The Tilley Watch Online, April 8 -12, 2019; Blog Posts Of Interest: Attempted Bloggery & A New Yorker State Of Mind

An end of the week reminder of which New Yorker cartoonist was where on newyorker.com

The Daily Cartoon: New Yorker cartoonists contributing this week were Lila Ash (two appearances), Colin Tom, Ivan Ehlers, and Brendan Loper.

Daily Shouts: New Yorker cartoonists contributing this week were J.A.K. (with Julia Rothman), Sarah Ransohoff (with Johnny DiNapoli).  Also contributing was the New Yorker‘s assistant cartoon editor, Colin Stokes. 

See all of the above, and more here.

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Blogs Of Interest

….Attempted Bloggery looks at a George Booth original drawing recently auctioned for a song.

…and don’t forget the George Booth (documentary film project) Kickstarter campaign underway. Six days to go!

 

A New Yorker State of Mind continues its bang-up job of chronologically deep-diving into every single issue of the magazine. Two issues this week!

(both covers shown by Rea Irvin)

Animated Addams Family Trailer; Publishers Weekly MoCCA Fest Wrap-Up; Krimstein’s Gallery Talk; Reminder: A Cartoon Double Header Tonight!; Today’s Daily Cartoonist: Brendan Loper; Today’s Daily Shouts By Sarah Ransohoff & Johnny DiNapoli

Animated Addams Family Trailer

From Screen Rant, April 9, 2019, “The Addams Family Trailer: An Altogether Ooky Animated Movie”

Charles Addams’ Spill A-Z entry :

Charles Addams (Born in Westfield, New Jersey, January  7, 1912. Died September 29, 1988, New York City. New Yorker work: 1932 – 1988 * the New Yorker has published his work posthumously. One of the giants of The New Yorker’s stable of artists. Key cartoon collections: While all of Addams’ collections are worthwhile, here are three that are particular favorites; Homebodies (Simon & Schuster, 1954), The Groaning Board (Simon & Schuster, 1964), Creature Comforts (Simon & Schuster, 1981). In 1991 Knopf published The World of Chas Addams, a retrospective collection. Visit the Addams Foundation website for far more information : http://www.charlesaddams.com/

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Publishers Weekly MoCCA Wrap-Up

Form PW, April 9, 2019, “MoCCA Arts Fest Attracts Big Crowd of Indie Fans”

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Krimstein’s Gallery Talk

Ken Krimstein, who began contributing to The New Yorker in 2000, will talk about the ongoing Hannah Arendt exhibit in Chicago.  Info here

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Reminder: A Cartoon Double Header Tonight

At 6, See Bob Eckstein with Marisa Acocella, Robert Leighton, and Barbara Smaller talk shop at Rizzoli.  Then head over to see a live podcast with Jason Chatfield and Scott Dooley.

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Today’s Daily Cartoonist/Cartoon

Brendan Loper mixes modern politics with the Sword in the Stone. Mr. Loper began contributing to The New Yorker in 2016.

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Today’s Daily Shouts

Owls! by Sarah Ransohoff and Johnny DiNapoli.  Ms. Ransohoff began contributing to The New Yorker in 2018 (Mr. Dinapoli has contributed to newyorker.com).  

Link here to Ms. Ransohoff’s site.

Link here to Mr. Dinapoli’s site.

The Tilley Watch

Last week in this spot I noted and silently wondered about the latest issue of The New Yorker (dated October 29) barely touching on Halloween (other than a witches and broomstick drawing by Seth Fleishman).  This week’s issue, dated November 5, solves the mystery with its trick-or-treating Trumpian cover. I think we’ve now seen enough of him on the cover to expect a New Yorker Book of Trump Covers. I believe his first appearance was on the double issue of Dec. 28, 1992/Jan. 4, 1993. Artist: Robert Risko. 

New Yorker history aficionados will note that what’s inside that issue (produced during Tina Brown’s era as editor) is of great interest: a lengthy piece, “Remembering Mr. Shawn: friends and colleagues recall the years with Shawn” — it’s essential reading, and includes photographs of Shawn taken by James Stevenson. 

Sidenote: the 1992/1993 issue contains the work of 35 cartoonists  It also contains an Artist’s Notebook by Benoit van Innes (full page, color), An Artist At Large spread by Philip Burke (4 1/4 pages, color), another Artist At Large, with Ronald Searle (a full page), an Artist’s Sketchbook by Gerald Scarfe (3 1/2 pages, color), a full page cartoon by Roz Chast and a color column by Danny Shanahan. Most of the single panel cartoons were placed in a space greater than a quarter page, with many running a half-page. There are 22 illustrations, with three full page. One of the things you’ll hear from colleagues who worked at The New Yorker during Tina Brown’s era (I was one of them) was that she knew how to throw a great party (and she did).  I’d like to expand that to: …and she knew how to throw a great graphic party

And now back to the future…

This new issue contains the work of 11 cartoonists (a bump up from last week’s ten) and 21 illustrations ( 6 1/2 pages of those are full pages). Of the 11 cartoons, one, by the wonderful Victoria Roberts, could be said to be nearly exclusively a Halloween drawing. There is another drawing — it features a ghost — but as it’s a telling scary stories around a campfire scenario, it could’ve been published at other times during the year. 

For the record, here are the contributing cartoonists in this issue:

I believe — but could well be mistaken — that the last on the list, Sarah Ransohoff, is making her New Yorker cartoonist debut in this issue. People who know better: please advise if this is incorrect. If this is correct, then Ms. Ransohoff is the 7th new cartoonist this year and the 19th cartoonist overall to be brought in under the cartoon editorship of Emma Allen since she took over in May of 2017.