Fave Photo of the Day: Ware & Eckstein; RISD exhibits Album Covers

Ware & BobFrom Bob Eckstein’s Facebook post, this photo   of he and Chris Ware at the Chicago Cultural Center’s film premiere of Hairy Who.

(photo by Meg Handler Photography)

 

 

 

 

______________________________________________________________________________

 

Sorel lp coverFrom The Providence Journal, February 8, 2015, “RISD exhibit: Album covers were just another canvas for artists” — this story about a current exhibition of album cover art.  The exhibit includes work by William Steig, Arnold Roth,and  Edward Sorel.

( left: A Sorel album cover)

 

 

Regan Arts to Publish Maslin Peter Arno Biography, Mad At Something

 

arno

I’m pleased to announce that  Mad At Something, my biography of the late and very great New Yorker cartoonist, Peter Arno will be published by Regan Arts.

 

Arno is one of the pillars of The New Yorkers earliest days, a group that includes Harold Ross, E.B. White, Katharine White, and James Thurber.  Ross, the magazine’s founder and first editor called Arno “our pathfinder artist”  and “the greatest artist in the world.”  It is indeed the case that Arno’s work for the magazine raised the graphic bar so high that “New Yorker cartoon” became synonymous with excellence in the field.

 
The idea for an Arno biography began back in 1999 in true cartoonist fashion: as an A-Ha! moment as I was driving in the vicinity of Arno’s home just outside of Manhattan; I realized that he had never been the subject of a biography.  Since that moment I’ve spent the past fifteen years researching and writing about his life.

 
Mad At Something is not just an examination of Arno’s life and work, it is also an exploration of the birth and development of the New Yorker cartoon, as well as the magazine’s fabled art department, and its artists. One of the many wonderful things about being a New Yorker cartoonist is the opportunity it’s afforded me to meet other New Yorker cartoonists.  Since beginning the biography I’ve reached out to my colleagues asking them to share their thoughts on Arno’s work. The list includes Arno contemporaries such as William Steig, Syd Hoff, Robert Weber, Frank Modell, Eldon Dedini,  Ed Fisher, through post-Arno contributors such as Jack Ziegler, Roz Chast, Peter Steiner,  Bruce Eric Kaplan and Edward Sorel.  I am especially pleased that the book’s curtain closer is composed of their contributions.

Mad At Something will be published in 2016.

99

 

 

Auction of Interest: Swann Offers Numerous New Yorker Cartoons; Covers Calendar Noted; Video: Mankoff on Science of Humor

SwannSwann’s upcoming auction on January 22nd is chock full of New Yorker cartoons, with work by a number of the magazine’s giants.

Cartoons on the block by Steinberg, Mischa Richter, Barbara Shermund, William Steig, Richard Taylor, Edward Sorel, Victoria Roberts, Charles Addams, Helen Hokinson, Rea Irvin, and Peter Arno.

Below: a beautiful early Steig included in the auction.

steig

Link here to see all the work and for all the auction info.

________________________________________________________________________________________

 

Covers Cal

Ordinarily, New Yorker cartoon calendars, diaries, and the like aren’t listed here, but this sounds like it’s not your ordinary calendar, so I’m making an exception.

Here’s an excerpt from the publisher’s blurb for The New Yorker 365 Days of Covers Page-A-Day Gallery Calendar 2016:

“…this calendar features hundreds of the very best examples, all beautifully reproduced in full color. Here are iconic covers from Jean-Jacques Sempé, George Booth, Maira Kalman, Arthur Getz, Roz Chast, and the other illustrators whose work has helped shape The New Yorker’s inimitable style. Unprecedented quality with its exceptional art, coated paper, and exacting standards of color printing, this calendar is a gallery for your desk.”

____________________________________________________________________________________

Bob

 

From Business Insider, December 31, 2014, this short video featuring The New Yorker’s Cartoon Editor, Bob Mankoff: “Scientists Discovered What Makes Something Funny”

 

The New Yorker’s 89th Anniversary Issue

CVC_TNY_02_17_14_580px

 

A very happy 89th  birthday to The New Yorker.   While there’s no classic Eustace Tilley cover this year (the last time we saw Tilley as Rea Irvin* intended was in 2011, we do have, according to the Art Editor, Francoise Mouly, “the first published Tilley painted on an iPhone”; inside the magazine, not including the drawings on the Caption Contest page, are sixteen cartoons by fifteen cartoonists (Joe Dator‘s work appears twice). Two of the drawings contain some color (a cartoon by Ben Schwartz & one by Edward Steed).  Color cartoons were once so unusual in the magazine that when they appeared in The New Yorker‘s 64th anniversary issue in 1989, N.R. Kleinfield wrote a piece about it for The New York Times (“Inside New Yorker, a Splash of Color”). The color appeared in a four page spread by William Steig.

 

 

*Below: Rea Irvin’s entry on Ink Spill‘s New Yorker Cartoonists A-Z:

Rea Irvin  (pictured above. Self portrait above from Meet the Artist) *Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925.  He was the magazine’s  first art editor, holding the position from 1925 until 1939 when James Geraghty assumed the title. Irvin became art director and remained in that position until William Shawn succeeded Harold Ross. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time.

Below: the first issue of The New Yorker, February 21, 1925.  Cover by Rea Irvin.

Irvin