Weekend Spill: The Tilley Watch Online, April 17-21, 2023; More Spills…

Tilley Watch Online: The Week Of April 17-21, 2023 An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features The Daily Cartoon: Ben Schwartz, Brendan Loper (twice), Adam Douglas Thompson, Ellis Rosen, Yasin Osman.  Daily Shouts: Navied Mahdavian (with Bryn Durgin), Julia Wertz.  Barry Blitt’s Kvetchbook: “Rudy Giuliani Wheels And Deals” _______________________________________________________________________ …“A

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Weekend Tilley Watch: Attempted Bloggery & Buying Books “Sight Unseen”; The Tilley Watch Online, January 23 -28, 2023

_______________________________________________________________________ Attempted Bloggery & Buying Books “Sight Unseen”  Here’s another installment in the Attempted Bloggery series “Sight Unseen” which describes books bought despite patchy info provided by the seller. This particular purchase turned out well for Stephen Nadler (the fellow behind the Attempted Bloggery curtain). Go here to read more.   Two lions of The New Yorker cartoon world, and the

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Weekend Spill: The Tilley Watch Online, December 19-23, 2022

  — Above: from The New Yorker, January 28, 1991 The Tilley Watch Online, December 19-23, 2022 An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features The Daily Cartoon: Asher Perlman, Adam Sacks, Sarah Kempa, Paul Noth, Brendan Loper. Daily Shouts: Julia Wertz, Ali Fitzgerald.   _________________________________________________________________ A pre-Christmas drawing from the

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Wednesday Spill: New Book On The Horizon From Julia Wertz; First & Last: W.B. Park

_____________________________________________________________ It’s a ways off (May of 2023) but no time like the present to note Julia Wertz’s next book, Impossible People: A Completely Average Recovery Story. From the publisher: “In her keenly observed graphic memoir, Impossible People, celebrated cartoonist Julia Wertz chronicles her haphazard attempts at sobriety and the relentlessly challenging, surprisingly funny, and occasionally absurd cycle of addiction and

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