The Wednesday Watch: Today’s Daily Cartoonist & Cartoon; New Market Watch…Air Mail; Donnelly Live-Draws Dem’s Debate; A Susanne Suba Re-Issue

Today’s Daily Cartoonist & Cartoon

Desert drinks by Lila Ash, who began contributing to The New Yorker in 2018.

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New Market Watch

Considering the narrowing avenues for cartoonists , it’s always a brighter day when a cartoon-carrying publication is launched.  We now have two (online-only) issues of former Vanity Fair editor, Graydon Carter’s Air Mail to peruse. You’ll find cartoons under the heading “Small Talk” (not an exclusive-to-cartoons-heading). Many, if not all of the cartoonists in these first two issues seem to have caravanned over from the recently de-cartooned Esquire, where Air Mail‘s cartoon editor was formerly (and briefly) the cartoon editor.  New Yorker readers will recognize most of Air Mail‘s cartoonists appearing in these first two issues; they include Alex Gregory, Maddie Dai, Joe Dator, Drew Dernavich, Chris Weyant, Seth Fleishman, David Borchart, and Charlie Hankin.

Two other New Yorker artists (primarily contributors of New Yorker covers ) are given their own “Sketchbook” slots: Barry Blitt, and the legendary Edward Sorel (casually referred to under the heading, “Ed Sorel’s Sketchbook”).

The one nit-picky thing I’ll say about Air Mail‘s cartoon slot is that I wish the space allotted each cartoon wasn’t so compressed (the bright red Small Talk banner actually looks to be weighing down on a number of the cartoons,  invading the cartoon’s space).  I’ve always believed cartoons are better off with breathing room surrounding them (i.e., shown graphic respect).  You’ll notice that a number of text features ( Science, Tech Lab, But First…, Highlight, Crime) all have a horizontal line placed below their heading, cleanly separating the feature’s title from the article.

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Liza Donnelly Live-Draws Dem’s Debate

Check out Liza Donnelly’s graphic take on last night’s debate. 

Ms. Donnelly has been contributing to The New Yorker since 1982.

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A Susanne Suba Re-Issue

Originally published in 1951 by Rand McNally (cover on the left), The Theatre Cat by Noel Streatfeild, with illustrations by New Yorker artist Susanne Suba will be re-issued this September by Scholastic. 

Susanne Suba’s entry on the Spill‘s A-Z:

Born Budapest, Hungary 1913. Died February, 2012, NYC. Ms. Suba contributed numerous “spot” drawings to The New Yorker, as well as five covers and one cartoon, published September 18, 1948. Her first cover appeared October 21, 1939, and her last, March 2, 1963. Besides her work for the magazine she was a prolific illustrator of children’s books. A collection of her spot drawings was published in 1944, Spots By Suba: From The New Yorker (E.P. Dutton & Co., Inc, NY).

Link to the Spill‘s appreciation of Ms. Suba here.

 

 

 

Exhibit Of Interest: Peter Steiner’s Recent Paintings; The Tilley Watch Online, April 29 – May 4, 2019; Seth Fleishman’s Tribute To Nurit Karlin

Exhibit Of Interest: Peter Steiner’s Recent Paintings

Peter Steiner, a person who wears many hats (cartoonist, novelist, teacher, painter) will show recent paintings at the Hotchkiss Library of Sharon in June.  All the info here (including an expanded bio). 

Mr. Steiner began contributing his cartoons to The New Yorker in 1979. His 1993 drawing“On the Internet, nobody knows you’re a dog” is one of the magazine’s most reprinted cartoons in its history. 

Mr. Steiner’s next book, The Good Cop, will be out this November.

Visit his website here.

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The Tilley Watch Online, April 29 – May 4, 2019

A weekly round-up of work by New Yorker cartoonists appearing on newyorker.com’s Daily Cartoon and Daily Shouts

The Daily Cartoon: Avi Steinberg, John Cuneo, Lila Ash, David Sipress, and Adam Douglas Thompson.

Daily Shouts: Ellie Black, Jeremy Nguyen (with Irving Ruan), Caitlin Cass, Ali Fitzgerald, and Roz Chast.

To see all the above, and more, link here.

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Seth Fleishman’s Tribute To Nurit Karlin

The cartoonist Seth Fleishman, is, along with John O’Brien, one of The New Yorker‘s few steady practitioners of the captionless cartoon (a far more difficult form, I’ve always believed, than the captioned cartoon).  Mr. Fleishman and Mr. O’Brien have done wonders with captionless cartoons in recent times.  

When Mr. Fleishman learned of the passing of Nurit Karlin, an earlier master whose entire New Yorker run of cartoons was, by far, captionless, he sent along this photo of himself,  sans text.

 

 

The Tilley Watch Online, April 21-26, 2019; Two Books From Will McPhail; About Zach Kanin

An end of week round-up of the New Yorker cartoonists who contributed to the online features, the Daily Cartoon and Daily Shouts

The Daily Cartoon: Seth Fleishman, Christopher Weyant, Elisabeth McNair, J.A.K., Avi Steinberg, and Tom Toro.

