The Tilley Watch Online: An end of week listing of artists contributing to newyorker.com features, January 4 – 8, 2021 The Daily Cartoon: Tim Hamilton, Brendan Loper, David Ostow, Zoe Si, Sofia Warren, Sarah Kempa. Daily Shouts: J.A.K (with Evan Waite), Olivia de Recat (with Julia Edelman), Barry Blitt’s Kvetchbook: “Donald Trump: Fire-Breather” & “Hello, Georgia?” Culture Desk: Emily Flake,
Read moreTag: Attempted Bloggery
The Wednesday Spill: Donnelly’s “So You’re A Democrat And You Won…”; Herblock In The New Yorker? Say It Ain’t So, Joe (Dator); Swann’s January Illustration Auction With Works By John Held, Jr., Barbara Shermund, Charles Addams, Lee Lorenz, Frank Modell, Alajalov, and More; Today’s Daily Cartoonist & Cartoon; Today’s Daily Shouts Cartoonist; A Note About The Spill’s A-Z
From Liza Donnelly, this evergreen, published in The New Yorker November 17, 2008 — _________________________________________________________________ Herblock In The New Yorker? Say It Ain’t So, Joe (Dator) Last night, The Spill received an email from the fab New Yorker cartoonist, Joe Dator that spirited this cartoonist away for awhile from watching political coverage. Here’s Mr. Dator’s email, almost in its entirety.
Read moreThe Tale Of The Three Barlows…Or Is It Two Barlows?; A Thurber Inspired Bliss?
We’re now into the second week of a New Yorker double issue, dated January 4th & 11th. The Monday Tilley Watch, usually appearing here on this day, will return next week, when the issue of January 18th appears. In the meantime here’s a Spill Cartoon Detective piece. The Tale Of The Three Barlows…Or Is It Two Barlows? This little tale
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Wednesday Spill: A Gibson & A Steig New Year’s Cartoon; Today’s Daily Cartoonist & Cartoon; Some Chitter-Chatter About That Hockney Cover
A Gibson & A Steig New Year’s Cartoon From Attempted Bloggery, December 30, 2020,“Mary Gibson: New Year Spoilsport”— two New Year’s cartoons: Mary Gibson’s in The Saturday Evening Post (the clipping via Dick Buchanan’s Famous Files) in October of ’53, the other is William Steig’s New Yorker classic that appeared in December of ’55. Not a whole lot is known
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