The Weekend Spill: A Memorial For New Yorker Artist Dana Fradon; The New Yorker Artists Who Contributed To Newyorker.com This Week; Meet The Artist (1943): Barbara Shermund

A Memorial For Dana Fradon

A Memorial is set for The New Yorker artist, Dana Fradon, who passed away this Fall.  The public is invited.

Photo: l-r, The New Yorker artist, Charles Saxon, The New Yorker‘s former Art Editor, James Geraghty, Mr. Fradon, and The New Yorker artist, Whitney Darrow, Jr..

Photo courtesy Sarah Geraghty Herndon

Memorial Info:

Where: the Bethel Library, Bethel CT

When: Sunday December 8th, from 2pm – 4pm.

Here’s Mr. Fradon’s entry on the Spill‘s A-Z:

Dana Fradon Born, Chicago, Illinois, 1922. Died, October 3, 2019, Woodstock, NY.  Studied at the Art Institute of Chicago prior to service in the U.S. Army Air Forces during World War II. Following his service, he attended the Art Students League of New York, New Yorker work: May 1, 1948 – April 21, 2003. Collection: Insincerely Yours (Scribners, 1978) To read Ink Spill’s 2013 interview with Mr. Fradon, “Harold Ross’s Last Cartoonist” link here.

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The Tilley Watch Online, November 25-29, 2019

A listing of the New Yorker artists who contributed to newyorker.com this week

The Daily Cartoon: Julia Suits, Pat Achilles, Christopher Weyant, Lila Ash, and Teresa Burns Parkhurst

Daily Shouts: Ali Fitzgerald, Emily Flake, Lars Kenseth, Eugenia Viti ( with Irving Ruan).

…and Barry Blitt’s Kvetchbook

…and Culture Desk pieces by Jenny Kroik, and Roz Chast.

See all the above and more here.

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Meet The Artist (1943): Barbara Shermund

Another in a series of self portraits of New Yorker artists included in the Meet The Artist catalog published by the M.H. de Young Memorial Museum in 1943.

Barbara Shermund’s entry on the Spill‘s A-Z:

Barbara Shermund (to the left: a Shermund self portrait) Born, San Francisco. 1899. Studied at The California School of Fine Arts. Died, 1978, New Jersey. New Yorker work: June 13, 1925 thru September 16, 1944. 8 covers and 599 cartoons. Shermund’s post-New Yorker work was featured in Esquire. (See Liza Donnelly’s book, Funny Ladies — a history of The New Yorker’s women cartoonists — for more on Shermund’s life and work)

 

The Monday Tilley Watch, The New Yorker Issue Of October 28, 2019

The Cover: Trick or treaters in the woods courtesy of Liniers. To me, the creatures appearing in this cover seem to be above-sea-level up-in-the-trees relatives of Ed Steed’s August 26th cover’s creatures. I’m reminded of the fun fans had years ago by hunting for The Beatles faces on the cover of The Rolling Stones album, Their Satanic Majesties Request.

Details from each below, with Mr. Steed’s fabulous creatures on the left and Mr. Linier’s on the right:

                                          The Cartoonists And Cartoons

A number of cartoons to mention this time around beginning with David Sipress’s alien being at the eye doctor’s office (the drawing is on page 29). It’s a clean, clear drawing with an excellent caption. The second I saw it it became my all-time favorite Sipress cartoon (applause, applause)…

…The same applause goes to Ed Steed’s dog at a typewriter (p.56). It’s a captionless drawing that excels because of words, or more specifically one word repeated twenty-two times.  As a bonus,  the drawing has been placed beautifully on the page. It too has risen in status to at least my co-all-time favorite in the Steed canon. Great drawing…

…Roz Chast’s drawing (p. 61) immediately brought to mind this hilarious scene from Jerry Lewis’s 1985 movie “Cracking Up” — Zane Busby is the waitress…

…I wonder how many New Yorker readers will be Googling “Gowanus” after looking at Paul Karasik’s drawing (p.28).  The same cartoon happily led me to thinking about this scene from Monty Python’s “Holy Grail”…

…Really enjoyed Lars Kenseth’s good humored and practical dad reassuring his son (p. 34)…

…Frank Cotham’s drawing (p.66) is another which has instantly become a favorite. It reminds me somehow of Charles Saxon’s best work (which is to say, a large percentage of Saxon’s seven hundred and twenty-five New Yorker drawings). Love the mood of the drawing plus its triumphal caption.  Applause Applause…

…Also much fun is Barbara Smaller’s  city dwellers politically flavored Halloween cartoon (p.17). Ms. Smaller sets a fab scene with details galore: the port-hole elevator door window, the number of locks on the apartment door, the taped-up paper pumpkin on the door…and let’s not forget the dandy caption.

The Rea Irvin Talk Of The Town Masthead Watch

The above heading by the great New Yorker artist Rea Irvin sat atop the New Yorker‘s Talk Of The Town for ninety-two years until being removed and replaced by a redrawn(!) version in the Spring of 2017. Here’s hoping the powers that be (or power that be) reverses the situation. Read more here.

 

The Monday Tilley Watch, The New Yorker, October 14, 2019

The Cover: Ed Steed returns with his second New Yorker cover, and like his first (August 26th of this year) it’s a winner.  Read the magazine’s Q&A with Mr. Steed about his cover here.

The Cartoonists & Cartoons:

A number of drawings of special note in this issue:

A fab mouse drawing (it’s on page 30) by the great Sam Gross.  As noted here recently, Mr. Gross is now in his 50th year of contributing to The New Yorker.

Sara Lautman’s “…accompanied” drawing (p. 43) is a fine fun drawing — delivered in a style unlike any other in the magazine’s stable.

Lars Kenseth’s astronauts drawing (p. 58). I’ll just say it:  Mr. Kenseth’s drawing made me laugh out loud.

Sofia Warren’s Charles Addamsy drawing (p. 63).  A good deal of information to absorb, well-handled.

Glen Baxter’s lion in a museum (p. 48). I’m a sucker for (what seem like) bolt-of-lightning drawings. By that I mean drawings that seem instantaneously transferred to us from the artist without labor (Jack Ziegler was a master of the form). I could be completely wrong: perhaps Mr. Baxter spent hours and days developing this particular cartoon. It’s become a favorite Baxter drawing.

David Borchart’s drawing (p.44) is a fine addition to the magazine’s desert island canon. May desert island drawings never end.

From one who loves castles (and drawing them), nice to see Jeremy Nguyen’s different take (p.25).

A newbie in this issue: Yael Green makes her debut appearance (p.74). Ms. Green is the 23rd new cartoonist brought into the fold this year, and the 49th since Emma Allen became cartoon editor in the Spring of 2017.

The Rea Irvin Talk Masthead Watch: Here’s Mr. Irvin’s entry on the Spill‘s A-Z:

Rea Irvin  Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925. He was the magazine’s first art editor, holding the position from 1925 until 1939 when James Geraghty assumed the title. Irvin became art director and remained in that position until William Shawn succeeded Harold Ross. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time.

The classic Talk masthead by Mr Irvin that ran for 92 consecutive years  is shown above. It was replaced by a redraw (!) in the Spring of 2017. It’s never too late to bring it back.

 

 

The Monday Tilley Watch, The New Yorker Issue Of September 16, 2019

The Cover: Ivan Brunetti returns with a cat person/dog person cover. Read here what he had to say about the cover.

The Cartoonists & Cartoons:

I spend the wee hours of every Monday morning looking through the latest issue of The New Yorker (it’s posted online at around 4am). I look at every cartoon at least twice, then I close my laptop and think about the cartoons I just saw. The ones that stick with me — the ones I think about the most, are the ones noted here on The Monday Tilley Watch.  And so it is this week with these four (in no particular order):

Liana Finck’s (p. 40) umbrella drawing grabbed me immediately. It reminded me of an early New Yorker drawing by her published in 2014 (she began contributing to The New Yorker in 2013) titled Snow Falling On Accountants (I liked that one so much it’s now part of the Spill‘s collection of originals). The drawing has a 1970/1980s-era William Stieg-ian quality to it.

