Last week, there was an impromptu visit to the Spill’s headquarters by a quartet of New Yorker cartoonists. Not too long ago I would’ve led them to what my wife and I call the piano room (because there’s a piano in the room) where they would’ve seen four walls covered with framed cartoons by New Yorker artists (a sample directly below).
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Mary Gauerke: The Only Woman Drawing Cartoons For The New Yorker In The 1960s Reading Liza Donnelly’s Very Funny Ladies: The New Yorker’s Women Cartoonists, there’s no missing how central women artists were in the magazine’s developing years. Harold Ross, The New Yorker‘s founder and first editor, considered three cartoonists above and beyond all of his other cartoonists (their names
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First And Last: Mary Petty Continuing a once-in-a-blue-moon Spill series, “First and Last” looks at an artist’s very first New Yorker contribution, and their very last. On this Valentine’s Day I thought it would be fun to take a look at the late great Mary Petty’s first and last (her A-Z entry appears below the drawings). Her very first New
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Of all the New Yorker Albums published, it is the first one that sends off the biggest charge when I spot it on a shelf (honestly, it’s not hard to miss. I have one of the above copies set on a shelf with its cover facing out). Over time I’ve ended up with the three you see above, plus, I
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