The above cover does not appear on the New Yorker‘s 94th Anniversary issue; note the date and price. I’ve posted it — the very first New Yorker cover — because sentimental me misses seeing Rea Irvin’s iconic curiously curious Eustace Tilley, dressed in his oddly compelling finery. He hasn’t shown up since 2011 (below)…that seems like such a long time for him to be away. Sometimes it’s good to go back, before, you know, you drift too far from shore (to read about Kadir Nelson’s Tilley-inspired take-off on the cover of the current issue, go here).
It has made my week seeing George Booth’s drawing in the issue (p.47). It’s classic Booth. And no small thing, it inhabits the perfect space on the page — it is where it should be and it looks as it should look. And… it looks great. I could, and will, say the same for Edward Koren’s drawing (p.80).
Two of our cartoon gods delivering the goods, continuing to share their worlds, a half century or more since they began contributing to The New Yorker (Mr. Koren began in 1962, Mr. Booth in 1969).
Of interest to the weedsy cartoon folks: there is not just one caption-less cartoon in the issue — there are three (Seth Fleishman, Will McPhail, and Ed Steed). By caption-less, I should clarify that I mean a cartoon that appears without assistance from words in a box, or a title, or a thought balloon.
Finally, I end as I began: by mentioning the work of The New Yorker artist Rea Irvin. His beautiful masthead — the one that ran for most of the magazine’s 94 years but went missing in the Spring of 2017 (read about it here) is also still out of sight this anniversary week (well, two weeks, as it’s a double issue). It appears here once again, as it always does on Mondays, until someone tells me to cut it out (so to speak) or until it reappears in the magazine (and wouldn’t that be great).
Today’s Daily Cartoon