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Tag: Rea Irvin

The Monday Tilley Watch, The New Yorker Issue Of December 7, 2020

November 30, 2020 michael News

The Monday Tilley Watch Takes A Glancing Look At Some Of The Art & Artists Of The Latest Issue Of The New Yorker *A Note to Visitors: As of mid-morning the latest issue had not been posted online. There is the slide show of  new cartoons but it’s always preferable (to me anyway!) to see the cartoons as they sit

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The Monday Tilley Watch, The New Yorker Issue Of November 30, 2020

November 23, 2020 michael News

The Monday Tilley Watch Takes A Glancing Look At The Art & Artists Of The Latest Issue Of The New Yorker The Cover: Barry Blitt on this unusual year’s Thanksgiving. He began contributing to The New Yorker in 1994. See his cover and read a Q&A about it here. As you probably might imagine, Mr. Blitt’s image of an outdoors

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The Monday Tilley Watch: The New Yorker Issue Of November 23, 2020

November 16, 2020 michael News

The Monday Tilley Watch Takes A Glancing Look At The Art & Artists Of The Latest Issue Of The New Yorker The Cover: Kadir Nelson returns –his last cover appeared just five issues before this latest. He speaks here with The New Yorker‘s cover editor (official title: art editor), Francoise Mouly. The Cartoonists: The Cartoons: Fifteen cartoonists, fifteen cartoons (the

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The Monday Tilley Watch, The New Yorker Issue Of November 16, 2020

November 9, 2020 michael News

The Cover A rarity this new issue: an “after” cover (aside from all the take-offs on Rea Irvin’s Eustace Tilley). The cover artist, Pascal Campion gives a shout-out to Mark Ulriksen’s November 2012 New Yorker cover, shown below left: Here’s what Mr. Ulriksen had to say about his cover back then. And here’s what The New Yorker‘s art editor, Francoise

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The Monday Tilley Watch, The New Yorker Issue Of November 9, 2020

November 2, 2020 michael News

The Cover The cover before the big day.  Are my eyes playing tricks on me or is the line of people (waiting to vote, heading into the sunset, or sunrise?) forming a “B”…could be a B for Blitt, the cover artist, or a B for, well, you know who…). Stepping into The New Yorker time machine (again), I opened up

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