Above: Edward Frascino With Aristide Maillol’s “The Mediteranean” at The Museum Of Modern Art, about 1955. Photo courtesy of Mr. Frascino When I joined The New Yorker’s stable of cartoonists in the late 1970s there were perhaps two dozen regulars whose work anchored the magazine’s art. The strength of the stable was, as you would expect, superior cartoonery
Read moreWhile browsing New Yorker cartoonist/cartoon info online yesterday I came across this enticing entry: “Ink Slingers,” an exhibition of cartoon drawings from the collection of New Yorker cartoonist, and Cornish resident, Harry Bliss, is on view at Philip Read Memorial Library in Plainfield. The show, which includes original drawings by cartoonists and illustrators, is on view through June.
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