I recently picked up Mary Dearborn’s Ernest Hemingway: A Biography (Knopf, 2017). With biographies, I usually go right to the index to check out New Yorker intersections and found plenty on Lillian Ross (because of her well-known portrait of Hemingway, “How Do You Like it Now, Gentlemen? The Moods Of Ernest Hemingway” that ran in the issue of May 13,
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