More Dator One of the fun byproducts of a freshly published book is that we the reading (and cartoon-enjoying) public get to enjoy the surrounding PR. Such is the case with Joe Dator’s just released Inked: Cartoons, Confessions, Rejected Ideas, and Secret Sketches (Prospect Park Books). One of Mr. Dator’s most recent appearances was on Canadian radio’s CBC Listen.
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Friday Spill: Catching Up with The Daily Cartoons; Harvard Lampoon New Yorker Cartoon Parodies; Podcast Guest Of Interest: Joe Dator
Catching Up With The Daily Cartoons Wednesday’s Daily Cartoonist: Shadows at The Supreme Court, from Peter Kuper, who began contributing to The New Yorker in 2011. Bonus Daily (Wednesday) from cover artist Jenny Kroik. Thursday’s Daily Cartoonist: Homework, from Adam Douglas Thompson, who began contributing to The New Yorker in 2019. Friday’s Daily: An airport screening from J.A.K. who began
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Weekend Spill: New ToonStack…Hearts & Romance; Latest Cartoon Caption Contest Podcast Guest: Joe Dator; Article Of Interest…Liana Finck; More Spills: Chast’s Exhibit…and…50 Years Ago This Week In The New Yorker
New ToonStock…Hearts & Romance From ToonStack (how tempted I am to call it ToonStock!), the folks who post a themed collection of cartoons every Sunday, this latest grouping featuring work on romance. Contributors include Johnny DiNapoli, Millie von Platen, Adam Douglas Thompson, Hilary Campbell, Navied Mahdavian, Sofia Warren, Kendra Allenby, Ellis Rosen, J.A.K., Amy Kurzweil*, and the lone non-New
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The Weekend Spill: A Roz Chast Exhibit… “At Home”; Happy 88th Birthday, Sam Gross!; The Tilley Watch Online, The Week Of August 1-7, 2021; The New Gomez
______________________________________________________________________ A Roz Chast Exhibit: “At Home” Well here’s something fun to see not too far off from today: ______________________________________________________________________ The Spill wishes the great cartoonist Sam Gross a very happy 88th birthday! Sam Gross Born August 7, 1933, Bronx, NY. New Yorker work: August 23, 1969 -. Other than his work in The New Yorker Gross is probably best
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