The Monday Tilley Watch, The New Yorker Issue of March 30, 2020; More Spills…

Note: As of 10:00am this Monday morning the magazine’s digital issue has not yet been posted, so, for now, I’m relying on what’s available on other areas of newyorker.com.

Update: Digital issue posted this evening.

The Cover: as mentioned here last Friday, the new issue’s cover (above) was early released.

The Cartoonists:

The Cartoons: As might be expected, several of this week’s eleven cartoons are current event-centric.  Roz Chast’s and Paul Noth’s the most reflective, with Sofia Warren’s very much in the vicinity.  If there’s a non-exclusive theme running throughout, it is domesticity: Lars Kenseth’s couple in the kitchen, Zach Kanin’s dad in the living room, a neighbor showing up to borrow a lot of sugar, Emily Flake’s couple at home in the hallway, and a dad in bed, with little patience to listen to his kid’s dream. Kim Warp’s way out there drawing bucks the surely coincidental at-home theme.

All of the cartoons above can be seen here via a slideshow on newyorker.com

The Rea Irvin Talk Masthead Watch: Mr. Irvin’s iconic masthead (below) is still hidden away, a redraw in its place since the Spring of 2017. Read about it here.

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…Today’s Daily Cartoon: Maddie Dai on staying in.

…a Daily Shouts by Emily Flake: “Adages For The Age Of Quarantine.”

…From Comics DC, March 22, 2020: “Was Emily Richards The First Black Female New Yorker Cartoonist in 2004?”

 

 

 

 

 

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of March 2, 2020

The Cover: As mentioned last Friday, Barry Blitt‘s Bloomberg exploding cigar cover (above) was rush-released. Here’s a short piece about the cover’s subject by magazine’s art editor, Francoise Mouly.

The Cartoonists

The Cartoons

A likely too-deep-in-the-weeds observation: I believe (someone please correct me if I’m wrong!) this is the first issue of the magazine in contemporary times composed fully of stable mates whose entry into the stable dates back no further than the early 1990s (Frank Cotham, who began contributing in 1993 is this week’s elder, with 27 years at The New Yorker). On the flip side, you might recall that the last issue of the magazine (the 95th anniversary issue) contained a drawing by Edward Koren, who began contributing to The New Yorker in 1962. A deep (cartoonist) bench remains at The New Yorker.

Here’s the rundown of this week’s cartoonists, in order of their freshman year:

Frank Cotham (1993); William Haefeli (1998); David Sipress (1998); Joe Dator (2006); Julia Suits (2006); Emily Flake (2008); Amy Hwang (2010); Liana Finck (2013); Lars Kenseth (2016); Maggie Larson (2017); Liz Montague (2019).

Two cartoons in the issue that caught my attention both feature non-humans. David Sipress‘s stand-up kitty, and Joe Dator‘s opposum/possum. Also noted: Ed Steed‘s (sort’ve Ben Shahn-esque) full page illustration for Adam Levin’s fiction piece.

The Rea Irvin Talk Masthead Watch: Read about Rea Irvin’s iconic Talk masthead,shown directly below.  Below it is the redrawn version plugged-in Spring of 2017.

 

 

 

 

 

 

 

 

 

Kenneth Mahood’s 1958 Cartoon Collection; Today’s Daily Shouts Cartoonist (And Yesterday’s); Today’s Daily Cartoonist & Cartoon

Mahood’s 1958 Cartoon Collection: Not A Word To A Soul

Ordered not long ago (for one dollar(!), plus s&h) from a seller across the big pond, Kenneth Mahood’s 1958 cartoon collection arrived today and has been added to the Spill‘s cartoon library. Was very happy to see the dust jacket (and a protected dust jacket at that) in such great shape.  What I didn’t realize about this collection (until today) is that it is made up entirely of captionless cartoons, such as you see on the cover. From the inside flap copy:

“…the intelligent enquirer after knowledge today does not need a preamble of word or lengthy caption to point the humour…The pictures tell their own wordless story, with your intelligent help. The story is all there for you, and it is much better that way.”

