Move Over Addams, Steinberg Did An 89 Foot Long Mural; Dick Buchanan’s Tip Of The Hat To Funny Ladies At The New Yorker Show, and …A First Glimpse of the Exhibit

Steinberg’s 89 Foot Mural

We recently learned of a fourteen foot mural Charles Addams executed (a good Addamsy word!); well here’s a piece in Cincinnati Magazine about an eighty-nine foot Steinberg mural.  Wowzers.

_________________________________________________________________________

Dick Buchanan’s Tip Of The Hat To Funny Ladies At The New Yorker

Via Mike Lynch’s site: “From The Dick Buchanan Files: Women Cartoonists: Barbara Shermund, Hilda Terry, Mary Gibson, and Dorothy McKay 1935-1952”

Mr. Buchanan’s latest file finds are in honor of the upcoming Society of Illustrators exhibit, Funny Ladies At The New Yorker: Cartoonists Then and Now

Liza Donnelly, who curated the show, has posted (on Instagram) a preview photo. Nice blow-up of a Helen Hokinson drawing! : 

 

The Tilley Watch Online: The Week of July 16-20, 2018; Cartoon Companion Rates Latest New Yorker Cartoons; Eisner Congrats; Steinberg, Natty Dresser

Another very Trumpian week (but of course!) for the Daily Cartoon, with contributions by Brendan Loper (twice), Mary Lawton, Ellis Rosen, and Lars Kenseth

And on the Daily Shouts, the contributing New Yorker cartoonists were David Sipress, and a group effort from Sharon Levy, Olivia de Recat, and the aforementioned  Mr. Kenseth

You can see all of the above, and more on newyorker.com.

_____________________________________________________________

Cartoon Companion Rates Latest New Yorker Cartoons

The CC’s “Max” and “Simon” return with their trademark cartoon ratings. The boys focus on the work in the issue of July 23, 2018. Seth Fleishman is awarded the CC‘s coveted Top Toon blue ribbon. Read it all here.

_______________________________________________________

Eisner Congrats

The Eisner Award winners were announced last night. Congrats to all the nominated folks, with an extra woo-hoo to New Yorker cartoonists, Shannon Wheeler and Paul Karasik

__________________________________________________

Mouly & Spiegelman on Steinberg

From newyorker.com‘s Culture Desk, “Saul Steinberg: On The Hyphen Between High And Low”

— this brief piece in conjunction with a Steinberg exhibit at The Drawing Room.

The Monday Tilley Watch, The New Yorker Issue of June 18, 1984

As mentioned here last week, it’s double issue time again. We’re halfway though it now ; only a week til the new issue (dated June 18, 2018) appears online early Monday morning. Just for fun I thought I’d go back to another June 18th issue — the one from 1984. 

Here’s the cover, by Susan Davis, who contributed fifteen covers to the magazine from 1983 – 1992.

 

And here are the cartoonists in that issue:

A number of New Yorker cartoon gods in that lineup. And, as you might expect, some cartoonists  contributing to the magazine then who still contribute now. On the downside, a number of colleagues who’ve passed on: George Price, James Stevenson, William Steig, Stan Hunt, J. B. Handelsman, Steinberg, Bernie Schoenbaum, Frank Modell, Barney Tobey, Ed Arno, Mischa Richter, Ed Fisher, Eldon Dedini, and Robert Weber.

A quick tour through the issue: Ed Frascino has a very funny cartoon name-checking Indiana Jones; Lee Lorenz ( the art editor at the time) puts the word “glitz” to excellent use; a half page George Price cartoon centered on the Year of the Rat; a beautiful full page Saxon drawing about the Museum of Modern Art; a four part Stevenson spread across two pages. He animates television antenna; a titled Steig: “Eastbound Traffic.” Great drawing!;  Stan Hunt’s drawing is one of those cartoons that could’ve run anytime in the previous thirty years (previous to 1984, that is) — a boiler plate kind of cartoon; “Bud” Handelsman gives us a heaven-based piece; a Roz Chast drawing split into four boxes. It could’ve run this year; an Ed Koren drawing that just is so like butter — drawing and caption;  Steinberg provides an illustration for a Profile piece by E.J. Kahn, Jr.; opposite Steinberg is a Bernie Schoenbaum cocktail party drawing — a scenario employed by nearly every cartoonist back then; a Frank Modell drawing with his signature people — love his grumpy husband; an Arnie Levin caterpillar/butterfly drawing — that that loose Levin line is so great; a Barney Tobey drawing set in another favorite situation: the boardroom; a great Warren Miller drawing:

 Following Mr. Miller’s cartoon is an Ed Arno drawing — that fine controlled line of his! Immediately identifiable; a Mischa Richter dog at a desk drawing; Ed Fisher gives us a weather bureau drawing with lots of fun detail; Eldon Dedini’s cartoon of two guys at a bar with a caption that could run today:Everything’s a trap if you’re not careful.”;  next up, a cartoon that made me laugh out loud, by the great cartoonist, Robert Weber:

Next, a beautiful Sempe drawing (is there any other kind?); and last, a Sidney Harris restaurant drawing. Mr. Harris’s style is his and his alone: an angular line that appears to almost spin out of control, but never does.

So, there it is. A cartoon feast in mid-June, thirty-four years ago. 

 

     

Fun of Interest: Swann Auction Includes Addams, Barsotti, Steinberg, and So Many More

The New Yorker section of the upcoming Swann auction is an awful lot of fun.  The Addams cover shown above is just one of the gems listed. To see the “3D catalog” go here.  Other New Yorker artists whose work is going under the gavel include Charles Barsotti, Bemelmans, Abe Birnbaum, Whitney Darrow, Jr., Richard Decker, Ed Fisher, Heidi Goennel, Edward Gorey, Theodore Haupt, John Held, Jr., Helen Hokinson, Maira Kalman, Arnie Levin, Rick Meyerowitz, Bill Mauldin, Donald Reilly, Mischa Richter, Arnold Roth, Charles Saxon, Ronald Searle, Seth, Steinberg, Tom Toro, and Gahan Wilson.

No Joke: Rea Irvin’s April 1947 Cover

The cover above has always been a favorite. The first time I came across it I thought I’d stumbled upon a printing error. But no, it’s yet another gift from Rea Irvin, cover artist, designer (as in his designs for the magazine’s masthead, as well as his adapted development of the typeface), cartoonist, “art supervisor” (his unofficial or official designation at the New Yorker). 

The rest of the issue is a lot of fun too. An Addams so-called “Addams Family” drawing (“We’ve had part of this floor finished off for Uncle Eimer”); a Richard Taylor strip that runs across the bottom of two pages; a half-page Hokinson “lunch club ladies” cartoon; a Sam Cobean shadow play drawing; a page and-a-half Steinberg spread under the heading “Berlin” and so much more (other cartoonists in the issue: Otto Soglow, Alan Dunn, Barney Tobey, Robert Day, Whitney Darrow, Jr., Alain, and Leonard Dove). Typical of the era, the cartoons dominated the pages, as if the text was secondary to the art.