Weekend Spill: Barbara Shermund Exhibit Opens…Liza Donnelly To Speak; The Tilley Watch Online, July 24-28, 2023; A Round-Up; Book On The Horizon From Sid Harris

Barbara Shermund Exhibit Opens…Liza Donnelly To Speak Feminine Wiles: The Art Of Barbara Shermund has begun its run  at the United Theater in Westerly, Rhode Island. The exhibit will be up until September 17th of this year. Read more here.  As part of the celebration of Ms. Shermund’s art, Liza Donnelly will speak at the United, August 4th, at 7:30.

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Weekend Spill: Tilley Watch Online, The Week Of May 8-12, 2023; More Spills…Ed Koren’s Film Debut; Documentary Film: “Saul Steinberg’s Line”; Ivan Ehlers’ Graphic Account Of The Writers’ Strike Picket Line; A ToonStack Tribute To Sam Gross; Wertz Reviewed; Finck’s TED; Chast & Flake Talk; Caption Contest Podcast Begins New Feature; Happy 90th, Sid Harris!

Tilley Watch Online…The Week Of May 8-12, 2023 An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features The Daily Cartoon: Maggie Larson, Ellis Rosen, Brooke Bourgeois, Adam Douglas Thompson, David Sipress, Brendan Loper. Daily Shouts: Suerynn Lee, (Ginny Hogan) with J.A.K. Barry Blitt’s Kvetchbook: “Weinstein, Cosby, And Trump Play Around” ___________________________________________________________-  

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Tuesday Spill: Latest Addition To the Spill Library: The American Cartoon Album

Bob Abel, co-editor of The Funnies: An American Idiom, whose creds also include working for Humorama (in Mr. Abel’s words)”a pre-pubescent conglomerate of eight humor magazines” and Ad Lib (again, in Mr. Abel’s words) a publication “which featured cartoonists no one else was publishing very much”  came out with this 9″x12″ hard cover collection of cartoons from many of the

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The Ink Spill Interview: Edward Frascino

       Above: Edward Frascino With Aristide Maillol’s “The Mediteranean” at The Museum Of Modern Art, about 1955. Photo courtesy of Mr. Frascino When I joined The New Yorker’s stable of cartoonists in the late 1970s there were perhaps two dozen regulars whose work anchored the magazine’s art. The strength of the stable was, as you would expect, superior cartoonery

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