Today’s Daily Cartoonist: Eli Dreyfus; Liza Donnelly Curates MoCCA Int’l Cartoon Exhibit “Drawing Across Borders”; Seth At The Strand

Today’s Daily — basketball plus — is by Eli Dreyfus ,who first contributed to The New Yorker (as part of a duo, with Dan Abromowitz) in 2015.

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Donnelly Curates Int’l Cartoon Exhibit: “Drawing Across Borders”

Liza Donnelly has curated an exhibit of work by a number of international cartoonists from the organization, Cartooning for Peace. The work can be seen in the Gallery at the upcoming MoCCA Fest.  All the info here.

And Note: There’ll be panel discussion, moderated by Ms. Donnelly,  at noon on Saturday.  Panelists: Michel Kichka, Jeff Danziger, and Ann Telnaes. (Info found through the above link).

Further Reading: here’s an article from Bedford + Bowery about the exhibit

(drawing above by the celebrated French artist, Jean Plantu)

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Seth At The Strand

Gil Roth (whose Virtual Memories Show podcast has included a number of cartoonists) will interview the cartoonist, Seth (aka Gregory Gallant) May 7th ( the occasion is his release of Seth’s latest book, Clyde Fans).  Info here!

 

Out Today: Ultimate Cartoon Book Of Book Cartoons; Interview Of Interest: Ed Steed; Podcast Of Interest: Mark Alan Stamaty Talks With Gil Roth; Flake’s Daily Shouts Piece; Today’s Daily Cartoonist: Brendan Loper

It’s always a good day when a cartoon anthology is published. Today’s one of those days. The Ultimate Cartoon Book of Book Cartoons, edited By Bob Eckstein and published by Princeton Architectural Press, is officially out today. Cover art by the great Sam Gross and cartoons by some of the New Yorker‘s greatest artists, including George Booth, Edward Koren and Jack Ziegler.  Here’s a brief interview with Mr. Eckstein about the collection.

                                           Below: the back cover, listing the contributors.

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Interview Of Interest: Ed Steed

  Richard Gehr, who gave us I Only Read It For The Cartoons (New Harvest, 2014) interviews Ed Steed (one of the contributors to the Ultimate Cartoon Book mentioned above). Mr. Steed began contributing to The New Yorker in 2013.  See some of his work here.

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Podcast Of Interest: Mark Alan Stamaty Talks With Gil Roth

From Gil Roth’s Virtual Memories Podcast, this conversation mostly centered around the 40th anniversary reissue of Mr. Stamaty’s MacDoodle Street, but there is a fleeting mention about his New Yorker work. Listen here.

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Today’s Daily Shouts

Beginning today, The Spill will note Daily Shouts pieces when the contributor is a New Yorker cartoonist.  First up: Emily Flake’s The Real Florida Man, posted early this morning.

Ms. Flake has been contributing to The New Yorker since 2008.  Link here to her website.

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Today’s Daily Cartoonist/Cartoon

Today’s Daily: keeping secrets, Washington, D.C. style, courtesy of Brendan Loper. Mr. Loper has been contributing to The New Yorker since 2016. You can see more of his work here.

The Monday Tilley Watch, The New Yorker Issue Of April 8, 2019; Today’s New Yorker Daily Cartoonist: Kendra Allenby

 

The Cover:   A circus acrobat practicing on a high bar (this is “The Health Issue”).  Read what the cover artist, Kenton Nelson, has to say about it here.

The Cartoonists:

The Cartoons:

Seventeen cartoonists (the duo effort counted as one cartoonist unit), with one, Adam Douglas Thompson, making his New Yorker print debut. Mr. Thompson is the 6th new cartoonist of the year, and the 30th brought in under Emma Allen’s cartoon editorship, kicked-off in May of 2017.

The duo of Adam Cooper and Mat Barton first appeared in the magazine in 2014.

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I won’t ID it, but there’s one cartoon in the issue that, for me, is a real head scratcher: i.e., I don’t “get” it.   Will call a friend later for help.

