Blog Posts Of Interest From Mike Lynch; Today’s Daily Cartoonist & Cartoon (…and Yesterday’s); Yesterday’s Daily Shouts Cartoonist

Blog Posts Of Interest From Mike Lynch

   Cartoonist Mike Lynch has posted two back-to-back New Yorker items of interest on his blog. Today’s is a look at some of Steinberg’s drawings from All In Line (the 1947 paperback edition), and yesterday a piece on a film about New Yorker cover artist Andre Francois. See them here.

Steinberg’s entry on the Spill‘s A-Z:

Saul Steinberg Born, June 15, 1914, Ramnic-Sarat, Rumania. Died in 1999. New Yorker work: 1941 – (The New Yorker publishes his work posthumously). Steinberg is one of the giants of The New Yorker.  Go here to visit the saulsteinbergfoundation where you’ll find  much essential information and examples of his work.

Andre Francois’s entry on the A-Z:

Andre Francois (photo: 1978) Birth/death information from his New York Times obit of April 15, 2005: Born Andre Farkas, 1915, Timisoara. Died, April, 2005, Grisy-les-Platres, France.

 

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Today’s Daily Cartoonist & Cartoon (…and Yesterday’s)

Emily Bernstein, who began contributing to The New Yorker in July of last year, on shopping now. Yesterday’s Daily was by Emily Flake, who began contributing to the magazine in 2007.

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Yesterday’s Daily Shouts

A trio effort by cartoonist Jeremy Nguyen, along with writers Irving Raun, and Julia Edelman. Mr. Nguyen began contributing to The New Yorker in 2017.

The Weekend Spill: Unboxing A Box Of Steinbergs & Steigs; The Tilley Watch Online, The Week Of March 2-6, 2020; James Stevenson Documentary At Martha’s Vineyard Film Fest; More Spills…

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So often when I go on a hunt for something in the Spill‘s archives I come upon some other thing that takes me off onto another track. Today for instance, while poking around piles of boxes, I came across the box you see above.  Many years ago I filled the box with issues of The New Yorker bearing  Steinberg covers and Steig covers — then I stuck a label on the box and put the box on a shelf where it remained unopened for at least a decade, if not more. Today I opened the box and placed most of the issues out on a table.

Gems all! Maybe a dozen more issues didn’t make it into the photograph, but you get the idea. What I find interesting about this group is that I cannot remember why I bothered to gather these particular issues.

After photographing them, I put them all back in their beat-up box. I have plans to incorporate them into the loose issue New Yorker collection — but not today; maybe in 2030, when I come across the box again.

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A listing of New Yorker artists who contributed to newyorker.com features this past week

The Daily Cartoon: Christopher Weyant, David Sipress, Ellis Rosen, Elisabeth McNair, Ali Solomon.

Daily Shouts: Ward Sutton.

…and Barry Blitt’s Kvetchbook.

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Sally Williams fab 2019 documentary Stevenson Lost & Found will be shown March 29th at The Martha’s Vineyard Film Fest. Info here.  Lucky you if you’re on the island and able to attend.

Mr. Stevenson’s entry on the Spill‘s A-Z:

James Stevenson Born, NYC, 1929. Died, February 17, 2017, Cos Cob, Connecticut. New Yorker work: March 10, 1956 -. Stevenson interned as an office boy at The New Yorker in the mid 1940s when he began supplying ideas for other New Yorker artists. Nine years later he was hired a full-time ideaman, given an office at the magazine and instructed not to tell anyone what he did. He eventually began publishing his own cartoons and covers as well as a ground-breaking Talk of the Town pieces (ground breaking in that the pieces were illustrated). His contributions to the magazine number over 2000. Key collections: Sorry Lady — This Beach is Private! ( MacMillan, 1963), Let’s Boogie ( Dodd, Mead, 1978). Stevenson was a children’s book author, with roughly one hundred titles to his credit. He was a frequent contributor to the Op-Ed page of The New York Times, under the heading Lost and Found New York. Stevenson’s The Life, Loves and Laughs of Frank Modell, published in 2013, is essential reading.  Sally Williams’ 2019 documentary film, Stevenson Lost & Found is essential viewing.

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…Just a few days ago while browsing through a bound volume of New Yorkers I came across a drawing by Ihrie Means (in the issue of May 14, 2007). Ms. Means name has now been added to the Spill‘s A-Z. My apologies for not adding her sooner.

…Work by Liz Montague, a newer addition to the New Yorker’s stable (March, 2019), is in (A Mini) Zine Fest, later this month.  Details here.

