The Monday Tilley Watch, The New Yorker Issue Of October 21, 2019; Head-Scratching Quote Of The Year; Addams’s Wednesday

The Cover: a somewhat menacing image by Mark Ulriksen that could’ve easily been used for Halloween (all it needs is a witch riding through the sky on a broom). But its title “Towering Wealth” heavily suggests a tie-in to this special Money Issue. Read a Q&A with Mr. Ulriksen about his cover here.

The Cartoonists:

The Cartoons:

Random thoughts after a few tours through the the issue…

Was much fun immediately running into Robert Leighton’s observatory cartoon (page 25). We don’t see too many observatory cartoons anymore.  One that will forever stick in my mind is John O’Brien’s fabulous Coca-Cola bottle telescope from October 9, 2000.

Any issue of The New Yorker with a George Booth cartoon (p.38) is an issue off to an excellent start. It is simply a delight seeing his work in the magazine.

As enjoyable as seeing a Booth cartoon is seeing a Koren cartoon. He is this issue’s most veteran artist, having begun contributing to The New Yorker in 1962 (Mr. Booth began contributing in 1969).  To my eye, Both Mr. Booth’s drawing and Mr. Koren’s sit perfectly on the page, the better for us to enjoy them.

Bruce Kaplan’s dishtowel drawing (p.55) wins the award for most unexpected cartoon of the issue. There is nothing more fun in The New Yorker cartoon universe than the unexpected; it’s a cartoon moment.

Liana Finck’s drawing (p.46) is another solid cartoon moment.  Drawing + perfect caption = job well done.

The Rea Irvin Talk Masthead Watch:

Mr. Irvin’s wonderful design (below) was removed in the Spring of 2017 and replaced by a redrawn version. Further reading here. It remains puzzling (to me anyway) how something so perfect can be mothballed.

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Head-Scratching Quote Of The Year

This from Francoise Mouly, The New Yorker’s art editor in an October 11th Washington Post piece on Charles Addams.

“Addams is one of the few New Yorker cartoonists who was consistently laugh-out funny,” says Francoise Mouly, the magazine’s art editor since 1993.”

 

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Addams’s Wednesday

From The New York Times, October 14, 2019, “The Many Shades Of Wednesday Addams”

Miss Addams is shown above sitting on her father’s shoulder. According to Linda Davis’s wonderful biography of Charles Addams, Addams wrote in his production notes for the television series that “he found [Wednesday] ‘secretive and imaginative, and  poetic.'”

 

 

 

 

Photos & Video Of Interest: The Asian Babies Exhibit; Attempted Bloggery: A Saxon Drawing Done In By A Fact-Check?

Below, photos from Friday’s celebratory party for the up and running exhibit, Asian Babies: Works From Asian New Yorker Cartoonists at Pearl River Mart.  The exhibit runs til January 12, 2020.

     

Above, left to right: New Yorker cartoonists Jeremy Nguyen, Christine Mi, Amy Hwang, Suerynn Lee, and President of Pearl River Mart, Joanne Kwong.  Ms. Hwang and Mr. Nguyen co-curated  the exhibit.

 

Emma Allen, the magazine’s cartoon editor was in attendance as well as these New Yorker cartoonists: Johnny Dinapoli, Tim Hamilton, Maggie Jane Larson, Sofia Warren, Ellis Rosen, Joe Dator, and David Ostow.  Also there: Nicolette Leung Renz, granddaughter of New Yorker cartoonist Monroe Leung*

And There’s Video!… NY1 covered the opening. Here’s a link to the video piece.

*The Spill‘s A-Z entry for Mr. Leung:

Monroe Leung New Yorker work: one drawing, January 22, 1949.  Born, 1915, Los Angeles, California.  Died 2004, Los Angeles. According to his daughter, Mr. Leung was one of the first published Chinese American cartoonists. Mr. Leung served in WWII in the 360th Army Air Force Band (as a drummer) and assigned to the 18th Army Air Force Base Unit, the First Motion Picture Unit in Hollywood to draw cartoons for the Air Force. He went on to a profession of architectural rendering (in watercolor) for several advertising companies in Los Angeles. Mr. Leung’s method for submitting cartoons: “As soon as I draw up a few cartoons, I show my dear wife, Rosie. If she laughs, I send them to the magazines. If she thinks they’re lousy, I send them anyway.” (all information as well as the photo courtesy of Mr. Leung’s daughter).

