Monday Spill, The New Yorker Issue Of March 2, 2026

The Monday Tilley Watch takes a glancing look at the art and artists of the latest issue of The New Yorker The Cartoonists and Cartoons Fourteen cartoons, fifteen cartoonists (Roz Chast has a Sketchbook). One duo, that we know of. One newbie: Cerise Zelenetz, who is the 3rd addition to the magazine’s cartoonist colosseum this year, and the 183rd cartoonist brought in

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James Stevenson Documentary Film Streaming July 17- July 23!; Today’s Daily Cartoonist…And Yesterday’s; Today’s Daily Shouts Cartoonists; Blitt’s Kvetchbook

Beginning today and continuing through July 23 you’ll be able to stream (for ten bucks. Cheap!) the terrif documentary film, Stevenson: Lost & Found, directed by Sally Williams. All the info here. Last year there was a special screening in Brooklyn for New Yorker cartoonists — a splendid time was had by all (and it was an opportunity for a

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The Weekend Spill: Today’s Daily Shouts Cartoonist: Eugenia Viti; Tilley Watch Online, Week Of April 20-24, 2020; Video Interview Of Interest: Lars Kenseth

____________________________________________________________________________ Today’s Daily Shouts Cartoonist From Eugenia Viti, who began contributing to The New Yorker in June of 2019: “What To Think About In The Morning Before You Remember The Sad State Of The World”   ________________________________________________________________________ A listing of New Yorker artists who’ve contributed to newyorker.com features through the week The Daily Cartoon:  J.A.K., Emily Flake, Avi Steinberg, Cerise

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The Latest American Bystander; Jason Chatfield’s Covid-19 Diary; Daily Cartoon & Daily Shouts Cartoonists (Yesterday’s & Today’s)…And Barry Blitt’s Kvetchbook

The latest American Bystander (March 2020) has landed on my desk —  it’s a treat!  Here are The New Yorker cartoonists whose contributions you’ll find in the issue (and in the case of John Cuneo, on the issue’s cover): George Booth (besides a full-page Booth drawing there’s a lovely photo of Mr. Booth on the very last page), Roz Chast

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