Thurber Thursday: New Yorker Cartoonist Stamps; Article Of Interest: Steinberg; Today’s Daily Cartoonist & Cartoon

I came across this block of Thurber stamps while looking through a bag of materials saved from an early 1990s trip to Columbus Ohio.  Liza Donnelly, Roz Chast, Danny Shanahan and yours truly attended an exhibit of cartoons at The Thurber House and gave a talk.

It made me wonder how many other New Yorker cartoonists have been honored with their own stamp.  A quick search turned up a Leo Cullum stamp and several Charles Barsotti stamps from the UK, issued in 1996 (one of the Barsotti’s is shown here)…surely there are more.

Updated April 10th:

And surely there are more. My colleague Tom Chitty forwarded a link to more of the 1996 UK cartoon stamp series, including the one below left by Jack Ziegler, and the aforementioned Leo Cullum stamp, below right right. It is kind of funny that there has not been a New Yorker cartoonist stamp series in this country. How great it would be to have an Addams stamp, and a Steinberg, a Hokinson, a Lorenz, Modell, Stevenson, Mary Petty, Saxon, a Nurit Karlin, and on and on and on:

Update April 9th: this addition,a John Held, Jr. stamp from the 2001 American Illustrators series. Courtesy of David Petruzelli:

From the Spill’s A-Z:

John Held Jr (Photo source: Sketchbook of American Humorists, 1938) Born, January 10, 1889, Salt Lake City, Utah. Died, 1958, Belmar, New Jersey. New Yorker work: April 11, 1925 – Sept. 17, 1932.

 

 

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Article Of Interest: Steinberg

From Curbed, April 9, 2020, “Saul Steinberg celebrated the home as a ‘cacoon for creativity'”

Steinberg’s entry on the Spill‘s A-Z:

Saul Steinberg Born, June 15, 1914, Ramnic-Sarat, Rumania. Died in 1999. New Yorker work: 1941 – (The New Yorker publishes his work posthumously). Steinberg is one of the giants of The New Yorker.  Go here to visit the saulsteinbergfoundation where you’ll find  much essential information and examples of his work.

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Today’s Daily Cartoonist & Cartoon

David Sipress gets cartooney with a classic piece of art.

Mr. Sipress began contributing to The New Yorker in 1998.

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