Robert Leighton’s New Book; The Monday Tilley Watch, The New Yorker Issue Of September 2, 2019; Today’s Daily Cartoonist & Cartoon

Robert Leighton’s New Book: Just out from Workman, Puzzlelopedia, by long-time New Yorker cartoonist and puzzle meister, Robert Leighton (with fellow Puzzability team members Amy Goldstein and Mike Shink). Spill visitors might remember this piece on one of Mr. Leighton’s classic New Yorker drawings (below).

Here’s Mr. Leighton’s entry on the Spill‘s A-Z:

Robert Leighton Born May 23, 1960, Long Island, NY. A puzzle writer as well as a cartoonist, Leighton is one of three partners who founded the puzzle-writing company, Puzzability. See: The New Yorker Book of Cartoon Puzzles and Games (Black Dog & Leventhal Publishers, 2006), authored by Puzzability. Mr. Leighton’s New Yorker work: 2002 – .  Website: https://www.robert-leighton.com/

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                   The Monday Tilley Watch, The New Yorker Issue Of September 2, 2019

                         The Cover: Here’s Kadir Nelson on his latest cover (titled “Heat Wave”).

                         The Cartoonists & Cartoons:

Maggie Larson’s name isn’t listed above, so I’m mentioning her here as she contributes a two-column wide color Sketchpad drawing titled “The Subway Valley Floor.” Eighteen pages later is a  full page color Liana Finck Sketchbook contribution,“Some Relationship Models” (Ms. Finck’s name appears on the Table of Contents).

There are but nine single panel cartoon contributions in this issue (I think most would agree that Ms. Larson’s and Ms. Finck’s drawings fall outside of that classification by virtue of their assigned haedings). Illustrations, as has been the case in modern times, occupy more graphic real estate than the cartoons.  There are sixteen of them (including photographs), including four full pages.

                     Rea Irvin’s Talk Masthead: Switched out in May of 2017 for a redrawn version, Mr. Irvin’s iconic Talk masthead (shown below) sadly continues to collect dust. Read about it here.

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Today’s Daily Cartoonist & Cartoon

Tim Hamilton on G7.  Mr. Hamilton began contributing to The New Yorker in 2016. Visit his website here.

 

 

 

The Weekend Spill: A Booth Exhibit; New Blitt’s Kvetchbook Entry; Events Of Interest With Liana Finck; The Tilley Watch Online For August 19-23, 2019

A Booth Exhibit

There’s a brand new George Booth exhibit up and running at Gallery North out on Long Island. All the info here.

George Booth’s entry on the Spill‘s A-Z:

George Booth (photo taken in NYC 2016, courtesy of Liza Donnelly) Born June 28, 1926, Cainesville, MO. New Yorker work: June 14, 1969 – . Key collections: Think Good Thoughts About A Pussycat (Dodd, Mead, 1975), Rehearsal’s Off! (Dodd, Mead, 1976), Omnibooth: The Best of George Booth ( Congdon & Weed, 1984), The Essential George Booth, Compiled and Edited by Lee Lorenz ( Workman, 1998).

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New Blitt’s Kvetchbook Entry

Trump + Golf + Greenland,  courtesy of Mr. Blitt.

See it here.

Mr. Blitt began contributing to The New Yorker in 1993. Visit his website here.

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Events of Interest With Liana Finck

Tis nearing the season for promotional events tied-in to Liana Finck’s upcoming collection, Excuse Me: Cartoons, Complaints, and Notes to Self, due September 24th from Random House Trade Paperbacks. Brooklyn’s Books Are Magic will host an event on October 3rd (scroll down to October 3rd), and The Commonwealth Club (out in San Fran) will hold an event on October 14th.

Ms. Finck began contributing to The New Yorker in 2013. Visit her website here.

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A listing of New Yorker cartoonists who contributed to the Daily Cartoon and/or Daily Shouts during the past week (August 19 -23)

The Daily Cartoon:

Farley Katz, Tim Hamilton (twice), Jeremy Nguyen, and Mark Thompson.

