The Monday Tilley Watch, The New Yorker Issue of March 30, 2020; More Spills…

Note: As of 10:00am this Monday morning the magazine’s digital issue has not yet been posted, so, for now, I’m relying on what’s available on other areas of newyorker.com.

Update: Digital issue posted this evening.

The Cover: as mentioned here last Friday, the new issue’s cover (above) was early released.

The Cartoonists:

The Cartoons: As might be expected, several of this week’s eleven cartoons are current event-centric.  Roz Chast’s and Paul Noth’s the most reflective, with Sofia Warren’s very much in the vicinity.  If there’s a non-exclusive theme running throughout, it is domesticity: Lars Kenseth’s couple in the kitchen, Zach Kanin’s dad in the living room, a neighbor showing up to borrow a lot of sugar, Emily Flake’s couple at home in the hallway, and a dad in bed, with little patience to listen to his kid’s dream. Kim Warp’s way out there drawing bucks the surely coincidental at-home theme.

All of the cartoons above can be seen here via a slideshow on newyorker.com

The Rea Irvin Talk Masthead Watch: Mr. Irvin’s iconic masthead (below) is still hidden away, a redraw in its place since the Spring of 2017. Read about it here.

___________________________________________________________________________

…Today’s Daily Cartoon: Maddie Dai on staying in.

…a Daily Shouts by Emily Flake: “Adages For The Age Of Quarantine.”

…From Comics DC, March 22, 2020: “Was Emily Richards The First Black Female New Yorker Cartoonist in 2004?”

 

 

 

 

 

 

 

 

The Monday Tilley Watch, The New Yorker Issue of March 23, 2020: No GOAT

The Cover: This week’s cover, by Christoph Niemann is right on the money. The New Yorker‘s art editor, Francoise Mouly, has a Q&A with the artist here.

Historical Note:  this is the first issue of The New Yorker  not to include a Goings On About Town section. A notice appears on this week’s Table of Contents.

A potted history of GOAT (as it’s sometimes affectionately called)

The very first issue of The New Yorker  included a “conscientious calendar of events worth while” called Goings On.  The very first Goings On was just one page, near the back of the book. Below is the heading of that first Goings On.

The Goings On heading survived up through the issue of October 31, 1925. Goings On About Town was used for the very first time in the next issue (November 7, 1925). Goings On About Town was moved to the very front of the magazine in the issue of January 23, 1926.

______________________________________________________________________________

And now back to the present…and this week’s issue.

The Cartoonists:

Once again, I’ve posted the entire listing of artists as this week’s Spots are by the fab cover artist, Marcellus Hall.

There is a newbie this week: Matilda Borgstrom, who is the third new cartoonist to enter The New Yorker‘s stable of cartoonists this year, and the fifty-sixth new cartoonist brought in under Emma Allen’s cartoon editorship, begun in the Spring of 2017.

The Cartoons:

There are, as you would expect, a number of cartoons (“Drawings”) this week reflecting directly or indirectly the times we’re in: Roz Chast’s store front sign referencing hand sanitizer and face masks, Frank Cotham’s castle cleaning crew, Liza Donnelly’s kitchen full of fermented food, Emily Flake’s monster coming out of a closet.

The remaining cartoons take us away for awhile– as we’d want them to; the variety includes a mermaid, a couple of cowboys, a typing kitty, stargazers…and more.

The Rea Irvin Talk Masthead Watch: Virus, or no virus, the watch continues. Read about Mr. Irvin’s moth-balled iconic Talk masthead here.

Here’s what we’re no longer seeing:

 

 

The Monday Tilley Watch, The New Yorker Issue Of March 16, 2020

The Cover: Talk about yer timely cover: you might think that the cover on the left, by I. G. Haupt, is this week’s New Yorker cover, but it’s not. It appeared August 31, 1929*, not too long before “Black Monday”; the cover on the right appears this week on the magazine — “The Spring & Style” Issue. I’m reminded of The Rolling Stones song, Dandelion, and its catchy “Blow away dandelion, blow away dandelion.”

