Personal History: Holding

I happened upon a paper-clipped bunch of pages today in the Spill‘s archives that I’d completely forgotten about. The very first page, from late 1980, appears above.  It comes as news to me thirty-nine years later that I made a list of drawings that were being held by The New Yorker

This is what holding means:

When a cartoonist submitted a batch of drawings, and returned the following week to submit another batch, last week’s rejects would be waiting. Along with the returned drawings was the classic New Yorker rejection slip — and occasionally there would be, on the slip, a handwritten Holding 1 (sometimes more than one drawing was held). For whatever reason, or reasons, Lee Lorenz, the art editor at the time, had decided to hang onto a drawing for further consideration.  Held drawings were in limbo — not bought,  just held. And then they were either returned, or bought.  

Having a drawing held was always preferable to complete rejection: it was a glimmer of hope that maybe, just maybe, that held drawing would be “OKed” (i.e., bought).  What’s interesting (to me) about the list was how many held drawings there were in that short period of time. Without this list as a reminder I would’ve guessed that one of my drawings was held every two or three months, at most.  Six held within a couple of months, and two bought seems like much better odds than memory allowed. The Calm Before The Coffee was Oked but I didn’t bother underlining it in red and placing an asterisk next to it — I must’ve forgotten I had started a holding list by the time it was OKed. 

 

The Online Tilley Watch, The Week Of March 4-8, 2019; Fave Photo Of The Day: Sorel & Gerberg; Elisabeth McNair Pencilled; Interview Of Interest: New Yorker Cover Artist Marcellus Hall; Bud Grace On His Second(?) New Yorker Cartoon

The Daily cartoons this week were brought to us by Brendon Loper, Farley Katz, Peter Kuper, Tim Hamilton, and JAK (Jason Adam Katzenstein).  A mixed-bag, thematically, with three outta five of the cartoons Trumpish.

New Yorker cartoonists contributing to Daily Shouts: Amy Hwang, Ed Steed, and Ali Soloman.

See all of the above, and more, here.

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Fave Photo Of The Day: Sorel & Gerberg

Meant to post this a few weeks back. It was taken at The New York Historical Society opening for Mort Gerberg’s exhibit.  That’s Mr. Gerberg on the left and the great Edward Sorel on the right.

The exhibit, “Mort Gerberg Cartoons: A New Yorker’s Perspective” runs through May 5th.

(photo used with permission of Mr. Gerberg).

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Elisabeth McNair Pencilled

Jane Mattimoe’s wonderful Case For Pencils continues with the spotlight on Elisabeth McNair (above) and her tools of the trade.  Ms. McNair’s first New Yorker drawing appeared in the July 30, 2018 issue.  See the post here.

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Interview Of Interest: Cover Artist Marcellus Hall

From DART (Design Arts Daily), March 7, 2019, “The DART Interview: Marcellus Hall”

Mr. Marcellus’s first New Yorker cover appeared in 2005. Link here to his website.

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Bud Grace On His 2nd New Yorker Cartoon

Bud Grace, writes on his blog about his second New Yorker drawing, and a particularly good edit by the then cartoon editor, Lee Lorenz.

Not to be too nit-picky about this, but Mr. Grace identifies the above as his second New Yorker cartoon, yet I’m unable to find his first on the New Yorker‘s database. Perhaps he sold two, and only one (the one above)  appeared? Mr. Grace, if you see this,  please advise.

 

 

 

Fave Photo Of The Day: Lee Lorenz At The Bruce Museum; The Tilley Watch Online: Newyorker.com Daily Cartoons & Shouts, February 17-23, 2019; Liza Donnelly Live-Draws From The Oscars Red Carpet Tomorrow

Courtesy of the Bruce Museum, this photo of the New Yorker‘s former art/cartoon editor, Lee Lorenz taken on a recent visit to the Bruce’s current exhibit, Masterpieces From The Museum Of Cartoon Art.

Here’s Mr. Lorenz’s entry on the Spill‘s A-Z:

Lee Lorenz Born 1932, Hackensack, New Jersey. Mr. Lorenz was the art editor of The New Yorker from 1973 to 1993 and its cartoon editor until 1997. During his tenure, a new wave of New Yorker cartoonists began appearing in the magazine — cartoonists who no longer depended on idea men. The group included, among others, Jack Ziegler, Roz Chast, Mick Stevens, Peter Steiner, Liza Donnelly, Leo Cullum, Tom Cheney, Gahan Wilson, Richard Cline, Michael Crawford, Danny Shanahan, Bruce Eric Kaplan, Victoria Roberts, and Arnie Levin.

Cartoon collections: Here It Comes (Bobbs-Merrrill Co., Inc. 1968) ; Now Look What You’ve Done! (Pantheon, 1977) ; The Golden Age of Trash ( Chronicle Books, 1987); The Essential series, all published by Workman: : Booth (pub: 1998), Barsotti ( pub: 1998), Ziegler (pub: 2001), The Art of The New Yorker 1925 -1995, (Knopf, 1995), The World of William Steig (Artisan, 1998). New Yorker work: 1958 –.

