The Weekend Spill: The Tilley Watch Online; A Rea Irvin Album Cover

An end of the week listing of New Yorker artists who contributed to newyorker.com features. The week of December 27-31, 2021 The Daily Cartoon: Maggie Larson, Emily Bernstein, Suerynn Lee, Mort Gerberg, Ellis Rosen. Daily Shouts: Colin Stokes (The New Yorker‘s Assistant Cartoon Editor) with Ella Quittner, Ali Fitzgerald.  Barry Blitt’s Kvetchbook: “Ringing In The New Year (On Zoom)”  _______________________________________________________

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Wednesday Spill: Daily Cartoonists & Cartoons; Personal History: Desk Moving, Pt. 2

Daily Cartoonists & Cartoons Time to catch up with this week’s Daily Cartoonists & their cartoons: Monday’s Daily… from Ellis Rosen, who began contributing to The New Yorker in 2016. Tuesday’s Daily…from Mort Gerberg, who began contributing to The New Yorker in 1965. Wednesday’s Daily… from Sueryann Lee, who began contributing to The New Yorker in March of 2019.   __________________________________________________________________________ Personal

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Weekend Spill: Two Podcast Guests Of Interest: Emily Flake & Ellis Rosen; Tilley Watch Online, The Week Of November 29 – December 3, 2021

Two Podcast Guests Of Interest: Ellis Rosen & Emily Flake New Yorker cartoonists Bob Eckstein & Michael Shaw, interview their colleague Ellis Rosen in the latest episode of The Cartoon Pad. Listen here.  Mr. Eckstein began contributing to The New Yorker in 2007; Mr. Shaw in 1999, and Mr. Rosen in 2016. _____________________________________________________________ And over on the Cartoon Caption Contest

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Weekend Spill: Personal Cartoon History; Unfinished Business: Shaw’s Blank New Yorker Drawing & Alan Dunn’s; From Attempted Bloggery…S.J. Perelman & Victoria Roberts Intersect At A French Laundry; The Tilley Watch Online, November 1-5, 2021

________________________________________________________________________________ Personal Cartoon History I was wandering around The New Yorker’s online archive this evening when I came across this drawing of mine from the January 9, 1984 issue. I looked at it for a few seconds then realized that it’s very different from all of my work in the magazine as it’s blatantly autobiographical. What you see is the

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