The Monday Tilley Watch, The New Yorker Issue Of April 6, 2020; Today’s Daily Cartoonist & Cartoon; Today’s Daily Shouts Cartoonist

The Cover: A heart-strings reflection of the issue’s Health Issue theme (but it’s tempting to believe we’d see a cover along these lines even if it wasn’t the Health Issue).

The Cartoonists:

The Cartoons:

An umbrella observation from the get-go:  the abundance of color pieces (one by Roz Chast, one by Emily Flake, and one by Liana Finck) in this issue at times kind’ve almost sorta made it feel as if I was paging through a Cartoon Issue. However, unlike the special pieces found in Cartoon Issues of yore, all three of these new pieces are distinctly linked to one subject (can you guess what it might be?).

There are a number of cartoons in this issue that got my attention, beginning with Barbara Smaller’s (p.26) — my favorite Smaller drawing thus far this year. Also eye-catching: Justin Sheen’s castle & moat drawing; Brendan Loper’s getting away from it all cartoon, and Ed Steed’s survivor. All four enjoy a sharply written caption.

A number of drawings (beyond the color pieces mentioned above)  are either directly related to, or can be seen as related to the coronavirus, foremost being Joe Dator’s terrif drawing (p.69), P.C. Vey’s (p.31), and Mr. Loper’s cartoon on page 39. Tom Chitty’s friendly city drawing (p.57), as well as John O’Brien’s drawing (on page 72) could possibly be read as corona-related cartoons. The folks in Mr. O’Brien’s supermarket all seem to be spaced at least six feet apart, but, as with most all of Mr. O’Brien’s drawings, it’s an evergreen.

The remaining four drawings: Sofia Warren’s, Amy Hwang’s, Teresa Burns Parkhurst’s, and an effort from the Bliss/Martin duo, are comic relief unrelated to the health crisis.

Paperwork: the aforementioned Justin Sheen is new to the New Yorker cartoonist fold. He’s the 4th new cartoonist of 2020, and the 57th new cartoonist brought into The New Yorker since Emma Allen was appointed cartoon editor in the Spring of 2017.

The Rea Irvin Talk Masthead Watch:

Read about Rea Irvin’s mothballed iconic Talk masthead (above) here.

And This:

Just noticed that The New Yorker‘s Facebook New Yorker Cartoons page received a make-over. The new look is shown below — new (old) typography, and a (recycled) Rea Irvin inspired banana peel-inspecting Tilley icon replacing Christoph Niemann’s guy at a table icon. Mr. Niemann’s icon showed up in the Spring of 2017, and replaced an existing icon — a drawing by Jack Ziegler.  It puzzled me at the time (and thereafter) that work by a non-New Yorker cartoonist (Mr. Niemann) was chosen to replace an icon drawn by an iconic New Yorker cartoonist.

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Today’s Daily Cartoonist & Cartoon

Kendra Allenby on the newest normal.

Ms. Allenby began contributing to The New Yorker in 2016. Visit her website here.

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Today’s Daily Shouts Cartoonist

Avi Steinberg gives us “Things That Used To Be Annoying But Are Now A Comfort” — Mr. Steinberg began contributing to The New Yorker in 2012.

 

 

 

Today’s Daily Cartoonist: Bob Eckstein …and Yesterday’s Daily Cartoon & Daily Shouts; Blog Of Great Interest: A New Yorker State Of Mind; More Spills…

Today’s Daily Cartoonist & Cartoon

Sports Not Cancelled by Bob Eckstein, who has been contributing to The New Yorker since 2007.  Visit his website here.

…and Yesterday’s Daily Cartoon

— outer space distancing, by Avi Steinberg, who began contributing to The New Yorker in 2012.

 

 

 

Yesterday’s Daily Shouts Cartoonist

From Paul Karasik, “It’s Time To Start Talking to Yourself”

— Mr. Karasik began contributing to The New Yorker in 1999.

 

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Blog Of Interest: A New Yorker State Of Mind

Want to get away from this period of trial and time-travel to another period of trial? Well here’s an issue for you.

This Spill fave blog looks very closely at the contents of the March 14, 1931 issue of The New Yorker. The blog’s customary deep-dive is, as always, fascinating.

The cover is by the great Rea Irvin.

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New Yorker contributor Emily Flake has written the introduction to Trots And Bonnie a collection of Shary Flenniken’s National Lampoon strips.

The New York Times Sunday Magazine includes this piece (“In Praise of a Normal Boring Country”) by New Yorker cover contributor, Christoph Niemann.

The Monday Tilley Watch, The New Yorker Issue of March 30, 2020; More Spills…

Note: As of 10:00am this Monday morning the magazine’s digital issue has not yet been posted, so, for now, I’m relying on what’s available on other areas of newyorker.com.

