The Monday Tilley Watch, The New Yorker Issue Of February 3, 2020; Today’s Daily Cartoonist & Daily Shouts Cartoonist

The Cover: a snowy bridge. Read the Q&A with the cover artist here, and see the pretty digital snowflakes fall.

The Cartoonists:

The Cartoons:

In a throw back to earlier Monday Tilley Watches, I’ll take a quick tour through all the cartoons in the issue; a mostly text-driven drive-by of the work.

The first drawing, by David Sipress, references the recent demise of Mr. Peanut (is he really gone, or was it just a dream?). The topic of the late legume was recently covered here.

…Julia Suits’s pirate in cargo shorts on a gangplank is next (cannot see cargo shorts/pants on a New Yorker cartoon character without thinking of the below cargo pants drawing by the late great Leo Cullum — it appeared in The New Yorker,  August 17, 1998:

…The third cartoon (oh, alright: drawing) in the issue belongs to Barbara Smaller, who’s been contributing to the magazine since 1996.  A bedroom, a married couple, and a reasonable question.

…next is a Zach Kanin poker game (assuming it’s poker — I see chips on the table). I really like the three card players Mr. Kanin has drawn. The fellow to the left looks a little like Ernest Borgnine (with a pinch of Broderick Crawford tossed in?):

To me, the guy on the far right resembles Mandy Patinkin.

…next up: Liana Finck on an age-old flooring concern. Nice floating ghost.

…Harry Bliss and one of his collaborators (Steve Martin) address a potential problem for passengers on one of those floating mini-cities sailing the seven seas.

…five pages later: an Emily Flake drawing far far removed from her usual style and cartoon concerns. Think Hindenburg disaster mashed with social media done in a sort of Stuart Leeds style.

…on page 45, a Tersa Burns Parkhurst retirement party. Dunno why but the cartoon reminds me of MAD magazine’s Dave Berg’s “Lighter Side Of…” drawings (that’s a good thing!).

…on page 43 is a drawing by Mick Stevens, one of the most veteran artists in this issue.  He began contributing in December of 1979 (Roz Chast in this issue with a full page color Sketchbook, beats him out by more than a year– her first drawing appeared in June of 1978).  I wonder if the male dancing bird in Mr. Stevens’s drawing was originally in color. Either way (color, or b&w), a fab cartoon.

…David Borchart’s auto rental drawing (page 43) gets a Spill gold star for the use of the word “rassle.” Zeke, the fellow that’s prepared to rassle, is also mighty terrific.

…On page 54 is an Ed Steed drawing that at first glance reminds me of Zach Kanin’s in this same issue, but only because, in both drawings, the viewer is seeing a table front and center and from near precisely the same angle. Instead of card players (as seen in Mr. Kanin’s drawing) we have animated garden utensils and tools. They’re plotting something.

…next up is a Robert Leighton drawing of mountain climbers.  I love how Mr. Leighton has immediately tossed us into a situation that would normally demand the best possible equipment available. You gotta feel for the climber who came unprepared.

…Thoroughly enjoyed  — as usual with Lars Kenseth’s work — his drawing of campers situated down on the ground, and in much nicer weather than Mr. Leighton’s. Look at the care he took in adding the reflection of the moon on the lake.

…next up is a three panel hat x-ray drawing by Liza Donnelly ( who began contributing to The New Yorker in 1982). This drawing answers the oft-asked question of what could possibly occupy all that beanie air space. Love the kitty!

Lastly, Adam Douglas Thompson (the most junior artist in this issue — his first drawing appeared in The New Yorker in the issue of April 8, 2019) gives us a sort of contemporary Chon Day drawing (it’s on page 68). “Sort of” because Mr. Thompson’s line and Mr. Day’s line have different flows.

The Rea Irvin Talk Masthead Watch:

This man (Rea Irvin) is wondering what happened to his beautiful Talk masthead design (shown below). You know — the one that appeared in The New Yorker for 92 years, not the re-draw that’s been around since May of 2017.  Who took the iconic masthead away, and why, and where oh where can it be? Actually, the answer to the first question is easy. Perhaps the last question is easy as well.  It likely resides in a file on a desktop, easily accessed. The question of why is the puzzler. Read more about its disappearance here.

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Today’s Daily Cartoonist & Daily Shouts Cartoonist

The Daily Cartoon: by Brendan Loper, who began contributing to The New Yorker in 2016.

…and a Daily Shouts by J. A. K., who began contributing to The New Yorker in 2014.

 

The Monday Tilley Watch, The New Yorker Issue of January 27, 2020; David Salle Incorporates Peter Arno Drawings

The Cover: A NYC subway situation, by Luci Gutierrez.