…The late great Syd Hoff‘s name came up in yesterday’s New York Times crossword puzzle: the clue (if that’s what it’s called — I’m not a crossword puzzler) was Cartoonist Hoff. 

Here’s Syd Hoff’s entry on the Spill‘s A-Z:

Syd Hoff ( Photo source: Esquire Cartoon album, 1957) Born 1912, New York City, died May 12, 2004, Miami Beach, Florida. New Yorker work: 1931 – 1975. Visit the Syd Hoff website here.

 

Weekend Spill: 64 Works By Steinberg Go To Long Island Museum; The Tilley Watch Online; Meet The Artist (1943): Alan Dunn; Liza Donnelly Speaks on Drawing For Change; Upcoming Swann Auction Loaded With New Yorker Art

64 Steinberg Works To Long Island Museum

From ArtNews, November 15, 2019, “Parrish Art Museum Acquires 64 Works By Famed Cartoonist Saul Steinberg” 

Mr. Steinberg’s entry on the Spill’s A-Z:

Saul Steinberg Born, June 15, 1914, Ramnic-Sarat, Rumania. Died in 1999. New Yorker work: 1941 – (The New Yorker publishes his work posthumously). Steinberg is one of the giants of The New Yorker.  Go here to visit the saulsteinbergfoundation where you’ll find  much essential information and examples of his work.

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An end of the week listing of New Yorker artists who contributed to the Daily Cartoon and/or Daily Shouts, November 11-15, 2019.

The Daily Cartoon: Kim Warp, Emily Flake, Ellis Rosen, Elisabeth McNair, Christopher Weyant.

Daily Shouts: Teresa Burns Parkhurst, Liana Finck (another in her Dear Pepper series), Tim Hamilton.

…and Barry Blitt’s Kvetchbook.

See all of the above and more here.

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Liza Donnelly Speaks On Drawing For Change

From Elon University, November 15, 2019, “Cartoonist Liza Donnelly offers look at using visual humor to affect change” — a piece on Ms. Donnelly’s recent talk at the university.

Ms. Donnelly began contributing to The New Yorker in 1982. Visit her website here.

 

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Meet The Artist (1943): Alan Dunn

One of a number of self portraits of New Yorker artists included in the catalog Meet The Artist, published in 1943 by the M.H. de Young Memorial Museum.

Alan Dunn’s entry on the Spill‘s A-Z:

Alan Dunn Born in Belmar, New Jersey, August 11, 1900, died in New York City, 1975. New Yorker work: 1926 – 1974 Key collections: Rejections (Knopf, 1931), Who’s Paying For This Cab? (Simon & Schuster, 1945), A Portfolio of Social Cartoons ( Simon & Schuster, 1968). One of the most published New Yorker cartoonists (1,906 cartoons) , Mr. Dunn was married to Mary Petty — together they lived and worked at 12 East 88th Street, where, according to the NYTs, Alan worked “seated in a small chair at a card table, drawing in charcoal and grease pencil.”

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Upcoming Swann Auction Abounds With New Yorker Art

The December 10th Swann Illustration Auction catalog is now available online and, as usual, there is a New Yorker section loaded with original pieces.  This particular offering includes a large number of contemporary contributors as well as work by such Golden Age luminaries as Peter Arno, Charles Saxon, Charles Addams, and Steinberg.

See it all here.

Happy bidding!

Late Notice: A Launch Party Tonight With Hilary Fitzgerald Campbell Live-Drawing; Today’s Daily Cartoonist & Cartoon; The Monday Tilley Watch, The New Yorker Issue Of November 18, 2019; Some Thoughts After Seeing The Documentary Film, “Stevenson Lost And Found”

Late Notice: A Launch Party Tonight With Hilary Fitzgerald Campbell Live-Drawing

From the Facebook Invite:

Come celebrate the release of Sarah Dooley’s new book ‘Are You My Uber?’ which is a parody of the P.D. Eastman classic ‘Are You My Mother?’ Listen to comedians Sydnee Washington, Eva Victor, Larry Owens, Pat Regan, Marcia Belsky, Gabe Gonzalez, and Taylor Ortega tell hilarious stories of wild cab experiences while Hilary Campbell, the book’s illustrator, does live drawings.

Ms. Campbell began contributing to The New Yorker in 2017. Visit her website here.

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Today’s Daily Cartoonist & Cartoon

A leafy Daily from Chris Weyant, who began contributing to The New Yorker in 1998. Visit his website here.