*Oddly, the Aug.29, 1929 issue is not included in the magazine’s digital archive available to subscribers. If you go to the archive, and look through the 1929 issues you’ll see there’s a gap between the issue of August 24, 1929 (Helen Hokinson cover) and September 7, 1929 (Sue Williams cover). Luckily, I have a copy, but what if you don’t.

The Cartoonists:

As with the other week, I’m showing the entire list of Artists as the Spots artist is Benoit van Innis who has provided a number of splendid covers over the years.

The Cartoons:

A truly wonderful drawing in this issue by Ed Steed (it’s on page 46), and a very clever idea by Will McPhail on page 38. Other drawings that caught my eye: P.C. Vey’s what’s under the bed cartoon (page 36), Drew Panckeri’s lion in a barber shop (p. 69), and Liana Finck’s fitbit drawing (p.66).

 

The Rea Irvin Talk Masthead Watch:

The above has not been seen in The New Yorker since May of 2017.  Read about it here.

 

The Monday Tilley Watch, The New Yorker Issue Of March 9, 2020

The Cover:  As mentioned last week, this week’s cover, shown above right, by Brian Stauffer, was early released last Friday. Michael Cavna’s Washington Post piece explores like-minded images by various cartoonists.

The Cartoonists:

The Cartoons…and Spots:

I’ve left the entire Drawings and Spots section intact this week as the Spots artist is the great R.O. Blechman — New Yorker cover artist, cartoonist and illustrator. Mr. Blechman’s lovely miniatures sprinkled throughout the issue don’t disappoint. For a lot more Blechman, visit his website.

Of note: two duo contributions this week: Jose Arroyo & tv funnyman Conan O’Brien, as well as tv’s Jason “No demo?” Chatfield & Scott Dooley.

Also of interest, a New Yorker cartoon debut: Andy Singer is the second newbie of 2020, and the 55th new addition to The New Yorker‘s stable of cartoonists since Emma Allen was appointed cartoon editor in the Spring of 2017.

The Rea Irvin Talk Masthead Watch:

Closing in on the two year anniversary of the switcheroo of Rea Irvin’s long running (92 year) fab Talk masthead with a redraw.  Read about it here.

Below: Mr. Irvin’s iconic masthead, now mothballed.

 

 

The Monday Tilley Watch, The New Yorker Issue Of March 2, 2020

The Cover: As mentioned last Friday, Barry Blitt‘s Bloomberg exploding cigar cover (above) was rush-released. Here’s a short piece about the cover’s subject by magazine’s art editor, Francoise Mouly.

The Cartoonists

The Cartoons

A likely too-deep-in-the-weeds observation: I believe (someone please correct me if I’m wrong!) this is the first issue of the magazine in contemporary times composed fully of stable mates whose entry into the stable dates back no further than the early 1990s (Frank Cotham, who began contributing in 1993 is this week’s elder, with 27 years at The New Yorker). On the flip side, you might recall that the last issue of the magazine (the 95th anniversary issue) contained a drawing by Edward Koren, who began contributing to The New Yorker in 1962. A deep (cartoonist) bench remains at The New Yorker.

Here’s the rundown of this week’s cartoonists, in order of their freshman year:

Frank Cotham (1993); William Haefeli (1998); David Sipress (1998); Joe Dator (2006); Julia Suits (2006); Emily Flake (2008); Amy Hwang (2010); Liana Finck (2013); Lars Kenseth (2016); Maggie Larson (2017); Liz Montague (2019).

Two cartoons in the issue that caught my attention both feature non-humans. David Sipress‘s stand-up kitty, and Joe Dator‘s opposum/possum. Also noted: Ed Steed‘s (sort’ve Ben Shahn-esque) full page illustration for Adam Levin’s fiction piece.

The Rea Irvin Talk Masthead Watch: Read about Rea Irvin’s iconic Talk masthead,shown directly below.  Below it is the redrawn version plugged-in Spring of 2017.