Weekend Spill: From The Archive…A Rejected Easter Cover; The Tilley Watch Online…The Week Of April 3-7, 2023; More Spills

         From the Archive: The Spill’s Trad Easter Sunday (Rejected) Cover  The below was submitted to The New Yorker (and rejected) a long long time ago. I like dusting it off and letting it see some sunlight once a year.                        _______________________________________________________________________ The Tilley Watch Online…The Week

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Weekend Spill: The Tilley Watch Online, February 27 – March 3, 2023; Latest Guest On The Cartoon Caption Contest Pod…Daniel Kanhai

The Monday Tilley Watch takes a glancing look at the art and artists of the latest issue of The New Yorker  The Daily Cartoon: John McNamee, Dan Misdea, Paul Noth, Tom Toro, Adam Douglas Thompson. Daily Shouts: Hilary Fitzgerald Campbell, Ali Fitzgerald, Emily Flake.  Barry Blitt’s Kvetchbook: “Fox News Protects Itself” ______________________________________________________________ Latest Guest On The Cartoon Caption Contest Pod: Daniel

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Weekend: The Tilley Watch Online, January 9-13, 2023; Cover Reveal: Chast’s “I Must Be Dreaming”; Weekend Reading…A New Yorker State Of Mind

The Tilley Watch Online, January 9-13, 2023 An end of the week listing of New Yorker artists whose work has appeared on newyorker.com features The Daily Cartoon: David Sipress, Becky Barnicoat, Sarah Kempa, J.A.K., Paul Noth.  Daily Shouts: Adam Douglas Thompson, Will McPhail (and Monica Heisey). Barry Blitt’s Kvetchbook: “Keeping George Santos Honest” ___________________________________________________________   Cover Reveal: Roz Chast’s October

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Weekend Spill: Sempe NYC Exhibit Indoors & Outdoors; Peter Arno’s 119th B’Day; Addams 101st B’day; Eckstein’s New York Times Book Review Sketchbook, “Cat People”; The Tilley Watch Online, January 2-6, 2023

Sempe Indoors & Outdoors Exhibit In New York City From The French Institute, news of an exhibit, “Signature Sempe” coming to New York City this month, featuring original art in their gallery as well as art on the street.  Mr. Sempe, who died in August of 2022, began contributing to The New Yorker in 1978. (His Wikipedia entry here). _________________________________________________________________________ Peter

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