From The New York Times, October 11, 2013 , “An Extended Addams Family; Ghoulish and Familiar Art at the Southampton Center” (left: book jacket of Addams’ 1947 collection. Introduction by Wolcott Gibbs) And… From Brainpickings, “Drawn to New York: Counterculture Cartoonist Peter Kuper’s Illustrated Chronicle of 34 Years in Gotham”
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Scudder Middleton, New Yorker Cartoonists Hand-Holder and More
Does the name Scudder Middleton mean anything to you? It meant a little something to me, but no so much…until recently when I decided to look a little deeper into his association with The New Yorker’s art department. I’d seen his name on memos while sifting through the magazine’s archives in The New York Public
Read moreThe New Yorker’s Art Meeting: A Potted History
It’s tempting to believe that the structure of The New Yorker’s Art Department arrived fully formed in 1924 when Harold Ross, with his wife Jane Grant began pulling together his dream magazine. But of course, such was not the case. What we know for certain is that once the first issue was out, Ross and several of
Read moreWolcott Gibbs and New Yorker Cartoons
Of all the duties Wolcott Gibbs attended to during his thirty-one years at The New Yorker (and his duties were many: editor, writer, theater critic), his relationship to the magazine’s cartoonists (or “artists” as the magazine calls them) is probably the least examined. When Gibbs began at The New Yorker, working under Katharine Angell (later, after marrying E.B. White,
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