Meet The Artist (1943): Roberta Macdonald; Today’s Daily Cartoonist & Today’s Daily Shouts Cartoonist; Roz Chast & Company

Meet The Artist (1943): Roberta Macdonald

Another in a series of self portraits of New Yorker artists included in the Meet The Artist catalog published by the M.H. de Young Memorial Museum in 1943.

Here’s Ms. Macdonald’s entry on the Spill‘s A-Z:

Roberta Macdonald (Photo courtesy of Ms. MacDonald’s daughter). Born, San Francisco, 1917. Died, Santa Rosa, California, 1999. New Yorker work: One hundred and three drawings, from May 4, 1940 – July 19, 1952. Besides contributing to The New Yorker, Ms. MacDonald also illustrated numerous humor books and children’s books.

 

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Today’s Daily Cartoonist & Today’s Daily Shouts Cartoonist

The Daily Cartoon

Incentives for telling the truth by Brendan Loper. Mr. Loper has been contributing to The New Yorker since 2016.

 

Daily Shouts

“Conversations With Ma: Posing For Pictures” by Julia Wertz, who began contributing to The New Yorker in 2015.  Visit her website here.

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Roz Chast & Company

Two events in the near future including Roz Chast. This one in January 2020, and this one on December 4th, 2019.

Ms. Chast began contributing to The New Yorker in 1978.  Visit her website here.

 

Today’s Daily Cartoonist & Cartoon; Nurit Karlin Archive To Columbia University; Meet The Artist (1943): Otto Soglow

Today’s Daily Cartoonist & Cartoon

Compared to Baby Yoda, by Lila Ash. Ms. Ash has been contributing to The New Yorker since 2018. Visit her website here.

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Nurit Karlin’s Archive To Columbia University

A Facebook announcement from Columbia University’s Karen Green:

Here’s Nurit Karlin’s entry on the Spill‘s A-Z:

Nurit Karlin (above. Photo taken at a Playboy holiday party, NYC, early 1990s). Born in Jerusalem, 1940.  Died, Tel Aviv, April, 2019.  New Yorker work: 1974 – 1988. Collection: No Comment (Scribner, 1978). For more on Karlin see pp 124 -130 of Liza Donnelly’s Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons (Prometheus Books, 2005).

 

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Meet The Artist (1943): Otto Soglow

Another in a series of self portraits of New Yorker artists included in the Meet The Artist catalog published by the M.H. de Young Memorial Museum in 1943.

Mr. Soglow’s entry on the Spill‘s A-Z:

Otto Soglow Born, Yorkville, NY, December 23, 1900. Died in NYC, April 1975. New Yorker work: 1925 -1974. Key collections: Pretty Pictures (Farrar & Rinehart, 1931) and for fans of Soglow’s Little King: The Little King (Farrar & Rinehart, 1933) and The Little King ( John Martin’s House, Inc., 1945). The latter Little King is an illustrated storybook. Cartoon Monarch / Otto Soglow & The Little King (IDW, 2012) is an excellent compendium.

 

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of November 25, 2019; Today’s Daily Cartoon & Daily Shouts Cartoonists

The Cover: It’s the Food Issue and it’s the Thanksgiving issue, so surprise: a turkey. You can read a Q&A with the cover artist here.

The Cartoonists:

The Cartoons… random comments on a few of the cartoons in this issue:

…Mick Stevens delivers a fab caveman drawing (it’s on page 69).  Beautiful drawing with a great caption.

…another fine drawing/caption from Bruce Eric Kaplan (p.50).

…a full page color “Sketchbook” by Kendra Allenby, as well as drawings by Amy Kurzweil and Lonnie Millsap reflect the issue’s food theme (and, for good measure, a drink drawing by Ellie Black).

…a Thanksgiving drawing by one of The New Yorker‘s Cartoon Gods, Gahan Wilson.

… a fun evergreen caption by Frank Cotham.

…I wonder how many of you will turn T.S. McCoy’s drawing (p.72) upside down.

The Rea Irvin Missing Talk Masthead Watch:

Sadly still missing from The New Yorker (but you can see it directly below). Read about it here.

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Meet The Artist (1943): Richard Taylor

Another in a series of self portraits of New Yorker artists included in the Meet The Artist catalog published by the M.H. de Young Memorial Museum in 1943.

Richard Taylor’s entry on the Spill‘s A-Z:

Richard Taylor Born in Fort William, Ontario, Sept. 18, 1902. Died in 1970. New Yorker work: 1935 -1967. Collections: The Better Taylors ( Random House, 1944, and a reprint edition by World Publishing, 1945), Richard Taylor’s Wrong Bag (Simon & Schuster, 1961). Taylor also authored Introduction to Cartooning (Watson -Guptill, 1947). From Taylor’s introduction: the “book is not intended to be a ‘course in cartooning’…instead, it attempts to outline a plan of study — something to be kept at the elbow to steer by.”

Below, the great photo of Richard Taylor from his book Introduction To Cartooning.

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Today’s Daily Cartoon & Daily Shouts Cartoonists

Today’s Daily Cartoonist & Cartoon: Robert Leighton on government officials. Mr. Leighton began contributing to The New Yorker in 2002. Visit his website here.

Today’s Daily Shouts: “Dating Material: Stalking Your Ex Throughout History”  by Julia Edelman & Olivia de Recat.  Ms. de Recat has been contributing to The New Yorker (print magazine) since 2018. Visit her website here. Ms. Edelman is a writer who has contributed Daily Shouts pieces illustrated by New Yorker artists.

