The Monday Tilley Watch, The New Yorker (Double) Issue Of August 5 & 12, 2019; Today’s Daily Cartoonist & Cartoon

The Cover: Lotsa ice cream on Olimpia Zagnoli’s second New Yorker cover. I’m immediately reminded of any number of early Vogue covers.  Read the Cover Story here.

The Cartoonists:

…a newbie: Lisa Rothstein is the 22nd new cartoonist added to the magazine’s stable this year, and the 48th new cartoonist added since cartoon editor Emma Allen’s tenure began in May 2017.

The Cartoons: quite the surprise seeing a cartoon (on p.61) by the late great Jack Ziegler.  It got me to wondering if perhaps The New Yorker might set up a special online section for the contributors who left us with a lot of work still in the bank (or, as originally designated, “on the bank” — that is,  work bought, but not yet published). When William Steig passed away there was a rumor that hundreds of his drawings (and some covers) were still on the bank. One wonders about the on the bank work of Charles Barsotti, as well as Mr. Ziegler, Leo Cullum, and Michael Crawford, to name but a few dear departed colleagues. Wouldn’t it be great to see this work gathered online.  

Also of interest in this double issue: a cartoon by the one-and-only Sam Gross, who celebrates his 50th year at The New Yorker in August. His first New Yorker drawing appeared in the issue of August 23, 1969 (the Spill will further note the occasion on August 23, 2019).

Speaking of Jack Ziegler, Ed Steed’s squid drawing (p. 37) calls to mind Mr. Ziegler’s classic squid drawing from the issue of September 16, 1996 (it was also used as the cover drawing, and title of Ziegler’s 2004 food cartoon anthology). A quick search for squid cartoons in the Cartoon Bank’s database brought up just two other squid drawings: this one by Danny Shanahan, and this one by Farley Katz).

Also of note:

… J.A.K.’s drawing (p.21) — my fave Jason Adam Katzenstein drawing of all time (so far)

…Chris Ware’s 8 page “Mr. Ware” (he talks about it here).

… Sizing of drawings this issue: most seem right on the money (examples: Sam Gross’s, Zach Kanin’s, Roz Chast’s, Lars Kenseth’s).

…:A goodly number of non-human centric drawings this issue: cockroaches (McNair), the aforementioned squid by Mr. Steed, a bull (McNamee), a parrot (Gross), a blender (Chast), hugging dogs (Rothstein), rocks (Hwang), shishto peppers (Kenseth).

Rea Irvin: Mr. Irvin’s iconic Talk masthead (it appeared for 92 years) disappeared in the Spring of 2017 (read about it here) — replaced by — gasp! — a redraw (not redrawn by Mr. Irvin, who passed away in 1972). Will the original ever return? Here it is until then:

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Today’s Daily Cartoonist & Cartoon

Brendan Loper, who began contributing to The New Yorker in 2016, on opinions/films.

 

 

 

 

The Tilley Watch Online, April 21-26, 2019; Two Books From Will McPhail; About Zach Kanin

An end of week round-up of the New Yorker cartoonists who contributed to the online features, the Daily Cartoon and Daily Shouts

The Daily Cartoon: Seth Fleishman, Christopher Weyant, Elisabeth McNair, J.A.K., Avi Steinberg, and Tom Toro.

Daily Shouts: Julia Wertz, Edward Steed, and Ellis Rosen (with Irving Ruan)

To see all of the above, and more, link here.

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Two Books From McPhail

From Publishers Weekly, “Book Deals: Week of April 29, 2019” — news of a two-book deal for Will McPhail. The first, a graphic novel, “In, The Story of Nick” will be out in 2020. The second, Collected Cartoons, will be just that.

Mr. McPhail began contributing to The New Yorker in 2014. Visit his website here.

Further reading: From The Daily Cartoonist: “Tales From the Reuben —  Cranky Digression” 

 — D.D. Degg fact-checks the PW‘.

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About Zach Kanin

From Monsters & Critics, April 27, 2019, Zach Kanin: Who is writer and creator behind I Think You Should Leave with Tim Robinson on Netflix”

Mr. Kanin began contributing to The New Yorker in 2005. Further reading here.

 

The Monday Tilley Watch, The New Yorker Issue Of April 8, 2019; Today’s New Yorker Daily Cartoonist: Kendra Allenby

 

The Cover:   A circus acrobat practicing on a high bar (this is “The Health Issue”).  Read what the cover artist, Kenton Nelson, has to say about it here.

The Cartoonists:

The Cartoons:

Seventeen cartoonists (the duo effort counted as one cartoonist unit), with one, Adam Douglas Thompson, making his New Yorker print debut. Mr. Thompson is the 6th new cartoonist of the year, and the 30th brought in under Emma Allen’s cartoon editorship, kicked-off in May of 2017.

The duo of Adam Cooper and Mat Barton first appeared in the magazine in 2014.

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I won’t ID it, but there’s one cartoon in the issue that, for me, is a real head scratcher: i.e., I don’t “get” it.   Will call a friend later for help.

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 The Spill applause icon is standing by for a few of the drawings in the issue:

Pia Guerra’s fab Charles Addamsesque drawing on page 79. Seeing it this morning drove me back to looking through a number of Addams’ collections (see below).  If there have ever been geniuses in our stable, he’s one.

