The Weekend Spill: New Addition To The Spill Library; The Tilley Watch Online; Videos (And An App) Of Interest: Liza Donnelly Exhibit At The Norman Rockwell Museum

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New Addition To The Spill Library

Part of the Spill‘s (self charged) charge is to keep in mind all those cartoonists who have been and are part of The New Yorker, not just the names up in lights. Larry Reynolds, having contributed to several of the biggest magazines of his day (including Collier’s, and The Saturday Evening Post) also had three drawings in The New Yorker.  In the July 1st Spill post I showed you a collection of his ongoing character, Butch, who appeared in Collier’s.  Above is the only other example (to my knowledge) of Reynolds’ work in book form. Lines Of Least Resistance, published in 1941 by E.P. Dutton & company, Inc., contains work from all three of the magazines just mentioned as well as drawings from Elks Magazine.  If my count is correct, there are 24 of his drawings in the book, plus the cover and back cover (3 drawings found in the book).

In the drawing shown above you clearly see a Gluyas Williams influence in his work — old man Kelly and two of the other characters — the men — on the right side of the drawing could’ve been in a Gluyas Williams drawing. The fellow in the forefront right, smoking a pipe, and the man running just below the Pelham sign look similar to George Price’s style (especially the way Reynolds drew the running fellow’s legs).  Other drawings seem to carry a heavy influence of a number of other cartoonists. Look at the one below: shades of Syd Hoff and the early work of William Steig (even, a hint of a Helen Hokinson luncheon lady in the frame). I’m led to wonder if Reynolds ever quite settled on a look of his very own.

Larry Reynolds entry on the Spill‘s A-Z:

Larry Reynolds (Photo from I Feel Like A Cad, 1944; self portrait above right from Colliers Collects Its Wits, Harcourt Brace & Co., 1941) Born, Mt. Vernon, NY, c. 1912.  Died, March 4, 2002, Barnstable County, Massachusetts. New Yorker work: 3 drawings: Jan 7, 1939 / Feb 24, 1940 / April 6, 1940. Collection of Note: I Feel Like A Cad (drawings from Collier’s Weekly).  Link to Allan Holtz’s Reynold’s Stripper’s Guide Profile here.

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An end of week listing of New Yorker artists* who have contributed to newyorker.com features

July 6 -July 10, 2020

The Daily Cartoon: Yasin Osman, Will Santino, Amy Kurzweil, John Cuneo, Patrick McKelvie, J.A.K.

Video: How To Draw A Child by Emma Allen** & Emily Flake

…and Barry Blitt’s Kvetchbook

*For clarity, the names of artists who have not yet appeared in the print magazine are not bolded.

**Emma Allen is The New Yorker‘s Cartoon Editor

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Videos ( And An App) Of Interest: Liza Donnelly Exhibit At The Norman Rockwell Museum

Here are links to two videos that are part of the Liza Donnelly exhibit at The Norman Rockwell Museum (it opens to the public tomorrow).

This link takes you to a video of Donnelly talking about her live drawing.

And this link takes you to an in depth look at her career.

Also: there’s an app that features Donnelly speaking about individual pieces in the exhibit. See the video about it here.

Personal History: Attended Donnelly’s “virtual art opening” last night, except it wasn’t virtual for me — I was there. Watched as Donnelly (who besides being a colleague, is also my wife) gave a tour, being followed by a cameraman wielding a “live” camera and a photographer documenting the moment (the above photo was not taken by the photographer — it was taken by me with my flip-phone camera as the cartoonist spoke about her sketchbooks in the display case).

For me, the most touching piece on display is also, I believe, the most modest in scale — it may be the smallest piece in the exhibit. It’s the drawing that leaped Ms. Donnelly into The New Yorker;   the first drawing of hers bought, but not the first run. Though OKed (bought) in 1979, it did not run until the issue of November 22, 1982. I believe she speaks about it in the longer video I’ve linked to above.

Go see the exhibit, non-virtually, if you’re up that way. It’s a real treat.

 

 

 

 

Weekend Spill: Video Studio Tour Of Interest: Bob Eckstein; The Tilley Watch Online, June 22- 26, 2020

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Here’s a fun 6 minute video of Bob Eckstein’s studio.  Mr. Eckstein began contributing to The New Yorker in 2007.  He’s authored and edited an number of books, most recently the Ultimate Cartoon Book series for Princeton Architectural Press.