Daily Shouts: “Achievable Ways To Feel Accomplished” by Julia Edelman and Ginny Hogan. Illustrated by Will McPhail; “Larson’s Guide To Odd Birds Of New York City” by Maggie Larson.

All these and more can be found here.

Liza Donnelly At The 31st Festival National Des Humoristes; Profile Of Interest: Al Frueh; Today’s Daily Cartoonist & Cartoon

Liza Donnelly, who began contributing to The New Yorker 40 years ago this year, will be at the 31st Festival National des Humoristes in Tours this coming week. Ms. Donnelly’s poster for the festival appears above.

Here’s the info, in English, on Ms. Donnelly  from the Festival’s website:

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Profile Of Interest: Al Frueh

Here’s a short but informative profile by Alex Jay of Al Frueh ( Frueh is pronounced “free”) from Stripper’s Guide.

Mr. Frueh, contributed to The New Yorker from its very first issue. His first cover was the magazine’s second cover (shown above).

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Today’s Daily Cartoonist & Cartoon

Tim Hamilton (lately riding a Daily roll) on Trump

Mr. Hamilton began contributing to The New Yorker in 2015. Visit his website here.

 

Today’s Daily Cartoonist & Cartoon…And Yesterday’s; A Q&A With Bob Eckstein; Spiegelman, Marvel, and the “Orange Skull”

A Back to school  Daily by Mark Thompson. Mr. Thompson began contributing to The New Yorker in 2010.

Tim Hamilton delivered yesterday’s very Planet of the Apes-ish Daily. Mr. Hamilton began contributing to The New Yorker in 2016. Visit his website here.

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A Q&A With Bob Eckstein

A short Q&A marking Bob Eckstein’s return to the Annual Writer’s Digest Conference.  Read it here.

Mr. Eckstein began contributing to The New Yorker in 2007.  He is, among many other things, the world’s greatest snowman expert.  Visit his website here.

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 Spiegelman, Marvel, and the “Orange Skull”


Art Spiegelman of Maus fame (and a former contributor to The New Yorker) is in the news again. Read all about it here on Bado’s Blog and in The Guardian.

The Monday Tilley Watch, The New Yorker Issue Of August 26, 2019

The Cover: Way to go, Ed Steed! Mr. Steed’s debut New Yorker cover is a gem.  See the cover and read this short interview about it with Mr. Steed.

It’s always a thrill, and always a reason to cheer when a New Yorker cartoonist’s work appears on the cover. Our presence there took a major hit once the singular title of art editor (last enjoyed by Lee Lorenz) was split in two back in the Tina Brown era. One job became two jobs: a cartoon editor for the cartoons, and an art editor for the covers. For the better part of the magazine’s history, the cartoonists were in the majority as cover contributors (over 60%). That dropped to a single digit percentage in the years since the cover editor’s position was created. Mr. Steed’s breakthrough is encouraging.

The Cartoonists & Cartoons:

A Spill round of applause for several cartoons in the issue that caught my eye: Tim Hamilton’s lion at a party (p.65) is a stand out. Perhaps I’m a sucker for drawings depicting a person held in clenched jaws.  I’m also quite fond of P.C. Vey’s worked-his-way-up-the-ladder chef in a cubicle (p.63). Mr. Vey has given us a very good drawing. Lila Ash’s trapeze artists (p.79) are also a lot of fun; the drawing clicks perfectly with a caption that heavily depends — even more so than usual in this case — on timing.

The over-all cartoon picture for the issue: Just ten cartoons amid a multitude of illustrations (four of the illustrations are full page). I wonder if my colleagues ever submit cartoons as intended full page drawings. Something to ask next time we gather en masse.

Breathing room around the cartoons is good this issue. Frank Cotham’s drawing (p.52) could’ve used a bit more space so we can appreciate and dive into all that’s going on in his court room. Perhaps, as is sometimes the case, that’s not an issue in the print issue.

Rea Irvin’s Talk Masthead:  It’s been twenty-seven months since it was abandoned in favor of a (gasp!) redraw. Read about it here.

Here’s the real thing: