The New Yorker‘s cartoon editor, Emma Allen presents Instagram’s most liked New Yorker cartoons of 2017 (by # of Instagram likes, of course). The list includes cartoons by (in no particular order here) : Farley Katz, Peter Kuper, Liana Finck, Paul Noth, Jeremy Nguyen, Roz Chast, Ben Schwartz, Kim Warp, Mort Gerberg, Emily Flake, Charlie Hankin, Alex Gregory, Maddie Dai,
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Interviews of Interest: Roz Chast, Jason Adam Katzenstein; The Tilley Watch Online
Interview : Roz Chast From The Rumpus, November 30, 2017, “The Rumpus Mini-Interview Project #122: Roz Chast” _________________________________________________________________________________ Interview: Jason Adam Katzenstein From jewcy.com, December 1, 2017, “Cartooning’s Jewish Je Ne Sais Quoi” _________________________________________________________________________ …This past week’s Daily featured a slightly animated cyber drawing by Sharon Levy; a media-centric drawing by Emily Flake, and lotsa politics, from David Sipress, Brendan
Read moreA Spill Favorite Leftovers Cartoon…and a Bonus; A Trio of Non-New Yorker Cartoon Books of Interest; The Tilley Watch Online: Loper, Larson, Rosen, Flake, Gerberg, Warp, and Finck; John Lennon’s (New Yorker) Diaries
A Spill Favorite Leftovers Cartoon…and a Bonus Yesterday I posted an evergreen Thanksgiving drawing by Bob Eckstein. Today, an evergreen for the day after. This Liza Donnelly drawing appeared in The New Yorker, November 26, 2007. Ms. Donnelly has also provided the Spill with an unpublished cartoon that I particularly like. _________________________________________________________________________ A Trio of non-New Yorker Related Books
Read moreThe Spill Talks Mirror Balls and Tracking Porcupines with Seth Fleishman
I took notice when Seth Fleishman’s first cartoon, uniformed cows standing over a table, appeared in the New Yorker in the issue of April 4, 2016 (it appears below). Sometimes a new cartoonist’s work (the drawing itself and/or the caption) will appear slightly awkward (my first New Yorker drawing fits both those categories), but Mr. Fleishman’s work seemed like it
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