The Cartoonists:

The Cartoons:

Every first run through the cartoons in the latest issue of The New Yorker  I feel as if I’m browsing the goods behind glass in a pastry shop’s display case, appreciating the variety, before beginning to narrow down which one to select, if in the buying mood. In this new issue, a number of pastries caught my eye. In no particular order here are some favorites.

…Sofia Warren’s four part color piece (it’s on page 36) fits nicely in the New Yorker school of cartoons that go beyond eliciting a laugh, capturing a lovely moment.  An earlier example of one of those moments is Arnie Levin’s classic multi-panel New Yorker drawing, “It’s only the wind”  from September 18, 1978 (it originally ran across the top of two facing pages, four panels to a page):

…Christopher Weyant’s  drawing on page 40, of a fellow leaving his blimp at a parking garage, is a text book example of the classic New Yorker one-two punch cartoon (as defined by Peter Arno).

…On page 22 you’ll find Danny Shanahan’s terrific drawing of cats with a tech problem.

…A perfect look on the guy’s face who’s tasting olive oil in Lars Kenseth’s cartoon (p. 42).  As mentioned on the Spill not long ago, veteran New Yorker cartoonist Henry Martin once said to me that certain cartoonists “draw funny” — it was meant as a compliment. Mr. Kenseth draws funny.

…The woman standing beside Liana Finck’s former dog walker (p.55) ever-so-slightly echoes Edward Gorey’s elongated figures. Ms. Finck’s drawings remind me, in a way, of Michael Shaw’s — the lines delivered as if direct from the muse.

…also in the issue: Insecure(?) Gods (by Hartley Lin), an update on Dolly,  the cloned sheep (Navied Mahdavian), criminals in an alleyway (Frank Cotham), a comet denier dinosaur (Jessica Olien), trash in space (Roz Chast), a couple in basement counting babysitter money (Amy Hwang), a doctor’s brainy children (Paul Noth), and a possible game changer (Liam Walsh).

The Rea Irvin Talk Masthead Watch:  A–gasp!– redraw of Rea Irvin’s iconic Talk masthead design has been in place since the Spring of 2017.

If granted three cartoon wishes, one of them would be the return of Mr. Irvin’s work to its home of 92 years.  Read about the switcheroo here.

The missing masthead appears below.

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David Salle Incorporates Arno Drawings

From Creative Boom, January 20, 2020, “Vibrant paintings inspired by advertising and cartoons from The New Yorker in the 1950s” — this piece on David Salle (fabulously!) incorporating  Peter Arno drawings within his paintings.

Shown above: Mr. Salle’s “A Night In The Sky With Friends”

 

 

 

 

 

 

The Monday Tilley Watch, The New Yorker Issue Of January 13, 2020

A few thoughts on the art in the latest issue of The New Yorker…

The Cover: a moment in a museum, courtesy of Bruce McCall (read a Q&A with him here). The second cover in a row with ( for me) a retro feel to it. I could see Charles Addams doing something like this, or the late great Richard Taylor (Mr. Taylor’s January 9, 1937 cover appears below right).

 

The Cartoonists:

The Cartoons:

A lively bunch of cartoons: 18 of them — 19 if you include Olivia de Recat’s “Sketchpad” on page 17.  Possibly my imagination, but it appears most every cartoon has breathing space this week. There’s not one that looks cramped, nor is there one that looks like it would’ve been better off in a smaller space. Victoria Roberts’s peas in a pod (on page 21) is an excellent example of a drawing that required and received ample space.

P.C. Vey’s drawing (it’s on page 23) surprised me (always a very good thing). His unusual graveyard scenario accompanied by a terrif caption is a treat.

I like the sextet of cartoons that begins on page 40: Hilary Fitzgerald Campbell’s burning shorts drawing; Charlie Hankin’s magician (p.43); Lars Kenseth’s Charles Addamsy stomped-on cigarette butt drawing (p.44); Liana Finck’s sedentary whale (p.48); Sharon Levy’s abominable snowperson (p. 52) — which reminds me, pockets-wise of Arnie Levin’s great drawing (shown below) from the issue of December 26, 1977.  And, lastly, Ed Steed’s funny off-the-tracks drawing (p. 55).

Two drawings elsewhere in the issue also caught my eye: the fab P.S. Mueller’s drawing (p.65) with its use of the word “subsequent”… and Ellie Black’s dragon drawing (p.29). Hey, what can I say — I really like drawings of dragons, castles, etc..

The Rea Irvin Talk Masthead Watch: Mr. Irvin’s iconic Talk masthead remains under wraps. I don’t know how much effort it would take to return it to its proper place, but surely it can’t be more than a few clicks on a keyboard.

Read about Mr. Irvin’s masthead here, and see it below:

 

 

 

The Weekend Spill: A Memorial For New Yorker Artist Dana Fradon; The New Yorker Artists Who Contributed To Newyorker.com This Week; Meet The Artist (1943): Barbara Shermund

A Memorial For Dana Fradon

A Memorial is set for The New Yorker artist, Dana Fradon, who passed away this Fall.  The public is invited.

