The Monday Tilley Watch, The New Yorker Issue of September 9, 2019

The Cover:

It’s the Style Issue this week….thus the bountiful polka dots on Malika Favre’s eighth cover for the magazine. A Q&A with the artist here. If you link to the Q&A you’ll see the polka dot dress swirl.

I can’t see that many polka dots (and red) on the cover without thinking of Peter Arno’s March 23, 1935 New Yorker cover. It was also used as the cover for The Seventh New Yorker Album.

The dalmatians cover is perhaps overly familiar to me because it’s the front endpaper of my biography of Arno. Hey, what can I say? I like dogs…and Arno.

 

The Cartoonists and Cartoons

With the appearance of another team effort (third? fourth?) by Pia Guerra and Ian Boothby I think we’re in new territory as far as crediting a writing team goes for single panel cartoons in the magazine. Someone please correct me if there has been another duo credited beyond one or two appearances (Robert Crumb and Aline Kominsky-Crumb come to mind, but their work is in a different realm, i.e., their “thing” is not single panel cartoons). The duo of Guerra & Boothby have given us a slightly different take on the usual cartoonist’s representation of Noah’s Ark (the drawing appears on page 78). Instead of the long ramp leading up to the ark, it’s more of a tailgate.  It works well here.

Of note: Elisabeth McNair’s drawing of the tortoise and the hare (p. 72). If you remove the art hanging on the wall, and the door frame, the cartoon could easily be seen as descended from the school of (Charles) Barsotti minimalism. Love the turtle’s expression.

Also of note: Hilary Fitzgerald Cambell’s spooky “campfire” story-time drawing (p.49). At first glance I thought the scene was outdoors, but then saw the light sockets in the background with a charging electronic device (a phone?) connected to one of them. That it plays a trick on the eyes — intended or not — is pleasing, as is the drawing itself.

Further of note: Ed Steed adds another drawing to the cartoon canon of mounted something (in this case, someone) or others on the wall (p. 25).

Being the great grandson of bakers, and a fan of baked goods in general, it was a nice surprise  seeing pastries as a focus in Amy Hwang’s drawing (p. 43). Also a nice surprise: seeing Glen Baxter’s drawing (p.68). While a number of cartoonists box in their drawings, Baxter’s boxes somehow seem part of the drawing within, if that makes any sense (is the word “integral” — maybe, maybe not).

Rea Irvin’s Talk Masthead: Still not home. Read about it here.

 

 

 

 

 

Robert Crumb And Aline Kominsky-Crumb At Columbia This Fall; The Tilley Watch Online, July 15-19, 2019; Fave Photo Of The Day: Some New Yorker Folks At The San Diego Comic Con; NYTs Opinion Piece Of Interest: “The Vicious Fun Of America’s Most Famous Literary Circle”

 

Robert Crumb And Aline -Kominsky Crumb At Columbia This Fall

Columbia University’s Curator For Comics and Cartoons, Karen Green, announced at the San Diego Comic Com that Robert Crumb, Aline Kominsky-Crumb, and Peter Bagge will be appearing this Fall at Columbia University…no further info at the moment.  Here’s the article from The Beat, July 20, 2019, “Things Go Off The Rails At The Book Of Weirdo Panel”

Both Mr. Crumb and Ms. Kominsky-Crumb have contributed to The New Yorker.  In 1994, with the magazine was then edited by Tina Brown, Mr. Crumb’s “Elvis Tilley” broke the sixty-eight  year string of Rea Irvin Eustace Tilleys appearing on the anniversary issueFor more Tilley Talk, read my 2008 newyorker.com piece “Tilley Over Time”

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Daily Cartoon Contributors this week: Lars Kenseth, Avi Steinberg, Ellis Rosen, Teresa Burns Parkhurst, and Peter Kuper.

 New Yorker cartoonist Daily Shouts contributors this week:  Jeremy Nguyen (illustrator) with Jiji Lee, P.C. Vey, Ellis Rosen (with Colin Stokes), Olivia de Recat (with Sarah Vollman), Tom Chitty, and Teresa Burns Parkhurst.