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 The Spill applause icon is standing by for a few of the drawings in the issue:

Pia Guerra’s fab Charles Addamsesque drawing on page 79. Seeing it this morning drove me back to looking through a number of Addams’ collections (see below).  If there have ever been geniuses in our stable, he’s one.

Two pages later, Zach Kanin also delivers an Addamsesque drawing. A wonderful cartoon. 

Applause and an observation regarding Brendan Loper’s laundry drawing on page 70:  both the drawing and the reader’s appreciation of the drawing would benefit from a drawing as cinematic as this appearing larger on the page. It’s given a decent space, but why not even more? (illustrations continue to have more exposure. There are 6 full (or nearly full) page illustrations in the issue). 

Here, by the way, are the Addams collections I looked through this morning:

 

Finally, as always, here’s Rea Irvin’s mothballed classic Talk masthead (you can read about it here):

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Today’s Daily Cartoonist/Cartoon

 See Kendra Allenby’s take here on the unSpringlike weather.  Ms. Allenby began contributing to The New Yorker in 2016.  Visit her website here.

 

    

 

 

The Tilley Watch Online,The New Yorker, March 24-29, 2019: Book Of Interest: Seth’s “Clyde Fans”; Mort Gerberg’s New York Historical Society Exhibit Reviewed

    The Daily cartoons this week weren’t exclusively Trumplandish, but close! The contributing New Yorker cartoonists were: Peter Kuper, Lucas Adams, Emily Flake, J.A.K., Barry Blitt, and Christopher Weyant.

        The Daily Shouts contributing New Yorker cartoonists: Tom Chitty, Ali Fitzgerald, and Hilary Fitzgerald Campbell.

To see all of the above and more link here.

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Book of Interest: Seth’s “Clyde Fans”

Out on bookstore shelves on April 30th from Drawn & Quarterly, Seth’s latest, Clyde Fans.  In the meantime, here’s a Publisher’s Weekly piece about it. Seth (Gregory Gallant) began contributing to The New Yorker in 2002.  Below, right, one of his covers.

Further recommended reading: Seth’s 1996 It’s A Good Life If You Don’t Weaken.

The PW article says about it: “Seth’s first graphic novel…seemed to be a memoir of the author’s attempts to track down a New Yorker cartoonist who had a brief flash of success in the ’40s—but the whole thing was fiction.” 

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Gerberg’s  New York Historical Society Exhibit Reviewed

From Women Write About Comics, March 29, 2019, ‘Main Thing Is, I Kept Drawing’: Mort Gerberg’s Cartoons On Display at The NYHS”

 

 

 

 

 

 

 

 

 

 

 

 

Today’s New Yorker Daily Cartoonist: Peter Kuper; A Chapter Of Interest: Always On Wednesday

Today’s Daily cartoon, AG Barr-ish, is by Peter Kuper. Mr. Kuper began contributing to The New Yorker in June of 2011.  Visit his website here.

And check out his latest book!

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Chapter Of Interest: Always On Wednesday

In preparation for the upcoming MoCCA Fest panel, Mort Gerberg and Friends, celebrating Mr. Gerberg’s essential  On the Scene: A 50-Year Cartoon Chronicle  (Fantagraphics), I’ve been looking at a lot of Mr. Gerberg’s drawings, as well as his 1983 Cartooning: The Art and The Business.  Admittedly not one for process books (i.e., “how-to”) I was quite surprised to discover in the very first chapter of The Art and The Business  a wonderful first hand account by Mr. Gerberg of what it was like for cartoonists making the rounds of magazines in New York City back in the early 1960s. I’ve shown just the first page of Chapter One’s twenty-three pages (want to continue reading?  You can easily find the book online). This is probably the most extensive account I’ve read about the “look day” of long long ago (so long ago that it is no longer Always Wednesdays, at least at The New Yorker, where it’s been Always Tuesdays for several decades). Even though Mr. Gerberg references The Saturday Evening Post on the first page, any cartoonist who went in to the New Yorker for “look day” will recognize the sign-in sheet tradition.