 

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The Cover: I see leaves. The fifth cover (below right) by Brigit Schossow.  Read a Q&A with her here.

There’ve been a lot, a whole lot, of leafy New Yorker covers, but this current one by Ms. Schossow  brought to mind (courtesy of a helpful New Yorker colleague) the beauty below left by the magazine’s former art & cartoon editor, Lee Lorenz.

 

The Cartoonists:

The Cartoons:

A scattering of thoughts about just a few of the cartoons in this issue:

P.C. Vey’s bear and couple in the woods (on page 33) made my day.

Something totally unexpected cartoon-wise is usually always good, and so it was coming upon a Jack Ziegler cartoon. Especially nice that the drawing is set in one of his favorite cartoon scenarios: a bar.

A fun Pete Mueller drawing (p.27).  Two Mueller drawings in two issues. Yay!

Ellis Rosen’s friend’s shower (p.56) is different. Like the choices of warm/cold and cold/warm.

Needed a ten second Googled refresher course with Liana Finck’s drawing (p. 60).  Not so much what her drawing means, but the meme’s origin (just curious, y’know).

The Rea Irvin Talk Masthead Watch:

Am hoping to open the issue one day and see Mr. Irvin’s iconic design has returned. No dice this week. For now, there’s that re-draw. Read about the classic Irvin Talk masthead here.

Here’s the real deal:

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Some Thoughts After Seeing The James Stevenson Documentary Film, Stevenson Lost And Found

A few random thoughts after attending last night’s premiere of Sally Williams’ fab documentary film, Stevenson Lost And Found.  There are are so many moments in the film — too many to go into here — that cartoonists and people who love New Yorker cartoons will treasure.

One instance I found particularly fascinating: the animated sequence showing what might go through cartoonists brains as they sit down and begin the day’s work. We’re shown a series of cartoons covering a wide variety of subject matter. It is, for this cartoonist, a relatable experience, as the mind careens through unlimited places every morning.

Another instance: in some eye-popping sequences we’re shown images of Mr. Stevenson’s children’s books lined-up, as well as Mr. Stevenson’s New Yorker  black scrap books (shown above) kept in the magazine’s library. These books contain every single signed New Yorker contribution by Stevenson, whether it’s his writing or drawing (including covers of course).*  Most of The New Yorker’s nearly 650 cartoonists (from 1925- present) have not had their work collected in one scrap book, let alone five. **

At the screening, I was lucky enough to be seated next to the legendary artist, Edward Sorel. During one of the sequences in the film where we are grasping the enormous amount of work Stevenson did (both published and unpublished) Mr. Sorel leaned over and said to me, “Do you feel as much like an underachiever as I do?”

In a perfect cartoon world, there’d be films such as Lost And Found for a number of the magazine’s artists. It’s heartening that there is already a Thurber film out there, and an Addams documentary in the works, as well as a film about George Booth.  But how about a Steinberg documentary, and one about Steig***?  I can dream, can’t I.  For now, we are quite fortunate to have this gem on Stevenson showing on the big screen. Go see.

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* I say “signed” because The New Yorker  did not and does not scrap book cartoon ideas handled by other artists. Mr. Stevenson, early in his New Yorker career, wrote a large number of captions for some of the magazine’s artists (read about his “secret job” here).

**Artists (and writers) without an enormous amount of work are scrap booked in alphabetically  cataloged books, along with other contributors.

***A short video accompanied the Steig exhibit that ran at The Norman Rockwell exhibit.

There is a 20 minute film about Edward Sorel available here.

A 40 minute Eldon Dedini film here, 

And a short film about C.E.M. (Charles E. Martin) here.

 

 

The Weekend Spill: The Online Watch, November 3-8, 2019; A Swann Galleries Teaser With Addams, Steinberg & More

The Online Watch: a listing of New Yorker cartoonists who’ve contributed to The Daily Cartoon and/or Daily Shouts, November 3-8, 2019.

The Daily Cartoon:  Jon Adams, Ward Sutton, Ali Solomon, Kim Warp, Lila Ash.

Daily Shouts: David Ostow, J.A.K. (with Erin Chack), Teresa Burns Parkhurst.

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Swann Galleries December 10th Teaser

The upcoming December 10th Swann Illustration catalog is not yet available to peruse online, but here’s a preview of several New Yorker  pieces that’ll be auctioned, including work by Charles Addams, Ilonka Karasz, and Steinberg (Saul not Ari).