Update: Digital issue posted this evening.

The Cover: as mentioned here last Friday, the new issue’s cover (above) was early released.

The Cartoonists:

The Cartoons: As might be expected, several of this week’s eleven cartoons are current event-centric.  Roz Chast’s and Paul Noth’s the most reflective, with Sofia Warren’s very much in the vicinity.  If there’s a non-exclusive theme running throughout, it is domesticity: Lars Kenseth’s couple in the kitchen, Zach Kanin’s dad in the living room, a neighbor showing up to borrow a lot of sugar, Emily Flake’s couple at home in the hallway, and a dad in bed, with little patience to listen to his kid’s dream. Kim Warp’s way out there drawing bucks the surely coincidental at-home theme.

All of the cartoons above can be seen here via a slideshow on newyorker.com

The Rea Irvin Talk Masthead Watch: Mr. Irvin’s iconic masthead (below) is still hidden away, a redraw in its place since the Spring of 2017. Read about it here.

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…Today’s Daily Cartoon: Maddie Dai on staying in.

…a Daily Shouts by Emily Flake: “Adages For The Age Of Quarantine.”

…From Comics DC, March 22, 2020: “Was Emily Richards The First Black Female New Yorker Cartoonist in 2004?”

 

 

 

 

 

 

 

 

The Monday Tilley Watch, The New Yorker Issue of March 23, 2020: No GOAT

The Cover: This week’s cover, by Christoph Niemann is right on the money. The New Yorker‘s art editor, Francoise Mouly, has a Q&A with the artist here.

Historical Note:  this is the first issue of The New Yorker  not to include a Goings On About Town section. A notice appears on this week’s Table of Contents.

A potted history of GOAT (as it’s sometimes affectionately called)

The very first issue of The New Yorker  included a “conscientious calendar of events worth while” called Goings On.  The very first Goings On was just one page, near the back of the book. Below is the heading of that first Goings On.

The Goings On heading survived up through the issue of October 31, 1925. Goings On About Town was used for the very first time in the next issue (November 7, 1925). Goings On About Town was moved to the very front of the magazine in the issue of January 23, 1926.

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And now back to the present…and this week’s issue.

The Cartoonists:

Once again, I’ve posted the entire listing of artists as this week’s Spots are by the fab cover artist, Marcellus Hall.

There is a newbie this week: Matilda Borgstrom, who is the third new cartoonist to enter The New Yorker‘s stable of cartoonists this year, and the fifty-sixth new cartoonist brought in under Emma Allen’s cartoon editorship, begun in the Spring of 2017.

The Cartoons:

There are, as you would expect, a number of cartoons (“Drawings”) this week reflecting directly or indirectly the times we’re in: Roz Chast’s store front sign referencing hand sanitizer and face masks, Frank Cotham’s castle cleaning crew, Liza Donnelly’s kitchen full of fermented food, Emily Flake’s monster coming out of a closet.

The remaining cartoons take us away for awhile– as we’d want them to; the variety includes a mermaid, a couple of cowboys, a typing kitty, stargazers…and more.

The Rea Irvin Talk Masthead Watch: Virus, or no virus, the watch continues. Read about Mr. Irvin’s moth-balled iconic Talk masthead here.

Here’s what we’re no longer seeing:

 

 

The Monday Tilley Watch, The New Yorker Issue Of March 16, 2020

The Cover: Talk about yer timely cover: you might think that the cover on the left, by I. G. Haupt, is this week’s New Yorker cover, but it’s not. It appeared August 31, 1929*, not too long before “Black Monday”; the cover on the right appears this week on the magazine — “The Spring & Style” Issue. I’m reminded of The Rolling Stones song, Dandelion, and its catchy “Blow away dandelion, blow away dandelion.”

*Oddly, the Aug.29, 1929 issue is not included in the magazine’s digital archive available to subscribers. If you go to the archive, and look through the 1929 issues you’ll see there’s a gap between the issue of August 24, 1929 (Helen Hokinson cover) and September 7, 1929 (Sue Williams cover). Luckily, I have a copy, but what if you don’t.

The Cartoonists:

As with the other week, I’m showing the entire list of Artists as the Spots artist is Benoit van Innis who has provided a number of splendid covers over the years.

The Cartoons:

A truly wonderful drawing in this issue by Ed Steed (it’s on page 46), and a very clever idea by Will McPhail on page 38. Other drawings that caught my eye: P.C. Vey’s what’s under the bed cartoon (page 36), Drew Panckeri’s lion in a barber shop (p. 69), and Liana Finck’s fitbit drawing (p.66).

 

The Rea Irvin Talk Masthead Watch:

The above has not been seen in The New Yorker since May of 2017.  Read about it here.