Two pages later, Zach Kanin also delivers an Addamsesque drawing. A wonderful cartoon. 

Applause and an observation regarding Brendan Loper’s laundry drawing on page 70:  both the drawing and the reader’s appreciation of the drawing would benefit from a drawing as cinematic as this appearing larger on the page. It’s given a decent space, but why not even more? (illustrations continue to have more exposure. There are 6 full (or nearly full) page illustrations in the issue). 

Here, by the way, are the Addams collections I looked through this morning:

 

Finally, as always, here’s Rea Irvin’s mothballed classic Talk masthead (you can read about it here):

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Today’s Daily Cartoonist/Cartoon

 See Kendra Allenby’s take here on the unSpringlike weather.  Ms. Allenby began contributing to The New Yorker in 2016.  Visit her website here.

 

    

 

 

The Tilley Watch, The New Yorker Issue Of January 28, 2019

The Cover this week — rushed released days earlier — is from the masterful pen of John Cuneo. Below is an early version of the published cover, provided courtesy of Mr. Cuneo.

The Cartoonists (note the Spots contribution from Ed Steed) :

The Cartoons:

A little bit of something for everyone in this issue: an ice fisherman, a whale, a cat person in a dog park, a windy city street, imbibing cave people, a library, clowns, the subway, domestic situations, the mob, a police lineup, a restaurant scenario, Snow White.

Cartoon placement-wise, it was good to see some stretching out from the usual rectangular box seated in a corner of a page. Frank Cotham’s basement drawing run three columns wide (on page 30) is a good example, as is Zach Kanin’s ice fisherman on page 63 and Liana Finck’s drawing on page 72. Brendan Loper’s party-folk drawing on page 44, and Kim Warp’s police lineup drawing on page 48 were also given more breathing room. Then there’s Will McPhail’s full page (with the “Sketchbook” heading of “L’) on page 43. I’ve given this drawing some extra thought this morning, wondering if it needed the “Sketchbook” heading. What exactly does the “Sketchbook” designation bring to the page. I also wonder if those outside the New York/ Metropolitan area understand that the “L” refers to the “L” line of the New York City subway system (and local stories concerning the line). And then there’s the question of whether the “L” train reference actually means something here that’s essential to understanding the little story played out in sequence. Perhaps, perhaps. Perhaps not. So many questions! Anyway, it’s a fun drawing that works well no matter the subway line. As noted with a hint of impatience on Cartoon Companion, New Yorker subway cartoons have become nearly a standard scenario in recent months. I continue to believe that no scenario is played-out if the idea works well.

A subway sidenote: when I think of previous multi-panel subway cartoons my first thought is of this one by Liza Donnelly from the New Yorker issue of April 14, 1986. And speaking of Ms. Donnelly, in her cave man drawing on page 21 of this latest issue of the magazine there’s not a cave man in sight.

I’ve been re-watching the entire run of “The Sopranos” lately, so Joe Dator’s cement shoe drawing on page 52 grabbed my attention. I especially enjoyed seeing the George Boothian bare light bulb hanging down from the ceiling.

This issue marks the New Yorker print debut for Emily Bernstein. Ms. Bernstein is the third new New Yorker cartoonist of the year and the 28th since Emma Allen became the magazine’s cartoon editor in the Spring of 2017.

The Tilley Watch again signs-off with a nod to the missing Rea Irvin masthead (seen below). Read about it here.


Edward Koren Book Events; An Early Release Of Next Week’s New Yorker Cover; Colin Tom Is Pencilled; Live New Yorker Cartoons On Late Night With Seth Meyers; Cartoon Companion Rates The Latest New Yorker Cartoons

From UV Index, November 8, 2018, “Ed Koren, the ‘New Yorker’ cartoonist who served as Vermont’s cartoon laureate, releases new book” — this press release mentioning two upcoming events featuring Mr. Koren.

Ed Koren began contributing to The New Yorker in 1962. Link here to his website.

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An Early Release of Next Week’s Cover

As happens every so often, the magazine has early-released its upcoming cover (cover artist: Barry Blitt). You can read about it here. 

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Colin Tom Pencilled

Jane Mattimoe’s Case For Pencils’ spotlight falls on Colin Tom. Mr. Tom began contributing to The New Yorker in 2015.

Go here to read all about Mr. Tom’s  tools of the trade.

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Live New Yorker Cartoons On Late Night With Seth Meyers

The New Yorker‘s editor, David Remnick (above left) returned to NBC’s “Late Night With Seth Meyers” for the seventh installment of “Live New Yorker Cartoons” (this one carried the tag, “Raiders of the Lost Snark”). Cartoons by Liam Walsh, Liana Finck, Jon Adams, Zach Kanin, and Mick Stevens were brought to life.  See it here.

And:  here’s Mr. Remnick’s sit-down chat with Mr. Meyers. It includes some interesting cartoon talk.

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Cartoon Companion Rates The Latest New Yorker Cartoons

The CC’s “Max” and “Simon” focus on all the cartoons in the latest issue of the New Yorker (the one with the row boat on the cover). Read it here.