The Tilley Watch, The New Yorker Issue Of January 28, 2019

The Cover this week — rushed released days earlier — is from the masterful pen of John Cuneo. Below is an early version of the published cover, provided courtesy of Mr. Cuneo.

The Cartoonists (note the Spots contribution from Ed Steed) :

The Cartoons:

A little bit of something for everyone in this issue: an ice fisherman, a whale, a cat person in a dog park, a windy city street, imbibing cave people, a library, clowns, the subway, domestic situations, the mob, a police lineup, a restaurant scenario, Snow White.

Cartoon placement-wise, it was good to see some stretching out from the usual rectangular box seated in a corner of a page. Frank Cotham’s basement drawing run three columns wide (on page 30) is a good example, as is Zach Kanin’s ice fisherman on page 63 and Liana Finck’s drawing on page 72. Brendan Loper’s party-folk drawing on page 44, and Kim Warp’s police lineup drawing on page 48 were also given more breathing room. Then there’s Will McPhail’s full page (with the “Sketchbook” heading of “L’) on page 43. I’ve given this drawing some extra thought this morning, wondering if it needed the “Sketchbook” heading. What exactly does the “Sketchbook” designation bring to the page. I also wonder if those outside the New York/ Metropolitan area understand that the “L” refers to the “L” line of the New York City subway system (and local stories concerning the line). And then there’s the question of whether the “L” train reference actually means something here that’s essential to understanding the little story played out in sequence. Perhaps, perhaps. Perhaps not. So many questions! Anyway, it’s a fun drawing that works well no matter the subway line. As noted with a hint of impatience on Cartoon Companion, New Yorker subway cartoons have become nearly a standard scenario in recent months. I continue to believe that no scenario is played-out if the idea works well.

A subway sidenote: when I think of previous multi-panel subway cartoons my first thought is of this one by Liza Donnelly from the New Yorker issue of April 14, 1986. And speaking of Ms. Donnelly, in her cave man drawing on page 21 of this latest issue of the magazine there’s not a cave man in sight.

I’ve been re-watching the entire run of “The Sopranos” lately, so Joe Dator’s cement shoe drawing on page 52 grabbed my attention. I especially enjoyed seeing the George Boothian bare light bulb hanging down from the ceiling.

This issue marks the New Yorker print debut for Emily Bernstein. Ms. Bernstein is the third new New Yorker cartoonist of the year and the 28th since Emma Allen became the magazine’s cartoon editor in the Spring of 2017.

The Tilley Watch again signs-off with a nod to the missing Rea Irvin masthead (seen below). Read about it here.


Article Of Interest: The New Yorker’s Cartoon Editor, Emma Allen; The Tilley Watch Online, January 14-18, 2019; Obscure Norment

From Flood, January 18, 2019, “Emma Allen Is Expanding The New Yorker’s Comic Universe” –a short interesting article about the New Yorker‘s Cartoon Editor.

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The Tilley Watch Online, January 14-18, 2019

A very Trumpian Daily Cartoon week with cartoons by Kate Curtis, Brendan Loper, Teresa Burns Parkhurst, Jason Chatfield (with Scott Dooley), and online contributor, Ivan Ehlers.

And over on Daily Shouts, these were the contributing New Yorker cartoonists: Sophia Warren and Tom Chitty,

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John Norment on Attempted Bloggery

Attempted Bloggery throws its spotlight on some obscure work by New Yorker cartoonist John Norment (above).


Mr. Norment’s entry on the Spill‘s A-Z:

John Norment ( photo above courtesy of John Norment’s niece, Mandy Teare) Born, Lebanon, Tennessee, 1911. Died, Westport, Connecticut, 1988. New Yorker work: fourteen drawings and two covers, between 1969 and 1982. Mr. Norment had a long, wide ranging career, working as assistant art director for Esquire, an an editor of 1000 Jokes Magazine and For Laughing Out Loud at Dell. Later, one issue of a magazine called A Million Laughs. He was very instrumental publishing Gahan Wilson’s early work.* More information about his life and work can be found here: johnnorment.com/about.htm

The Tilley Watch Online, December 16-21, 2018

An atypical Daily week in that it was un-Trumpian.  But…Emma Allen, the New Yorker‘s cartoon editor posted a slide show review of Trump cartoons from 2018. See it here

The Daily Cartoon New Yorker contributors this week : Maggie Dai, Jason Chatfield, Elisabeth McNair, Peter Kuper, and Brendan Loper.

