The Monday Tilley Watch, The New Yorker Issue Of February 3, 2020; Today’s Daily Cartoonist & Daily Shouts Cartoonist

The Cover: a snowy bridge. Read the Q&A with the cover artist here, and see the pretty digital snowflakes fall.

The Cartoonists:

The Cartoons:

In a throw back to earlier Monday Tilley Watches, I’ll take a quick tour through all the cartoons in the issue; a mostly text-driven drive-by of the work.

The first drawing, by David Sipress, references the recent demise of Mr. Peanut (is he really gone, or was it just a dream?). The topic of the late legume was recently covered here.

…Julia Suits’s pirate in cargo shorts on a gangplank is next (cannot see cargo shorts/pants on a New Yorker cartoon character without thinking of the below cargo pants drawing by the late great Leo Cullum — it appeared in The New Yorker,  August 17, 1998:

…The third cartoon (oh, alright: drawing) in the issue belongs to Barbara Smaller, who’s been contributing to the magazine since 1996.  A bedroom, a married couple, and a reasonable question.

…next is a Zach Kanin poker game (assuming it’s poker — I see chips on the table). I really like the three card players Mr. Kanin has drawn. The fellow to the left looks a little like Ernest Borgnine (with a pinch of Broderick Crawford tossed in?):

To me, the guy on the far right resembles Mandy Patinkin.

…next up: Liana Finck on an age-old flooring concern. Nice floating ghost.

…Harry Bliss and one of his collaborators (Steve Martin) address a potential problem for passengers on one of those floating mini-cities sailing the seven seas.

…five pages later: an Emily Flake drawing far far removed from her usual style and cartoon concerns. Think Hindenburg disaster mashed with social media done in a sort of Stuart Leeds style.

…on page 45, a Tersa Burns Parkhurst retirement party. Dunno why but the cartoon reminds me of MAD magazine’s Dave Berg’s “Lighter Side Of…” drawings (that’s a good thing!).

…on page 43 is a drawing by Mick Stevens, one of the most veteran artists in this issue.  He began contributing in December of 1979 (Roz Chast in this issue with a full page color Sketchbook, beats him out by more than a year– her first drawing appeared in June of 1978).  I wonder if the male dancing bird in Mr. Stevens’s drawing was originally in color. Either way (color, or b&w), a fab cartoon.

…David Borchart’s auto rental drawing (page 43) gets a Spill gold star for the use of the word “rassle.” Zeke, the fellow that’s prepared to rassle, is also mighty terrific.

…On page 54 is an Ed Steed drawing that at first glance reminds me of Zach Kanin’s in this same issue, but only because, in both drawings, the viewer is seeing a table front and center and from near precisely the same angle. Instead of card players (as seen in Mr. Kanin’s drawing) we have animated garden utensils and tools. They’re plotting something.

…next up is a Robert Leighton drawing of mountain climbers.  I love how Mr. Leighton has immediately tossed us into a situation that would normally demand the best possible equipment available. You gotta feel for the climber who came unprepared.

…Thoroughly enjoyed  — as usual with Lars Kenseth’s work — his drawing of campers situated down on the ground, and in much nicer weather than Mr. Leighton’s. Look at the care he took in adding the reflection of the moon on the lake.

…next up is a three panel hat x-ray drawing by Liza Donnelly ( who began contributing to The New Yorker in 1982). This drawing answers the oft-asked question of what could possibly occupy all that beanie air space. Love the kitty!

Lastly, Adam Douglas Thompson (the most junior artist in this issue — his first drawing appeared in The New Yorker in the issue of April 8, 2019) gives us a sort of contemporary Chon Day drawing (it’s on page 68). “Sort of” because Mr. Thompson’s line and Mr. Day’s line have different flows.

The Rea Irvin Talk Masthead Watch:

This man (Rea Irvin) is wondering what happened to his beautiful Talk masthead design (shown below). You know — the one that appeared in The New Yorker for 92 years, not the re-draw that’s been around since May of 2017.  Who took the iconic masthead away, and why, and where oh where can it be? Actually, the answer to the first question is easy. Perhaps the last question is easy as well.  It likely resides in a file on a desktop, easily accessed. The question of why is the puzzler. Read more about its disappearance here.

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Today’s Daily Cartoonist & Daily Shouts Cartoonist

The Daily Cartoon: by Brendan Loper, who began contributing to The New Yorker in 2016.

…and a Daily Shouts by J. A. K., who began contributing to The New Yorker in 2014.

 

The Weekend Spill: The Tilley Watch Online, The Week Of January 13-17, 2020; A Note About Next Week’s New Yorker

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An end of the week listing of New Yorker artists who contributed to newyorker.com features

The Daily Cartoon: Brendan Loper (twice), Mort Gerberg, David Sipress, J.A.K.

Daily Shouts: Olivia de Recat & Julia Edelman, Emily Flake

…and Barry Blitt’s Kvetchbook.

To see all of the above and more go here.

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A Note About Next Week’s New Yorker

Oddly, the digital edition of next week’s issue (January 27, 2020) has appeared two days early. Although it’s out today, I’m going to stick to the usual Monday posting of commentary on the cartoons.

