Sunday Spill: Now That’s A Cover!

Now That’s A Cover!   It took nearly seven years into The New Yorker’s first decade before the editors were comfortable enough (secure enough?) to play with their famous cover masthead. It seems fitting that the artist to do it was Rea Irvin, the fellow who adapted Allen Lewis’s type face for The New Yorker.  It came to be known

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Wednesday Spill: Now That’s A Cover!

Now That’s A Cover! Leave it to Rea Irvin to create the magazine’s first two-way cover. Of his 179 covers this is one of the most unusual (not counting his very first, of course — you know: the magazine’s debut issue featuring the fellow we later came to know as Eustace Tilley). It’s worth remembering that Irvin, along with his

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