The Monday Tilley Watch, The New Yorker Issue Of September 30, 2019

The Cover: Christoph Niemann returns for the Technology Issue.  Read Francoise Mouly’s Q&A with him about his cover.

The Cartoonists & Cartoons:

Electronically flipping through this new issue (appropriately enough for the Technology Issue) I was happy that the cartoons just kept-a-comin’; there are seventeen of them to be exact. All of them are placed well (i.e., they have plenty of breathing room, and sit well on the page).

Here are random thoughts about some of the cartoons in the new issue…

Joe Dator’s laundromat drawing (page 50): When asked why The New Yorker didn’t run color cartoons*, The New Yorker‘s founder and first editor, Harold Ross reportedly said, “What’s so funny about red?”  What he didn’t say was,“What’s so funny about beet red?”  Mr. Dators’ drawing, incorporating beet red, is hilarious.

I hovered over Victoria Roberts’ campers and bear drawing (p.46), enjoying the drawing itself. We’re used to seeing many of Ms. Roberts drawings set indoors — it’s fun to see her drawing of a tent, and a bear (or a man in a bear suit).

Jason Patterson’s ice cream trucks heading south for the winter  (p. 25) is also fun to linger on. Its concept seems out of the Jack Ziegler school of zany.  Such a good drawing.

Also of note, graphically, and otherwise-ly: Ellie Black’s little red riding hood drawing (p.78)…and Maggie Mull’s Beautiful Mind-ish drawing on page 70; nice to see it stretched out on the page.

Shannon Wheeler’s broccoli opera drawing on page 77.  Its execution is reminiscent of some of William Steig’s middle period work (check out Steig’s 1942 collection, The Lonely Ones).

And of note in a different department: the magazine’s assistant cartoon editor, Colin Stokes’ Shouts & Murmurs piece,“Running With Scissors” (p.33).

The Rea Irvin Talk Masthead Watch: Mr. Irvin’s classic masthead drawing (below) has yet to return.  Hope springs eternal here on The Spill. Read about it here.

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*There were two color cartoons in Ross’s era, very early on in the magazine’s life; both appeared in the issue of December 12, 1925. A full page by Ralph Barton, and a double page spread by Rea Irvin. Mr. Barton did not use red in his drawing, Mr. Irvin did.

 

 

The Weekend Spill: Exhibit Of Interest “Asian Babies: Works From Asian New Yorker Cartoonists”; The Tilley Watch Online, Sept. 2-6, 2019; Profile Of Interest: Roz Chast

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Asian Babies: Works From Asian New Yorker Cartoonists

A must-see exhibit curated by Jeremy Nguyen and Amy Hwang.  All the info above!

Alice Cheng began contributing to The New Yorker in 2017; Maddie Dai in 2017; Amy Hwang in 2010; Suerynn Lee in 2019; Evan Lian in 2019; Hartley Lin in 2019; Christine Mi in 2018; Jeremy Nguyen in 2017, and Colin Tom in 2015.

You can see work by all of the above artists here on The New Yorker‘s Cartoon Bank site.

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The Tilley Watch Online, September 2-6, 2019

 

A gathering of the New Yorker cartoonists whose work appeared this week on The Daily Cartoon and/or  Daily Shouts.

Daily Cartoon: John Cuneo (a Bonus Daily), Ali Solomon, Tim Hamilton, J.A.K., and Jon Adams.

Daily Shouts: Avi Steinberg (with Irving Ruan).

…and Barry Blitt’s Kvetchbook

See all of the above and more here.

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Profile of Interest: Roz Chast

From Hamilton College, September 6, 2019, “Drawing On Fidgety Brilliance” — a short profile of Roz Chast.

Ms. Chast began contributing to The New Yorker in 1978. Visit her website here.

 

Cartoonists On Abbey Road; Today’s Daily Cartoonist & Cartoon; Kurzweil’s Daily Shouts; Next Week’s New Yorker Cover

Cartoonists On Abbey Road

As today is the 50th (!) anniversary of the photo shoot for the cover of The Beatles Abbey Road album I thought it was a good time to link to a piece I wrote back in 2011 about the Abbey Road live webcam (the piece appeared on The New Yorker‘s site).  Today’s a great day to visit the action.  Last I checked in there was a fellow dressed all in white, ala John Lennon on the album cover, posing for pictures as he accompanied visitors back-and-forth across the street. It’s a happy scene all around.  But of course what else would you expect from a Beatle event.

