Double issues (as we’ve just experienced) have a way of creating the impression it’s been ages since the last new issue. So, yay, finally: the late August New Yorker (dated, for the record: August 21, 2017). There are a lot of cartoons in this issue, so the Monday Tilley Watch will be broken up into two parts. I’ll post the
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Video of Interest: From 1997, ABC’s Nightline Looks at the New Yorker’s Cartoonists; Sam Gross on Jack Ziegler; The Washington Post’s Michael Cavna on Jack Ziegler’s Pivotal Role at The New Yorker
Way way back in December 1997, ABC’s Nightline broadcast “Drawing Laughter: the Cartoonists of The New Yorker” devoting its entire half-hour time slot to New Yorker cartoons and especially, its cartoonists. The video from ABC’s vault takes us back to the Tina Brown era, the beginning of Bob Mankoff‘s tenure as cartoon editor (he’d only been at the big desk
Read more“The Place Was Especially A Mess After The Weekly Art Meetings”
… “The artists, who waited for the verdicts, scrambled for desk space where they could retouch their cartoons and spots according to what Wylie, or Katharine Angell, told them what Ross wanted.”* — So said New Yorker editor and writer Rogers Whitaker to Thurber biographer, Harrison Kinney. He was describing a wonderfully fun and exciting time and
Read moreBeing Eustace Tilley; Roger Angell Remembers James Stevenson; Oscar Time! Liza Donnelly Back on the Red Carpet Live Drawing the Oscars, Drooker’s Oscar Cover, Eckstein’s Oscar Wielding Eustace
Eustace Tilley is of course a fictional character — commonly referred to as The New Yorker‘s mascot. There is a suggested backstory to Tilley himself in Lee Lorenz’s Art of The New Yorker: 1925-1995; there are best guesses elsewhere as to why Rea Irvin (see below) decided to submit the cover to Harold Ross to adorn Ross’s inaugural
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