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Fave Photo Of The Day

From Jason Chatfield‘s Facebook page, this group photo taken at the San Diego Comic Con.  Four outta five New Yorker  folks are in the line-up. Far left, MAD cartoonist, Todd Clark, then New Yorker contributors Ivan Ehlers, Shannon Wheeler, Lonnie Millsap, and Olivia de Recat.  

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A New York Times Opinion Piece Of Interest

From The New York Times, July 20, 2019, Jennifer Ratner-Rosenhagen’s Opinion piece,  “The Vicious Fun Of America’s Most Famous Literary Circle” 

(photo above from Ink Spill‘s “Posted Notes”)

Fave Photo(s) Of The Day: Drew Friedman And Robert Crumb

Here are a couple of fun photos, taken in NYC yesterday: On the left is Drew Friedman, and on the right is Robert Crumb.  What brought them together is the book Mr. Crumb is holding, The Book Of Weirdo, an anthology of Weirdo magazine (created by Mr. Crumb in 1981, it was published until 1993).

The anthology is coming this Spring from Last Gasp. Mr. Friedman did the cover and wrote the intro; the anthology itself is edited by Jon B. Cooke.  More photos here.

Both Mr. Friedman and Mr. Crumb began contributing their work to The New Yorker in 1994.

(photos courtesy of Mr. Friedman)

 

Mr. Bliss Goes To Washington; Cartoon Companion Rates Latest New Yorker Cartoons; Celebrity Cartoon Captioning Continues; Chatfield & Dooley’s Latest Podcast; Happy 75th, Mr. Crumb

Mr. Bliss Goes To Washington

Harry Bliss will take part in a presentation as well as sign books at this years Library of Congress National Book Festival. Details here.

Mr. Bliss has been contributing covers and cartoons to The New Yorker since 1998.

Visit Mr. Bliss’s website here.

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Cartoon Companion Rates Latest New Yorker Cartoons

If it’s Thursday it’s Cartoon Companion day. The CC‘s “Max” and “Simon” (they’ve chosen not to use their real names) take a look at the very latest cartoons in print. Read it here. 

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Celebrity Cartoon Captioning Continues

From Viewing NYC, August 30, 2018, “Watch Comedian Nick Kroll Caption New Yorker Cartoons On The Spot”

— the newyorker.com series carries on with this enjoyable episode. Good job, Mr. Kroll.

For the record: the drawings shown are (in order of appearance) by: Liam Walsh (chainsaws), Tom Cheney (large poultry), Corey Pandolph (subway cars at bar), Liam Walsh (alley stick ’em up), Will McPhail (ice fishing), Kaamran Hafeez (cowboys), Frank Cotham (invisible man on sofa), Tom Cheney (monster sofa), and David Borchart (beavers).  Perhaps the captioning celebs could identify the artists in coming episodes?

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Chatfield & Dooley’s Latest “Is There Something In This?” Podcast

Listen in as Mr. Chatfield, a New Yorker newbie (his first cartoon appeared in the July 10th, 2017 issue), and Mr. Dooley, according to the official description, “ruminate on New Yorker cartoon ideas over a couple of beers…” Link here.

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Happy 75th, Mr. Crumb

It’s Robert Crumb’s 75th birthday. Mr. Crumb has been contributing on and off to the New Yorker since 1994. His “Elvis Tilley” cover (above) for the magazine published during the Tina Brown years broke the 68 year string of Rea Irvin Eustace Tilley cover anniversary appearances.

 

Book of Interest… Peter Kuper: Conversations

Kuper Conversations

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Due this October From University Press of Mississippi, Peter Kuper: Conversations.

From the publisher’s description:

Along with two dozen images, this volume features ten lively, informative interviews with Kuper, including a career-spanning lengthy new interview. The book also includes a quartet of revealing interviews with underground comix legends Robert Crumb and Vaughn Bode, Mad magazine publisher William Gaines, and Jack Kirby, co-creator of mainstream superheroes from the Avengers to the Fantastic Four. These interviews were conducted by Kuper and fellow artist Seth Tobocman in the early 1970s, when they were teenagers.

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From Mr. Kuper’s “New Yorker Cartoonist A-Z” entry on Ink Spill:

Peter Kuper  Born, 1958, Summit, New Jersey.  NYer work: June 6, 2011 – . Website: peterkuper.com  And for more biographical information, visit his Wikipedia page.