Emma Allen’s cartoon editorship (begun in May of 2017).

The Cartoons: A first impression after going through the magazine was the number of cartoons afforded generous space. Not too small, not too big, just right.  

A Selection Of The Magazine’s Moon covers: In celebration of the 50th anniversary of Apollo 11, there’s a page of four New Yorker covers by four artists: Charles Addams, Charles E. Martin (C.E.M.), Laura Jean Allen, and John O’Brien. But let’s not forget Alajalov, whose three Moon-centric covers perhaps qualifies him as King Of The Moon Covers.

Rea Irvin: How wonderful would it be to see Mr. Irvin’s Talk masthead return to the place it held for 92 years Until then, here’s Joe Starrett’s famous last line in Shane:“Shane! Shane! Come Back!”