Above: Edward Frascino With Aristide Maillol’s “The Mediteranean” at The Museum Of Modern Art, about 1955. Photo courtesy of Mr. Frascino When I joined The New Yorker’s stable of cartoonists in the late 1970s there were perhaps two dozen regulars whose work anchored the magazine’s art. The strength of the stable was, as you would expect, superior cartoonery
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_________________________________________________________ Personal History…My Big Find At least twenty years ago, possibly thirty, I walked into a Moose Lodge “Antique” show in upstate New York (it was really more of an indoor yard sale than an antique show). Strolled through, and was heading out the door when I noticed a partially unfolded large poster leaning against a wall. I could see
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__________________________________________________________________________ A Fave Warren Miller Interview Stephen Nadler’s Warren Miller Attempted Bloggery post last week caused me to revisit Mr. Miller’s two cartoon collections, All Thumbs and Prince and Mrs. Charming. When I took Mr. Miller’s first collection, All Thumbs ( Bobbs-Merrill, 1967) off the shelf and looked at the cover I was reminded I hadn’t read Whitney Balliett‘s intro
Read more___________________________________________________________________________________ A fun evening at Parsons School of Design back in October of 1984. The occasion was the opening of a group show of New Yorker art. The group photo above and the smaller photos, by T. Dovidio, appeared in The Village Voice. Below is a barely legible key (sorry!) to the artists shown. One person is unknown to me.
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