Peter Kuper Direct Draws Little Donald’s Sneeze; A Case For Pencils Spotlights Hartley Lin’s Tools Of The Trade; Today’s Daily Cartoonist & Cartoon…And Yesterday’s; Seth’s City; Today’s Daily Shouts Cartoonist; More Spills: Chast, Blitt

Calling his recent New Yorker piece, Little Donald’s Sneeze (After Winsor McCay’s ‘Little Sammy Sneeze’) a “Photoshop fest” Peter Kuper decided to do a sort of take 2 — without Photoshop.  Edward Sorel has referred to working this way as direct drawing. In an email, Mr. Kuper told the Spill: “I had to check if my McCay drawing chops were

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The Weekend Spill: The American Bystander’s Quarantine Calvacade; Film Of Interest: Barsotti: A Cartoonist’s Life; The Tilley Watch Online, April 13-17, 2020

American Bystander’s Cartoon Quarantine Calvacade Michael Gerber, publisher and driving force behind The American Bystander has begun a Cartoon Quarantine Calvacade. He tells the Spill, he began it as an “outlet” for “both the audience and the contributors.” See it here (and subscribe to the Bystander while you’re there!). _______________________________________________________________________ From a 14 year old Kansas filmmaker, Carter Rostrom, this

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Thurber Thursday; Book On The Horizon: Tom Toro’s First Kids Book; Today’s Daily Cartoonist & Cartoon; Today’s Daily Shouts Cartoonist: Olivia de Recat…And Yesterday’s: Sara Lautman

Thurber Thursday Above are all the (specifically) Thurber reference books in the Spill cartoon library. Thurber of course makes appearances in numerous New Yorker-centric books, such as Ross And The New Yorker; Genius In Disguise; Ross, The New Yorker & Me, etc., etc.), but these are the core group examining Thurber’s life. Of the above, I use three on a

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New Yorker Cartoonists Remember Gahan Wilson; The Monday Tilley Watch, The New Yorker Issue Of December 2, 2019; Library Of Congress Interview With Thurber Expert, Michael Rosen; Meet The Artist (1943): William Gropper; The Tilley Watch Online, November 18-22, 2019

New Yorker Cartoonists Remember Gahan Wilson The  New Yorker cartoonist community is quite small. Our numbers are great enough to field a softball team, but not enough to fill your average sized auditorium.  Whether we knew Gahan well, or very little, or not at all, we know his work, and feel the loss of one of our family. What follows

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