 

“The Table In Mr. Ross’s Office Where We Used To Sit To Work On Pictures”; Book Of Interest: Alay-Oop By William Gropper; A Case For Pencils On Maddie Dai’s Tools Of The Trade; Daily Shouts & Daily Cartoon Cartoonists; Meet The Artist (1943): Dorothy McKay

“The Table Where We Used To Sit To Work On Pictures”

A photo I’ve seen before on the web, but never with the note attached you see above. The letter, signed “Jim”  was written by the then art editor James Geraghty.* The “Gardner” it’s addressed to was likely Gardner Rea, one of the magazine’s artists. There’s another possibility: the “Gardner” could’ve been Gardner Botsford, a New Yorker editor, but it makes more sense that the art editor was sending one of his artist’s a photo of the art table.  You’ll notice up on the wall is a poster listing some of the magazine’s artists, from Charles Addams to Gluyas Williams.  Also on the wall are five Thurber drawings on the Art Meeting, titled The Art Conference. You can see the series on pages 157-160 in Collecting Himself: James Thurber On Writers And Writing, Humor And Himself.  Edited by Michael Rosen. Published by Harper & Row, 1989.

For further reading on The New Yorker‘s weekly meeting where the table played a part, here’s a Spill post, “The Art Meeting from 2012.

*it has been suggested to me that the “Jim” is actually James Thurber as the provenance of the photo mentions Mr. Thurber but not Mr. Geraghty (the photo is part of the NY Metropolitan Museum of Art’s holdings). I have my doubts it’s “Jim” Thurber, but put the suggestion out there for anyone to confirm, if possible.

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Books Of Interest: Alay-Oop By William Gropper

Out this past June from New York Review Books, Alay-Oop by William Gropper. Mr. Gropper contributed to The New Yorker just once, meaning he’s a Spill One Clubber. More about Alay-Oop here.

Here’s Mr. Gropper’s A-Z entry:

William Gropper (Self portrait, from The Business of Cartooning, 1939) Born, December 3, 1897, NYC. Died, January 6, 1977, Manhasset, NY. 1 drawing, April 11, 1942. Quote:”I owe a great deal to the east side of New York. I was hit on the head with a rock in a gangfight…that’s how I became an artist.” [Quote from catalogue, Meet the Artist, 1943]. For a brief bio of Gropper “the workingman’s protector” visit: http://specialcollections.wichita.edu/

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A Case For Pencils On Maddie Dai’s Tools Of The Trade

Jane Mattimoe’s latest A Case For Pencils post features Maddie Dai, who began contributing to The New Yorker in 2017.

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Daily Shouts & Daily Cartoon Cartoonists

Today’s Daily Cartoonist & Cartoon: Politics as an energy boost from Kim Warp who began contributing to The New Yorker in 1999. Visit Ms. Warp’s website here.

Yesterday’s Daily Shouts cartoonist: Liana Finck (part of her “Dear Pepper” series). Ms. Finck began contributing to The New Yorker in 2013.  Visit her website here.

Yesterday’s Daily cartoonist: Emily Flake, who began contributing to The New Yorker 2008.  Visit her website here.

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Meet The Artist (1943): Dorothy McKay

The third in a series of New Yorker artists included in Meet The Artist, a catalog published in 1943 by the M.H. de Young Memorial Museum.

Here’s Ms. McKay’s entry on the Spill’s A-Z:


Dorothy McKay  (Photo from Cartoon Humor, 1938) Born c.1904, died June, 1974 New York City. New Yorker work: 1934 -1936.

 

 

Special Screening Of Stevenson Lost And Found For New Yorker Cartoonists; Meet The Artist (1943): Mischa Richter; David Remnick On Ross And Shawn

Special Screening Of Stevenson Lost And Found For New Yorker Cartoonists

The Spill has learned there’ll be a special screening for all New Yorker cartoonists next Tuesday of the documentary film, Stevenson Lost And Found. I asked the film’s director, Sally Williams to explain how this came about:

The idea for this screening came about from Nathan Fitch who is making the George Booth documentary.  We met up prior to our STEVENSON – LOST AND FOUND world premiere to compare notes and see how we could help each other out.  I think I found the idea of a New Yorker Cartoonist screening appealing because it creates a space for a different dialogue around the film.  There will be aspects that cartoonists recognize and connect with that others do not, I thought it would be interesting and valuable to have that insight from the current pool of New Yorker cartoonists.  As filmmakers, artists, illustrators it can be a bit of a sequestered road at times – so any excuse to interrupt that and bring people together is worth it I think.

(If you are a New Yorker cartoonist and want further info on the showing, please contact me).

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Meet The Artist : Mischa Richter

This is the second in a series of New Yorker artist’s self portraits included in the 1943 catalog, Meet The Artist

Here’s Mr. Richter’s entry on the Spill‘s A-Z:

Mischa Richter (photo courtesy of Sarah Geraghty Herndon). Born, Kharkov, Russia, 1910. Died, March 23, 2001. New Yorker work: January 10, 1942 – January 20, 2003 ; Key books: This One’s On Me! (McGraw-Hill, 1945) , The Cartoonist’s Muse, co-authored by Harald Bakken (Contemporary Books, 1992). )

 

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David Remnick On Harold Ross And William Shawn

If you, like me, never got around to picking up a copy of The New Yorker‘s 2016  anthology The 50s: The Story Of A Decade (Random House), you probably missed New Yorker editor David Remnick’s Introduction.  Lithub has the intro here.

Here’s a sample, with Mr. Remnick talking about the Shawn style of editing the magazine vs Ross’s.

“…Shawn assumed for himself far more authority than Ross, who was prepared to delegate a greater amount to his various deputies, or “Jesuses.” Shawn was also quiet, subtle, secretive, elliptical, and, to some, quite strange. He was a variety of genius who enjoyed funny writing as well as serious fiction, supported completely the individual artists and writers on a profoundly variegated staff, and expressed his myriad curiosities about the world by sending writers out to explore its many corners.”