In the meantime here’s the cover, by Luci Gutierrez, and the line-up of cartoonists in the issue:

 

 

 

Fave Photo Of The Day: A Dozen New Yorker Cartoonists At Lunch; Today’s Daily Cartoonist & Cartoon (And Yesterday’s); Today’s Daily Shouts Cartoonist; Roz Chast & Patricia Marx’s 2020 Book Tour Schedule

Fave Photo Of The Day: New Yorker Cartoonists At Lunch

New Yorker cartoonists get together all the time, usually in groups of two or three. Every so often there’s a larger crowd, like today’s gathering of a dozen on Manhattan’s upper east side. They’re pictured above (the year each cartoonist began contributing to the magazine appears beside their name).

Seated, left to right: Warren Miller (1961), Nick Downes (1998), and Bob Eckstein (2007). Standing, left to right: John O’Brien (1987), Mort Gerberg (1965), Sam Gross (1969), Robert Leighton (2002), David Borchart (2007), Danny Shanahan (1988), Roz Chast (1978), Liza Donnelly (1982), and yours truly (1977).

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Today’s Daily Cartoonist & Cartoon:

David Sipress on tonight’s Democratic Presidential debate. Mr. Sipress has been contributing to The New Yorker since 1998. __________________________________

Yesterday’s Daily Cartoonist & Cartoon:

J.A.K. on Best Picture nominees. Mr. K. has been contributing to The New Yorker since 2014. His latest book is Everything Is An Emergency: An OCD Story in Words & Pictures (HarperCollins).

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Today’s Daily Shouts:

“Introducing Meghan And Harry’s Etsy Shop” by Emily Flake, who began contributing her cartoons to The New Yorker in 2008.

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Roz Chast & Patricia Marx’s 2020 Book Tour Schedule

Roz Chast’s Book Tour Began yesterday. Tonight she’s at The Strand. Her latest book is You Can Only Yell At Me For One Thing At A Time: Rules For Couples, co-authored with Patricia Marx.

(This image found on Stephen Nadler’s Facebook page (he of Attempted Bloggery). Thanks, Mr. N.)

 

The Monday Tilley Watch, The New Yorker Issue Of October 28, 2019

The Cover: Trick or treaters in the woods courtesy of Liniers. To me, the creatures appearing in this cover seem to be above-sea-level up-in-the-trees relatives of Ed Steed’s August 26th cover’s creatures. I’m reminded of the fun fans had years ago by hunting for The Beatles faces on the cover of The Rolling Stones album, Their Satanic Majesties Request.

Details from each below, with Mr. Steed’s fabulous creatures on the left and Mr. Linier’s on the right:

                                          The Cartoonists And Cartoons

A number of cartoons to mention this time around beginning with David Sipress’s alien being at the eye doctor’s office (the drawing is on page 29). It’s a clean, clear drawing with an excellent caption. The second I saw it it became my all-time favorite Sipress cartoon (applause, applause)…

…The same applause goes to Ed Steed’s dog at a typewriter (p.56). It’s a captionless drawing that excels because of words, or more specifically one word repeated twenty-two times.  As a bonus,  the drawing has been placed beautifully on the page. It too has risen in status to at least my co-all-time favorite in the Steed canon. Great drawing…

…Roz Chast’s drawing (p. 61) immediately brought to mind this hilarious scene from Jerry Lewis’s 1985 movie “Cracking Up” — Zane Busby is the waitress…

…I wonder how many New Yorker readers will be Googling “Gowanus” after looking at Paul Karasik’s drawing (p.28).  The same cartoon happily led me to thinking about this scene from Monty Python’s “Holy Grail”…

…Really enjoyed Lars Kenseth’s good humored and practical dad reassuring his son (p. 34)…

…Frank Cotham’s drawing (p.66) is another which has instantly become a favorite. It reminds me somehow of Charles Saxon’s best work (which is to say, a large percentage of Saxon’s seven hundred and twenty-five New Yorker drawings). Love the mood of the drawing plus its triumphal caption.  Applause Applause…

…Also much fun is Barbara Smaller’s  city dwellers politically flavored Halloween cartoon (p.17). Ms. Smaller sets a fab scene with details galore: the port-hole elevator door window, the number of locks on the apartment door, the taped-up paper pumpkin on the door…and let’s not forget the dandy caption.

The Rea Irvin Talk Of The Town Masthead Watch

The above heading by the great New Yorker artist Rea Irvin sat atop the New Yorker‘s Talk Of The Town for ninety-two years until being removed and replaced by a redrawn(!) version in the Spring of 2017. Here’s hoping the powers that be (or power that be) reverses the situation. Read more here.

 

Even More (Charles) Addams Family; The Tilley Watch Online, October 7-11, 2019

Even More (Charles) Addams Family

It’s an awful lot of fun seeing the recent splurt of ink on “The Addams Family” and the master himself, Charles Addams. The occasion is of course the arrival of the new “Addams Family” animated film.  Here’s a good piece from The Smithsonian, “The Cultural History of ‘The Addams Family'”

— Homebodies was published by Simon & Schuster in 1954.

 

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The Tilley Watch Online, October 7-11, 2019

A listing of the New Yorker artists who contributed to newyorker.com this week

The Daily Cartoon: Peter Kuper, Teresa Burns Parkhurst, David Sipress, and J.A.K..

Daily Shouts: Liana Finck (part of her “Dear Pepper” series), Tom Chitty (with Irving Ruan), and Emily Flake.

Barry Blitt’s stand alone, “Kvetchbook”

From The Culture Desk: Liza Donnelly’s “How I Became A New Yorker Cartoonist”