Daily Shouts: Julia Wertz, Edward Steed, and Ellis Rosen (with Irving Ruan)

To see all of the above, and more, link here.

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Two Books From McPhail

From Publishers Weekly, “Book Deals: Week of April 29, 2019” — news of a two-book deal for Will McPhail. The first, a graphic novel, “In, The Story of Nick” will be out in 2020. The second, Collected Cartoons, will be just that.

Mr. McPhail began contributing to The New Yorker in 2014. Visit his website here.

Further reading: From The Daily Cartoonist: “Tales From the Reuben —  Cranky Digression” 

 — D.D. Degg fact-checks the PW‘.

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About Zach Kanin

From Monsters & Critics, April 27, 2019, Zach Kanin: Who is writer and creator behind I Think You Should Leave with Tim Robinson on Netflix”

Mr. Kanin began contributing to The New Yorker in 2005. Further reading here.

 

Frank Modell’s Brendan Gill; Tom Chitty Has A Question; Today’s Daily Cartoonist: Christopher Weyant; More Steinberg; Today’s Daily Shouts By…Seth Fleishman

Frank Modell’s Brendan Gill

I came away from a recent visit to my favorite (used) book store, Rodgers Book Barn in Hillsdale, New York with the brochure handed out at Brendan Gill’s memorial back in 1998 (see the details of the tribute below). I’m indebted to one of my book store haunting friends, Mark Burns for digging the brochure out of a box of ephemera and placing it right in front of my face (for the record, my other co-haunters were Danny Shanahan and John Cuneo). Frank Modell’s drawing of an exuberant Brendan Gill was new to me, and an obvious must-have, must-buy. 

For more on Mr. Gill, I highly recommend his oft-reprinted Here At The New Yorker (the William Heinemann 1990 edition shown below)And for more on Mr. Modell there’s his collection Stop Trying To Cheer Me Up! as well as James Stevenson’s terrific The Life, Loves and Laughs of Frank Modell.

Further Reading: An earlier Spill piece on cartoonists and Rodgers Book Barn.

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Tom Chitty Has A Question

From Jane Mattimoe’s  fine Fine Case For Pencils, “Tom Chitty Has A Question About Dip Pens”

Mr. Chitty began contributing to The New Yorker in 2014.  Visit his website here.

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Today’s Daily Cartoonist/Cartoon

The lack of White House press briefings has been in the news. Chris Weyant comments via a castle cartoon.  Mr. Weyant has been contributing to The New Yorker since 1998. Visit his website here.

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More Steinberg

From The Brooklyn Rail, “Saul Steinberg: Untitled” 

Comments on the Steinberg exhibit currently showing at Totah (til April 28th — hurry!)

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Today’s Daily Shouts by…Seth Fleishman

A fish story from Seth Fleishman who began contributing to The New Yorker in 2016. See some of his work here on the New Yorker’s Cartoon Bank site.

 

 

The Tilley Watch: The New Yorker 94th Anniversary Issue; Today’s New Yorker Daily Cartoonist: Julia Suits

The very first issue.

The above cover does not appear on the New Yorker‘s 94th Anniversary issue; note the date and price. I’ve posted it — the very first New Yorker cover — because sentimental me misses seeing Rea Irvin’s iconic curiously curious Eustace Tilley, dressed in his oddly compelling finery. He hasn’t shown up since 2011 (below)…that seems like such a long time for him to be away. Sometimes it’s good to go back, before, you know, you drift too far from shore (to read about Kadir Nelson’s Tilley-inspired take-off on the cover of the current issue, go here).

The 86th anniversary issue


The Cartoonists:

The Cartoons:

It has made my week seeing George Booth’s drawing in the issue (p.47). It’s classic Booth. And no small thing, it inhabits the perfect space on the page — it is where it should be and it looks as it should look. And… it looks great. I could, and will, say the same for Edward Koren’s drawing (p.80).

Two of our cartoon gods delivering the goods, continuing to share their worlds, a half century or more since they began contributing to The New Yorker (Mr. Koren began in 1962, Mr. Booth in 1969).

Of interest to the weedsy cartoon folks: there is not just one caption-less cartoon in the issue — there are three (Seth Fleishman, Will McPhail, and Ed Steed). By caption-less, I should clarify that I mean a cartoon that appears without assistance from words in a box, or a title, or a thought balloon.

Finally, I end as I began: by mentioning the work of The New Yorker artist Rea Irvin. His beautiful masthead — the one that ran for most of the magazine’s 94 years but went missing in the Spring of 2017 (read about it here) is also still out of sight this anniversary week (well, two weeks, as it’s a double issue). It appears here once again, as it always does on Mondays, until someone tells me to cut it out (so to speak) or until it reappears in the magazine (and wouldn’t that be great).

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Today’s Daily Cartoon

Today’s Daily cartoon (Trumpish, of course) is by Julia Suits, who began contributing to The New Yorker in 2006. Link here to her website.