The Monday Tilley Watch, The New Yorker Issue Of October 28, 2019

The Cover: Trick or treaters in the woods courtesy of Liniers. To me, the creatures appearing in this cover seem to be above-sea-level up-in-the-trees relatives of Ed Steed’s August 26th cover’s creatures. I’m reminded of the fun fans had years ago by hunting for The Beatles faces on the cover of The Rolling Stones album, Their Satanic Majesties Request.

Details from each below, with Mr. Steed’s fabulous creatures on the left and Mr. Linier’s on the right:

                                          The Cartoonists And Cartoons

A number of cartoons to mention this time around beginning with David Sipress’s alien being at the eye doctor’s office (the drawing is on page 29). It’s a clean, clear drawing with an excellent caption. The second I saw it it became my all-time favorite Sipress cartoon (applause, applause)…

…The same applause goes to Ed Steed’s dog at a typewriter (p.56). It’s a captionless drawing that excels because of words, or more specifically one word repeated twenty-two times.  As a bonus,  the drawing has been placed beautifully on the page. It too has risen in status to at least my co-all-time favorite in the Steed canon. Great drawing…

…Roz Chast’s drawing (p. 61) immediately brought to mind this hilarious scene from Jerry Lewis’s 1985 movie “Cracking Up” — Zane Busby is the waitress…

…I wonder how many New Yorker readers will be Googling “Gowanus” after looking at Paul Karasik’s drawing (p.28).  The same cartoon happily led me to thinking about this scene from Monty Python’s “Holy Grail”…

…Really enjoyed Lars Kenseth’s good humored and practical dad reassuring his son (p. 34)…

…Frank Cotham’s drawing (p.66) is another which has instantly become a favorite. It reminds me somehow of Charles Saxon’s best work (which is to say, a large percentage of Saxon’s seven hundred and twenty-five New Yorker drawings). Love the mood of the drawing plus its triumphal caption.  Applause Applause…

…Also much fun is Barbara Smaller’s  city dwellers politically flavored Halloween cartoon (p.17). Ms. Smaller sets a fab scene with details galore: the port-hole elevator door window, the number of locks on the apartment door, the taped-up paper pumpkin on the door…and let’s not forget the dandy caption.

The Rea Irvin Talk Of The Town Masthead Watch

The above heading by the great New Yorker artist Rea Irvin sat atop the New Yorker‘s Talk Of The Town for ninety-two years until being removed and replaced by a redrawn(!) version in the Spring of 2017. Here’s hoping the powers that be (or power that be) reverses the situation. Read more here.

 

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