Since Ink Spill is a site dedicated to New Yorker cartoonists, I dug out a couple of photos of New Yorker cartoonists crossing Abbey Road in March of 2000.  That’s me in the top photo and Liza Donnelly in the bottom photo. Our two Beatlemaniac daughters were with us.

 

 

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Today’s Daily Cartoonist & Cartoon

Beach reading by Felipe Galindo (aka Feggo).  Mr. Galindo began contributing to The New Yorker in 2002.  Visit his website here.

 

 

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Today’s Daily Shouts

Amy Kurzweil’s  “How Long Have I Had That”  — Ms. Kurzweil began contributing to The New Yorker in 2016. Visit her website here.

 

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Next Week’s New Yorker Cover

As happens from time-to-time, The New Yorker gives us an advance look at an upcoming cover. Here’s next week’s Toni Morrison tribute by Kara Walker.

A Q&A with Kara Walker here about her cover.

The Monday Tilley Watch, The New Yorker (Double) Issue Of August 5 & 12, 2019; Today’s Daily Cartoonist & Cartoon

The Cover: Lotsa ice cream on Olimpia Zagnoli’s second New Yorker cover. I’m immediately reminded of any number of early Vogue covers.  Read the Cover Story here.

The Cartoonists:

…a newbie: Lisa Rothstein is the 22nd new cartoonist added to the magazine’s stable this year, and the 48th new cartoonist added since cartoon editor Emma Allen’s tenure began in May 2017.

The Cartoons: quite the surprise seeing a cartoon (on p.61) by the late great Jack Ziegler.  It got me to wondering if perhaps The New Yorker might set up a special online section for the contributors who left us with a lot of work still in the bank (or, as originally designated, “on the bank” — that is,  work bought, but not yet published). When William Steig passed away there was a rumor that hundreds of his drawings (and some covers) were still on the bank. One wonders about the on the bank work of Charles Barsotti, as well as Mr. Ziegler, Leo Cullum, and Michael Crawford, to name but a few dear departed colleagues. Wouldn’t it be great to see this work gathered online.  

Also of interest in this double issue: a cartoon by the one-and-only Sam Gross, who celebrates his 50th year at The New Yorker in August. His first New Yorker drawing appeared in the issue of August 23, 1969 (the Spill will further note the occasion on August 23, 2019).

Speaking of Jack Ziegler, Ed Steed’s squid drawing (p. 37) calls to mind Mr. Ziegler’s classic squid drawing from the issue of September 16, 1996 (it was also used as the cover drawing, and title of Ziegler’s 2004 food cartoon anthology). A quick search for squid cartoons in the Cartoon Bank’s database brought up just two other squid drawings: this one by Danny Shanahan, and this one by Farley Katz).

Also of note:

… J.A.K.’s drawing (p.21) — my fave Jason Adam Katzenstein drawing of all time (so far)

…Chris Ware’s 8 page “Mr. Ware” (he talks about it here).

… Sizing of drawings this issue: most seem right on the money (examples: Sam Gross’s, Zach Kanin’s, Roz Chast’s, Lars Kenseth’s).

…:A goodly number of non-human centric drawings this issue: cockroaches (McNair), the aforementioned squid by Mr. Steed, a bull (McNamee), a parrot (Gross), a blender (Chast), hugging dogs (Rothstein), rocks (Hwang), shishto peppers (Kenseth).

Rea Irvin: Mr. Irvin’s iconic Talk masthead (it appeared for 92 years) disappeared in the Spring of 2017 (read about it here) — replaced by — gasp! — a redraw (not redrawn by Mr. Irvin, who passed away in 1972). Will the original ever return? Here it is until then:

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Today’s Daily Cartoonist & Cartoon

Brendan Loper, who began contributing to The New Yorker in 2016, on opinions/films.