Here’s Mr. Mahood’s entry on the Spill‘s A-Z:

 

Kenneth Mahood  Born, Belfast, Northern Ireland, 1930. New Yorker work: 1951 -1996. Mr. Mahood’s bio from the British Cartoon Archive.

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Today’s Daily Shouts Cartoonist

From Lars Kenseth, “A Celebrity Profile Of My Cat”

Mr. Kenseth began contributing to The New Yorker in

2016.  Visit his website here.

Further reading: this Spill piece on Mr. Kenseth from 2017.

And Yesterday’s Daily Shouts Cartoonist was Ali Fitzgerald: “America!: How To Throw A Wild Presidents’ Day Party”

…See more of Ms. Fitzgerald’s New Yorker work here.

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Today’s Daily Cartoonist & Cartoon

J.A.K. on the 4 day work week.

Mr. K. began contributing to in 2014.  His book, Everything Is An Emergency: An OCD Story In Words & Pictures will be out this June from Harper Perennial.

The Monday Tilley Watch, The New Yorker Issue Of February 3, 2020; Today’s Daily Cartoonist & Daily Shouts Cartoonist

The Cover: a snowy bridge. Read the Q&A with the cover artist here, and see the pretty digital snowflakes fall.

The Cartoonists:

The Cartoons:

In a throw back to earlier Monday Tilley Watches, I’ll take a quick tour through all the cartoons in the issue; a mostly text-driven drive-by of the work.

The first drawing, by David Sipress, references the recent demise of Mr. Peanut (is he really gone, or was it just a dream?). The topic of the late legume was recently covered here.

…Julia Suits’s pirate in cargo shorts on a gangplank is next (cannot see cargo shorts/pants on a New Yorker cartoon character without thinking of the below cargo pants drawing by the late great Leo Cullum — it appeared in The New Yorker,  August 17, 1998:

…The third cartoon (oh, alright: drawing) in the issue belongs to Barbara Smaller, who’s been contributing to the magazine since 1996.  A bedroom, a married couple, and a reasonable question.

…next is a Zach Kanin poker game (assuming it’s poker — I see chips on the table). I really like the three card players Mr. Kanin has drawn. The fellow to the left looks a little like Ernest Borgnine (with a pinch of Broderick Crawford tossed in?):

To me, the guy on the far right resembles Mandy Patinkin.

…next up: Liana Finck on an age-old flooring concern. Nice floating ghost.

…Harry Bliss and one of his collaborators (Steve Martin) address a potential problem for passengers on one of those floating mini-cities sailing the seven seas.

…five pages later: an Emily Flake drawing far far removed from her usual style and cartoon concerns. Think Hindenburg disaster mashed with social media done in a sort of Stuart Leeds style.

…on page 45, a Tersa Burns Parkhurst retirement party. Dunno why but the cartoon reminds me of MAD magazine’s Dave Berg’s “Lighter Side Of…” drawings (that’s a good thing!).

…on page 43 is a drawing by Mick Stevens, one of the most veteran artists in this issue.  He began contributing in December of 1979 (Roz Chast in this issue with a full page color Sketchbook, beats him out by more than a year– her first drawing appeared in June of 1978).  I wonder if the male dancing bird in Mr. Stevens’s drawing was originally in color. Either way (color, or b&w), a fab cartoon.

…David Borchart’s auto rental drawing (page 43) gets a Spill gold star for the use of the word “rassle.” Zeke, the fellow that’s prepared to rassle, is also mighty terrific.

…On page 54 is an Ed Steed drawing that at first glance reminds me of Zach Kanin’s in this same issue, but only because, in both drawings, the viewer is seeing a table front and center and from near precisely the same angle. Instead of card players (as seen in Mr. Kanin’s drawing) we have animated garden utensils and tools. They’re plotting something.

…next up is a Robert Leighton drawing of mountain climbers.  I love how Mr. Leighton has immediately tossed us into a situation that would normally demand the best possible equipment available. You gotta feel for the climber who came unprepared.

…Thoroughly enjoyed  — as usual with Lars Kenseth’s work — his drawing of campers situated down on the ground, and in much nicer weather than Mr. Leighton’s. Look at the care he took in adding the reflection of the moon on the lake.