And over on Daily Shouts, the contributing New Yorker cartoonists: Maggie Larson, Liana Finck, Gabrielle Bell, Olivia de Recat (with Sarah Vollman), and Sara Lautman.

See all the work above, and more, here.

Also online this week: the New Yorker‘s most popular Instagram cartoons, posted by the magazine’s assistant cartoon editor, Colin Stokes.

Below: a bonus photograph from the New Yorker‘s holiday party for cartoonists last Thursday.  My colleague Felipe Galindo took this that evening and posted it online.

New Yorker Cartoonists Holiday Party

Decades ago, in the William Shawn era, New Yorker cartoonists celebrated the holidays in-house (specifically, in-department).  They’d show up at the office and drink punch provided by the art editor Lee Lorenz and his assistant, Anne Hall. Cartoonists would sample rum balls brought in by their colleague, Henry Martin.  During the Tina Brown years the holiday party went big time, when all departments went out-of-office and co-mingled in (mostly) downtown establishments.  Coming full circle this year’s party for cartoonists came back home to the offices (yay!).  Last night’s shindig was hosted by the cartoon editor, Emma Allen, and the assistant cartoon editor, Colin Stokes (and, shades of Henry Martin, cartoonist David Borchart even brought in some homemade cookies).

Ink Spill‘s official photographer for the evening, cartoonist Liza Donnelly attended the festivities, and captured the scene. 

Below, left to right: Kendra Allenby, Ali Soloman, Farley Katz and Emma Allen.

Below: in the foreground, Robert Leighton (on the left) speaks with Ed Steed. In the back, left-to-right, with his back to the camera is Colin Stokes, Avi Steinberg (in the hat), and a partially obscured Ellis Rosen. Between Mr. Steinberg and Mr. Ellis is the fabulous Peter Arno New Yorker cover of June 5, 1954.

Below: a frieze of cartoonists. Will mention just a few: to the far left is Emma Hunsinger. To the far right, second in, is PC. Vey.

 

Below: Mort Gerberg (on the left) and George Booth.

Below, left-to-right: Avi Steinberg, Karen Sneider, Jason Adam Katzenstein, and, with her back to the camera, Gabrielle Bell.

Below: foreground, looking at the camera is Sophia Warren, then Robert Leighton, and (with eyepatch) Mort Gerberg. In the background: far left, is Ed Steed, then (with back to camera) David Sipress, Joe Dator (with scarf), and Kendra Allenby.

Below: on the far left is Joe Dator, and then Emily Flake and Marisa Acocella.

 

Below: a waving Jeremy Nguyen and Maggie Larson. Far left, in the back is Brendan Loper.

Below, left to right:  George Booth, Liza Donnelly, and David Borchart (this photo courtesy of  Mr. Borchart).

Below: Felipe Galindo and Drew Dernavich.

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Below: The New Yorker‘s Jack-of-All Trades,Stanley Ledbetter, Johnny DiNapoli, Farley Katz, and Ellis Rosen.

Below, left to right: David Sipress and Ben Schwartz.

Below: Emma Allen and Farley Katz.

Below: the ever festive Rea Irvin type-faced logo!

 

— My thanks to Liza Donnelly, Colin Stokes, Emma Allen, and David Borchart for their assistance  with this post.

 

 

The Tilley Watch Online, The Week Of December 2-7, 2018; Even More Murals By Steinberg; Event Of Interest: Liana Finck & Bob Eckstein

 New Yorker cartoonists who contributed to the Daily Cartoon this week: Brendan Loper, Farley Katz, Teresa Burns Parkhurst, and Trevor Spaulding.

And those contributing to Daily Shouts: Mimi Pond, Roz Chast, and Amy Kurzweil.

To see all the work above, and more, link here.

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Even More Steinberg Murals

In a Facebook discussion the other day involving murals by Charles Addams and Steinberg,  Joel Smith, who authored Steinberg At The New Yorker (Harry N. Abrams, 2005) commented on Paul Karasik‘s Facebook stream that Steinberg created two incredibly long murals: one 260 ft., and another even longer. I asked Mr. Smith where best we might go online to see the murals.  Here are his suggested links:

“The Americans” for the 1958 World’s Fair in Brussels

The Milan Triennial, 1954 (on the timeline, scroll down to 1954, the Milan Triennial)

— photo above: Steinberg on the far right, wearing hat, stands before his mural in Brussels.

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Event of Interest: Liana Finck & Bob Eckstein

The info appears on the posters, but here it is again: Liana Finck & Bob Eckstein appearing together at Barnes & Noble 86th & Lexington, NYC,  Monday December 10, at 7pm.

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