Photo: l-r, The New Yorker artist, Charles Saxon, The New Yorker‘s former Art Editor, James Geraghty, Mr. Fradon, and The New Yorker artist, Whitney Darrow, Jr..

Photo courtesy Sarah Geraghty Herndon

Memorial Info:

Where: the Bethel Library, Bethel CT

When: Sunday December 8th, from 2pm – 4pm.

Here’s Mr. Fradon’s entry on the Spill‘s A-Z:

Dana Fradon Born, Chicago, Illinois, 1922. Died, October 3, 2019, Woodstock, NY.  Studied at the Art Institute of Chicago prior to service in the U.S. Army Air Forces during World War II. Following his service, he attended the Art Students League of New York, New Yorker work: May 1, 1948 – April 21, 2003. Collection: Insincerely Yours (Scribners, 1978) To read Ink Spill’s 2013 interview with Mr. Fradon, “Harold Ross’s Last Cartoonist” link here.

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The Tilley Watch Online, November 25-29, 2019

A listing of the New Yorker artists who contributed to newyorker.com this week

The Daily Cartoon: Julia Suits, Pat Achilles, Christopher Weyant, Lila Ash, and Teresa Burns Parkhurst

Daily Shouts: Ali Fitzgerald, Emily Flake, Lars Kenseth, Eugenia Viti ( with Irving Ruan).

…and Barry Blitt’s Kvetchbook

…and Culture Desk pieces by Jenny Kroik, and Roz Chast.

See all the above and more here.

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Meet The Artist (1943): Barbara Shermund

Another in a series of self portraits of New Yorker artists included in the Meet The Artist catalog published by the M.H. de Young Memorial Museum in 1943.

Barbara Shermund’s entry on the Spill‘s A-Z:

Barbara Shermund (to the left: a Shermund self portrait) Born, San Francisco. 1899. Studied at The California School of Fine Arts. Died, 1978, New Jersey. New Yorker work: June 13, 1925 thru September 16, 1944. 8 covers and 599 cartoons. Shermund’s post-New Yorker work was featured in Esquire. (See Liza Donnelly’s book, Funny Ladies — a history of The New Yorker’s women cartoonists — for more on Shermund’s life and work)

 

The Monday Tilley Watch, The New Yorker Issue Of October 28, 2019

The Cover: Trick or treaters in the woods courtesy of Liniers. To me, the creatures appearing in this cover seem to be above-sea-level up-in-the-trees relatives of Ed Steed’s August 26th cover’s creatures. I’m reminded of the fun fans had years ago by hunting for The Beatles faces on the cover of The Rolling Stones album, Their Satanic Majesties Request.

Details from each below, with Mr. Steed’s fabulous creatures on the left and Mr. Linier’s on the right:

                                          The Cartoonists And Cartoons

A number of cartoons to mention this time around beginning with David Sipress’s alien being at the eye doctor’s office (the drawing is on page 29). It’s a clean, clear drawing with an excellent caption. The second I saw it it became my all-time favorite Sipress cartoon (applause, applause)…

…The same applause goes to Ed Steed’s dog at a typewriter (p.56). It’s a captionless drawing that excels because of words, or more specifically one word repeated twenty-two times.  As a bonus,  the drawing has been placed beautifully on the page. It too has risen in status to at least my co-all-time favorite in the Steed canon. Great drawing…

…Roz Chast’s drawing (p. 61) immediately brought to mind this hilarious scene from Jerry Lewis’s 1985 movie “Cracking Up” — Zane Busby is the waitress…

…I wonder how many New Yorker readers will be Googling “Gowanus” after looking at Paul Karasik’s drawing (p.28).  The same cartoon happily led me to thinking about this scene from Monty Python’s “Holy Grail”…

…Really enjoyed Lars Kenseth’s good humored and practical dad reassuring his son (p. 34)…

…Frank Cotham’s drawing (p.66) is another which has instantly become a favorite. It reminds me somehow of Charles Saxon’s best work (which is to say, a large percentage of Saxon’s seven hundred and twenty-five New Yorker drawings). Love the mood of the drawing plus its triumphal caption.  Applause Applause…

…Also much fun is Barbara Smaller’s  city dwellers politically flavored Halloween cartoon (p.17). Ms. Smaller sets a fab scene with details galore: the port-hole elevator door window, the number of locks on the apartment door, the taped-up paper pumpkin on the door…and let’s not forget the dandy caption.

The Rea Irvin Talk Of The Town Masthead Watch

The above heading by the great New Yorker artist Rea Irvin sat atop the New Yorker‘s Talk Of The Town for ninety-two years until being removed and replaced by a redrawn(!) version in the Spring of 2017. Here’s hoping the powers that be (or power that be) reverses the situation. Read more here.