Tina Brown on The New Yorker’s Cartoonists: “Anyone Who is Funny is Miserable”

Speaking this morning at Columbia University’s Graduate School of Journalism Publishing Course, Tina Brown, editor in chief of The Daily Beast, said that when she arrived at The New Yorker as its new editor in 1992 (replacing Robert Gottlieb), she found the magazine’s cartoonists were “the most aggressive” when it came to changes she was making at the magazine. According

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The New Yorker’s Art Meeting: A Potted History

    It’s tempting to believe that the structure of The New Yorker’s Art Department arrived fully formed in 1924 when Harold Ross, with his wife Jane Grant  began pulling together his dream magazine.  But of course, such was not the case.   What we know for certain is that once the first issue was out,  Ross and several of

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