The Cover A rarity this new issue: an “after” cover (aside from all the take-offs on Rea Irvin’s Eustace Tilley). The cover artist, Pascal Campion gives a shout-out to Mark Ulriksen’s November 2012 New Yorker cover, shown below left: Here’s what Mr. Ulriksen had to say about his cover back then. And here’s what The New Yorker‘s art editor, Francoise
Read more
The Cover: It’s the Technology Issue, with a cover, by Pascal Campion, reflecting these strange times. When the cover first popped up on my screen I thought it was by Sempe: y’know, the large space, inhabited by a single person — viewed from above. The Cartoonists: The Cartoons: Sixteen cartoonists, fifteen cartoons (Emily Flake has a “Comic Strip” on page
Read moreTo my readers: This being the time we’re in, the online issue has not yet been posted (as of 11:00am), so what follows is a shortened version of The Monday Tilley Watch. Long-time visitors might recall I prefer first sightings of new cartoons in situ, but in order to provide at least some basic info, I’ve gone to the slideshow
Read moreThe Cover: A retro cover! When I saw this attractive cover I immediately placed its style and structure in the early 1960s, and thought of a particular artist: the most prolific of all New Yorker cover artists, Arthur Getz. To illustrate, here’s Mr. Getz’s cover from December 18, 1965 side-by-side with this new one by Pascal Campion. The Cartoonists: The
Read more