The Washington Post’s Dana Fradon Obit; Article Of Interest: New Yorker Cover Artist & Cartoonist Robert Kraus; Today’s Daily Cartoonist & Cartoon; The Asian Babies Exhibition Catalog

From The Washington Post,  “Dana Fradon, prolific New Yorker cartoonist with a satirical edge, dies at 97” by Harrison Smith. The piece includes a terrific photo of Mr. Fradon by Anne Hall Elser who was assistant to Lee Lorenz during his sterling run (1973- 1997) as the magazine’s art editor. Above: a drawing by Mr. Fradon that appeared in The

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The Wednesday Tilley Watch: Trailer Of Interest: Stevenson Lost And Found; Hilary Fitzgerald Campbell & Peanuts; More Dana Fradon; Today’s Daily Cartoonist & Cartoon

Trailer Of Interest…Stevenson: Lost And Found Here’s the official trailer for the highly anticipated documentary film on the late great New Yorker artist & writer, James Stevenson: Sally Williams‘ Stevenson: Lost and Found.  Link here to the official trailer. From the film’s Facebook page: Writer and artist, James Stevenson was one of The New Yorker Magazine’s most prolific cartoonists. Revered

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New York Times Dana Fradon Obit; New Books!; New Yorker Cover Artist Roxie Munro Remembers Dana Fradon; Edward Koren On Dana Fradon; Today’s Daily Cartoonist & Cartoon; Today’s Daily Shouts…By Jenny Kroik

The New York Times Dana Fradon Obit Here’s Richard Sandomir’s New York Times obit for Dana Fradon, who passed away last week at the age of 97. Shown above, left to right: New Yorker artist Charles Saxon, New Yorker art editor (from 1939 – 1973) James Geraghty, New Yorker artist Dana Fradon, and New Yorker artist,Whitney Darrow, Jr. –photo: Sarah

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Dana Fradon, Harold Ross’s Last Cartoonist, Has Died

Above: The New Yorker artist,Charles Saxon; James Geraghty,The New Yorker’s art editor from 1939-1973; The New Yorker artist, Dana Fradon, and New Yorker artist, Whitney Darrow, Jr.. Photo: Sara Geraghty Herndon. Dana Fradon, the last surviving New Yorker cartoonist of Harold Ross’s era (he was the last cartoonist contracted under Mr. Ross’s editorship), and one of The New Yorker‘s most

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