Roz Chast’s Wizard of Oz drawing (p. 54). I’m a fan of Ms. Chast’s outdoorsy drawings (like this one for instance).  I associate Oz with spectacular color (the film is black & white til Dorothy lands in Oz and opens up the door of her farmhouse). We’ve all seen enough of Ms. Chast’s terrif color work so that I can (possibly) be forgiven for imagining this drawing colorized.

The lead off drawing in the issue is by Adam Douglas Thompson. I like the simplicity of this cartoon — the way Mr. Thompson’s shown us exactly what we need to see, and no more.  Rats (and mice) have a long New Yorker cartoon history (here’s a favorite Sam Gross drawing from 1999).

David Borchart’s end of summer drawing (p. 39) is quite fab. Mr. Borchart, as he usually does in his work, gives us a world to think about. And, of course, the drawing itself is spectacular (note how the ferry leaves a wake).

Cartoon placement/sizing: All of the cartoons in this issue have been given good breathing room. A few examples: William Haefeli’s (p.31), Sharon Levy’s (p.59), and Lars Kenseth’s (p.22).

Rea Irvin’s Lost Masthead: Gone since the Spring of 2017, but not forgotten here.

 

 

 

The Monday Tilley Watch, The New Yorker (Double) Issue Of August 5 & 12, 2019; Today’s Daily Cartoonist & Cartoon

The Cover: Lotsa ice cream on Olimpia Zagnoli’s second New Yorker cover. I’m immediately reminded of any number of early Vogue covers.  Read the Cover Story here.

The Cartoonists:

…a newbie: Lisa Rothstein is the 22nd new cartoonist added to the magazine’s stable this year, and the 48th new cartoonist added since cartoon editor Emma Allen’s tenure began in May 2017.

The Cartoons: quite the surprise seeing a cartoon (on p.61) by the late great Jack Ziegler.  It got me to wondering if perhaps The New Yorker might set up a special online section for the contributors who left us with a lot of work still in the bank (or, as originally designated, “on the bank” — that is,  work bought, but not yet published). When William Steig passed away there was a rumor that hundreds of his drawings (and some covers) were still on the bank. One wonders about the on the bank work of Charles Barsotti, as well as Mr. Ziegler, Leo Cullum, and Michael Crawford, to name but a few dear departed colleagues. Wouldn’t it be great to see this work gathered online.  

Also of interest in this double issue: a cartoon by the one-and-only Sam Gross, who celebrates his 50th year at The New Yorker in August. His first New Yorker drawing appeared in the issue of August 23, 1969 (the Spill will further note the occasion on August 23, 2019).

Speaking of Jack Ziegler, Ed Steed’s squid drawing (p. 37) calls to mind Mr. Ziegler’s classic squid drawing from the issue of September 16, 1996 (it was also used as the cover drawing, and title of Ziegler’s 2004 food cartoon anthology). A quick search for squid cartoons in the Cartoon Bank’s database brought up just two other squid drawings: this one by Danny Shanahan, and this one by Farley Katz).

Also of note:

… J.A.K.’s drawing (p.21) — my fave Jason Adam Katzenstein drawing of all time (so far)

…Chris Ware’s 8 page “Mr. Ware” (he talks about it here).

… Sizing of drawings this issue: most seem right on the money (examples: Sam Gross’s, Zach Kanin’s, Roz Chast’s, Lars Kenseth’s).

…:A goodly number of non-human centric drawings this issue: cockroaches (McNair), the aforementioned squid by Mr. Steed, a bull (McNamee), a parrot (Gross), a blender (Chast), hugging dogs (Rothstein), rocks (Hwang), shishto peppers (Kenseth).

Rea Irvin: Mr. Irvin’s iconic Talk masthead (it appeared for 92 years) disappeared in the Spring of 2017 (read about it here) — replaced by — gasp! — a redraw (not redrawn by Mr. Irvin, who passed away in 1972). Will the original ever return? Here it is until then:

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Today’s Daily Cartoonist & Cartoon

Brendan Loper, who began contributing to The New Yorker in 2016, on opinions/films.