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Attempted Bloggery: A Saxon Drawing Killed By A Fact-Check?

Did a Syd Hoff drawing do in this Saxon drawing? Read Attempted Bloggery for more

Even More (Charles) Addams Family; The Tilley Watch Online, October 7-11, 2019

Even More (Charles) Addams Family

It’s an awful lot of fun seeing the recent splurt of ink on “The Addams Family” and the master himself, Charles Addams. The occasion is of course the arrival of the new “Addams Family” animated film.  Here’s a good piece from The Smithsonian, “The Cultural History of ‘The Addams Family'”

— Homebodies was published by Simon & Schuster in 1954.

 

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The Tilley Watch Online, October 7-11, 2019

A listing of the New Yorker artists who contributed to newyorker.com this week

The Daily Cartoon: Peter Kuper, Teresa Burns Parkhurst, David Sipress, and J.A.K..

Daily Shouts: Liana Finck (part of her “Dear Pepper” series), Tom Chitty (with Irving Ruan), and Emily Flake.

Barry Blitt’s stand alone, “Kvetchbook”

From The Culture Desk: Liza Donnelly’s “How I Became A New Yorker Cartoonist”

Video Of Interest: New Yorker’s Cartoon Editor Emma Allen On NYC’s NY1; More Addams Family; A Friday Fave Photo; Today’s Daily Cartoonist & Cartoon

The New Yorker‘s cartoon editor Emma Allen appeared on the New York’s NY1 this morning, along with cartoonist J.A.K.  See it here!

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Addams Family Reviews

The L.A. Times Review

The New York Times Review

For way way more more on Addams and The Addams Family, check out Linda Davis’s 2006 Charles Addams: A Cartoonist’s Life (Random House).

And here’s a link to the official Addams website.

 

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A Friday Fave Photo

New Yorker cartoonists Amy Hwang and Jeremy Nguyen, co-curators of the recently opened Asian Babies exhibit.  The show features work by Ms. Hwang and Mr. Nguyen along with New Yorker cartoonist colleagues Maddie Dai, Alice Cheng, Hartley Lin, Colin Tom, Christine Mi, Suerynn Lee, Evan Lian, and Monroe Leung.

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Today’s Daily Cartoonist & Cartoon

The terrif artist Peter Kuper on Trump, impeachment and the Nobel Peace Prize

Article Of Interest: Liza Donnelly’s “How I Became A New Yorker Cartoonist”

From newyorker.com‘s Culture Desk, October 10, 2019, “How I Became A New Yorker Cartoonist” — Liza Donnelly talks about the path that led to her forty years (and counting) at The New Yorker.

Here’s Ms. Donnelly’s entry on The Spill‘s A-Z:

Liza Donnelly  Born, Washington, D.C. New Yorker work: June 21, 1982 –. Key book: Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons (Prometheus, 2005). Edited:  Sex & Sensibility: Ten Women Examine the Lunacy of Modern Love…in 200 Cartoons ( Twelve, 2008). Co-authored with Michael Maslin: Husbands & Wives ( Ballantine 1995), Call Me When You Reach Nirvana ( Andrew & McMeel, 1995), Cartoon Marriage ( with Michael Maslin) (Random House, 2009), When Do They Serve the Wine?( Chronicle, 2010). Women On Men (Narrative Library, 2013). Donnelly also wrote and illustrated a popular series of dinosaur books for children ( Dinosaur Day, Dinosaur Beach, Dinosaur Halloween, etc.) all published by Scholastic.  She is the CBS News Resident Cartoonist. Website: http://www.lizadonnelly.com