Michael Crawford has two cartoons in The New Yorker’s last issue of the year, but the one above really caught my eye. As I was lingering over and appreciating the drawing, I realized it was high time to check in with Michael and find out what he’s been up to, and if there was anything he’d care to
Read moreTag: William Steig
The New Yorker before Addams, Steig and Steinberg
With the release this past week of The New Yorker’s Cartoons of the Year 2013 (a relative of a long line of New Yorker Albums seen in the photo) I thought it would be fun to leaf through The New Yorker‘s very first collection, simply called The New Yorker Album. published in
Read moreHarold Ross’s Last Cartoonist: Dana Fradon
By the late 1940s, Harold Ross, The New Yorker’s legendary founder and first editor, had assembled either by happy accident or design (depending on which version of the magazine’s history you want to believe) a stable of magazine cartoonists unrivaled in American publishing. Some have called that era of the magazine’s cartoons its Golden Age. The guiding forces of the
Read moreAstaire Cartoonists vrs Kelly Cartoonists
Someone once said that the greatest difference between Fred Astaire’s dancing and Gene Kelly’s dancing is that you could see Gene Kelly’s sweat. Pauline Kael, writing in The New Yorker in 1972 said, “Kelly isn’t a winged dancer; he’s a hoofer and more earthbound” which she compared to “Astaire’s grasshopper lightness.” Here are some
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