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An end of week listing of New Yorker artists who’ve contributed to newyorker.com features

The Daily Cartoon: Brendan Loper (twice), Lisa Rothstein, Farley Katz, Emily Flake.

Daily Shouts: Olivia de Recat (with Julia Edelman), J.A.K..

…and Barry Blitt’s Kvetchbook

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Tuesday’s Tilley: Article Of Interest: New Yorker Cover Artist Gayle Kabaker; Today’s Daily Cartoonist & Cartoon; Yesterday’s Daily Shouts Cartoonist & Daily Cartoonist

Article Of Interest: New Yorker Cover Artist Gayle Kabaker

From The Washington Post, June 22, 2020, “Sketching My Way Through Crisis” — this piece by Ms. Kabaker, whose New Yorker covers can be seen here.

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Today’s Daily Cartoonist & Cartoon

From Brenadan Loper, who began contributing to The New Yorker in 2016, Trump changes the weather

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Yesterday’s Daily Shouts Cartoonist

Yesterday’s Daily Shouts from J.A.K., who began contributing to The New Yorker in 2014, “Everything Is an Emergency: Art On Medication”

…and Yesterday’s Daily cartoonist: Emily Flake, who began contributing in 2008.

 

 

 

The Weekend Spill: New Yorker-Centric Books Stepping Up; Article Of Interest: “Behind The Covers”; The Online Tilley Watch, June 1-5, 2020

New Yorker-Centric Books Stepping Up

Here at Spill headquarters we ran out of bookshelf space quite awhile ago; even the places to “temporarily” place them have become crowded. A few weeks ago, a few old favorites and new favorites — all New Yorker-centric (but one) — began being placed at the bottom step of our thirteen hallway steps. Then a few more books were placed on the next step up, and so on and so on, until eleven steps were filled (not so that we couldn’t continue to use the steps as steps — the books take up approximately half the width of each step). With just two empty steps left, I’m beginning to wonder: where next.

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Article Of Interest: “Behind The Covers”

From Otega Daily Times, June 8, 2020, “Behind The Covers” — this article on filmmaker Sally Williams, whose Stevenson Lost And Found is a must-see for all those who love New Yorker cartoons.

Here’s James Stevenson’s entry on the Spill‘s A-Z:

James Stevenson Born, NYC, 1929. Died, February 17, 2017, Cos Cob, Connecticut. New Yorker work: March 10, 1956 -. Stevenson interned as an office boy at The New Yorker in the mid 1940s when he began supplying ideas for other New Yorker artists. Nine years later he was hired a full-time ideaman, given an office at the magazine and instructed not to tell anyone what he did. He eventually began publishing his own cartoons and covers as well as a ground-breaking Talk of the Town pieces (ground breaking in that the pieces were illustrated). His contributions to the magazine number over 2000. Key collections: Sorry Lady — This Beach is Private! ( MacMillan, 1963), Let’s Boogie ( Dodd, Mead, 1978). Stevenson was a children’s book author, with roughly one hundred titles to his credit. He was a frequent contributor to the Op-Ed page of The New York Times, under the heading Lost and Found New York. Stevenson’s The Life, Loves and Laughs of Frank Modell, published in 2013, is essential reading. Sally Williams’ 2019 documentary film, Stevenson Lost & Found is essential viewing.

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An end of week listing of New Yorker artists contributing to newyorker.com features

The Daily Cartoon: Yasin Osman, Victor Varnado, Tim Hamilton, Adam Douglas Thompson, Elisabeth McNair.

Daily Shouts:  Ali Fitzgerald, Emily Flake.

…and Barry Blitt’s Kvetchbook.

To see all the above, and more, link here.

 

Today’s Daily Shouts Cartoonist & Yesterday’s; Today’s Daily Cartoonist & Cartoon

Today’s Daily Shouts Cartoonist

From Ali Fitzgerald: “America!: How Birds Are Adjusting To Our New Reality”

Ms. Fitzgerald has been contributing since 2016.

Yesterday’s Daily Shouts Cartoonist: Emily Flake, who began contributing to The New Yorker in 2008.

 

 

Today’s Daily Cartoonist: a newbie, Yasin Osman.  This is his first newyorker.com appearance (his work, as of yet, has not appeared in the print magazine).  Visit his website here.