Mr. Lorenz’s 1977 cartoon collection

 

 

 

 

A Daily week nearly devoid of politics. The Daily cartoonists: Ellie Black, Karl Stevens, Teresa Burns Parkhurst, and Julia Suits.

The Daily Shouts contributing New Yorker cartoonists: Ali Fitzgerald, Liana Finck, Sophia Warren, Tom Chitty, and Maggie Larson.

You can see all of the above, and more here.

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Donnelly At The Oscars

Four years ago Liza Donnelly made history as the first cartoonist to live-draw from the Oscars Red Carpet. She’s been in LaLa Land this past week drawing events leading up to tomorrow’s big day when she’ll once again live-draw from the Red Carpet. Follow her work on @Lizadonnelly .

Ms. Donnelly’s first New Yorker cartoon appeared in 1982. She is the author of eighteen books, including Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons (Prometheus, 2005).

New Yorker Cartoonists Holiday Party

Decades ago, in the William Shawn era, New Yorker cartoonists celebrated the holidays in-house (specifically, in-department).  They’d show up at the office and drink punch provided by the art editor Lee Lorenz and his assistant, Anne Hall. Cartoonists would sample rum balls brought in by their colleague, Henry Martin.  During the Tina Brown years the holiday party went big time, when all departments went out-of-office and co-mingled in (mostly) downtown establishments.  Coming full circle this year’s party for cartoonists came back home to the offices (yay!).  Last night’s shindig was hosted by the cartoon editor, Emma Allen, and the assistant cartoon editor, Colin Stokes (and, shades of Henry Martin, cartoonist David Borchart even brought in some homemade cookies).

Ink Spill‘s official photographer for the evening, cartoonist Liza Donnelly attended the festivities, and captured the scene. 

Below, left to right: Kendra Allenby, Ali Soloman, Farley Katz and Emma Allen.

Below: in the foreground, Robert Leighton (on the left) speaks with Ed Steed. In the back, left-to-right, with his back to the camera is Colin Stokes, Avi Steinberg (in the hat), and a partially obscured Ellis Rosen. Between Mr. Steinberg and Mr. Ellis is the fabulous Peter Arno New Yorker cover of June 5, 1954.

Below: a frieze of cartoonists. Will mention just a few: to the far left is Emma Hunsinger. To the far right, second in, is PC. Vey.

 

Below: Mort Gerberg (on the left) and George Booth.

Below, left-to-right: Avi Steinberg, Karen Sneider, Jason Adam Katzenstein, and, with her back to the camera, Gabrielle Bell.

Below: foreground, looking at the camera is Sophia Warren, then Robert Leighton, and (with eyepatch) Mort Gerberg. In the background: far left, is Ed Steed, then (with back to camera) David Sipress, Joe Dator (with scarf), and Kendra Allenby.

Below: on the far left is Joe Dator, and then Emily Flake and Marisa Acocella.

 

Below: a waving Jeremy Nguyen and Maggie Larson. Far left, in the back is Brendan Loper.

Below, left to right:  George Booth, Liza Donnelly, and David Borchart (this photo courtesy of  Mr. Borchart).

Below: Felipe Galindo and Drew Dernavich.

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Below: The New Yorker‘s Jack-of-All Trades,Stanley Ledbetter, Johnny DiNapoli, Farley Katz, and Ellis Rosen.

Below, left to right: David Sipress and Ben Schwartz.

Below: Emma Allen and Farley Katz.

Below: the ever festive Rea Irvin type-faced logo!

 

— My thanks to Liza Donnelly, Colin Stokes, Emma Allen, and David Borchart for their assistance  with this post.

 

 

Book Of Interest: I Think, Therefore I Draw

Published a couple of weeks ago, I Think, Therefore I Draw: Understanding Philosophy Through Cartoons (Penguin) includes enough New Yorker cartoons (among a number of non-New Yorker cartoons) to mention here. The New Yorker cartoonists represented (in order of their appearance): Paul Noth, John McNamee, Tom Cheney, Danny Shanahan, P.C. Vey, David Sipress, George Booth, Avi Steinberg, Amy Hwang, Leo Cullum, Mort Gerberg, P.S. Mueller, John Klossner, Aaron Bacall, Sam Gross, “Bud” Handelsman, Lee Lorenz, Michael Maslin, Jack Ziegler, Edward Koren, Matt Diffee, Eric Lewis, Edward Frascino, and Charles Barsotti.

The authors have this (in part) to say in their introduction: “Here, then, is a collection of our favorite philosophical cartoons and our annotations about what they teach us about the Big Questions in philosophy.”

You can sample the text by going to the Amazon listing and clicking on the “Look inside” feature.