…next up is a three panel hat x-ray drawing by Liza Donnelly ( who began contributing to The New Yorker in 1982). This drawing answers the oft-asked question of what could possibly occupy all that beanie air space. Love the kitty!

Lastly, Adam Douglas Thompson (the most junior artist in this issue — his first drawing appeared in The New Yorker in the issue of April 8, 2019) gives us a sort of contemporary Chon Day drawing (it’s on page 68). “Sort of” because Mr. Thompson’s line and Mr. Day’s line have different flows.

The Rea Irvin Talk Masthead Watch:

This man (Rea Irvin) is wondering what happened to his beautiful Talk masthead design (shown below). You know — the one that appeared in The New Yorker for 92 years, not the re-draw that’s been around since May of 2017.  Who took the iconic masthead away, and why, and where oh where can it be? Actually, the answer to the first question is easy. Perhaps the last question is easy as well.  It likely resides in a file on a desktop, easily accessed. The question of why is the puzzler. Read more about its disappearance here.

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Today’s Daily Cartoonist & Daily Shouts Cartoonist

The Daily Cartoon: by Brendan Loper, who began contributing to The New Yorker in 2016.

…and a Daily Shouts by J. A. K., who began contributing to The New Yorker in 2014.

 

The Monday Tilley Watch, The New Yorker Issue of January 27, 2020; David Salle Incorporates Peter Arno Drawings

The Cover: A NYC subway situation, by Luci Gutierrez.

The Cartoonists:

The Cartoons:

Every first run through the cartoons in the latest issue of The New Yorker  I feel as if I’m browsing the goods behind glass in a pastry shop’s display case, appreciating the variety, before beginning to narrow down which one to select, if in the buying mood. In this new issue, a number of pastries caught my eye. In no particular order here are some favorites.

…Sofia Warren’s four part color piece (it’s on page 36) fits nicely in the New Yorker school of cartoons that go beyond eliciting a laugh, capturing a lovely moment.  An earlier example of one of those moments is Arnie Levin’s classic multi-panel New Yorker drawing, “It’s only the wind”  from September 18, 1978 (it originally ran across the top of two facing pages, four panels to a page):

…Christopher Weyant’s  drawing on page 40, of a fellow leaving his blimp at a parking garage, is a text book example of the classic New Yorker one-two punch cartoon (as defined by Peter Arno).

…On page 22 you’ll find Danny Shanahan’s terrific drawing of cats with a tech problem.

…A perfect look on the guy’s face who’s tasting olive oil in Lars Kenseth’s cartoon (p. 42).  As mentioned on the Spill not long ago, veteran New Yorker cartoonist Henry Martin once said to me that certain cartoonists “draw funny” — it was meant as a compliment. Mr. Kenseth draws funny.

…The woman standing beside Liana Finck’s former dog walker (p.55) ever-so-slightly echoes Edward Gorey’s elongated figures. Ms. Finck’s drawings remind me, in a way, of Michael Shaw’s — the lines delivered as if direct from the muse.

…also in the issue: Insecure(?) Gods (by Hartley Lin), an update on Dolly,  the cloned sheep (Navied Mahdavian), criminals in an alleyway (Frank Cotham), a comet denier dinosaur (Jessica Olien), trash in space (Roz Chast), a couple in basement counting babysitter money (Amy Hwang), a doctor’s brainy children (Paul Noth), and a possible game changer (Liam Walsh).

The Rea Irvin Talk Masthead Watch:  A–gasp!– redraw of Rea Irvin’s iconic Talk masthead design has been in place since the Spring of 2017.

If granted three cartoon wishes, one of them would be the return of Mr. Irvin’s work to its home of 92 years.  Read about the switcheroo here.

The missing masthead appears below.

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David Salle Incorporates Arno Drawings

From Creative Boom, January 20, 2020, “Vibrant paintings inspired by advertising and cartoons from The New Yorker in the 1950s” — this piece on David Salle (fabulously!) incorporating  Peter Arno drawings within his paintings.

Shown above: Mr. Salle’s “A Night In The Sky With Friends”