Museum of Comic & Cartoon Art Fest 2018: Liniers! Chast! Karasik! & More!; New York Times Robert Grossman Obit; Tilley Trivia

If it’s Spring, it’s time for the Museum of Comic and Cartoon Art’s annual fest, otherwise known as MoCCa Fest (it’s produced by The Society of Illustrators).

The two day event begins April 6th. Scheduled events include Roz Chast being interviewed by the Virtual Memories host, Gil Roth, a conversation with Liniers (and an exhibition of his work), and a Nancy panel discussion with Paul Karasik and friends.  Link here to all the info

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New York Times Robert Grossman Obit

Here’s the Times obit of Mr. Grossman written by Neil Genzlinger — it’s in today’s paper.  Glad to see Mr. Genzlinger mentioned Mr. Grossman’s stint at the New Yorker as well as including The Yew Norker.

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Back in 2013 the Spill posted a map of Manhattan (“The New Yorker’s New York”) showing where various New Yorker  folk once lived. Here’s another address I’ll eventually add to the map:  75 1/2 Bedford Street, otherwise known as  the narrowest house in New York City. It was once the home of William Steig. 

— My thanks to Gretchen Maslin for the info. 

 

Podcast of Interest: How To Read Nancy’s Karasik & Newgarden; Blog of Interest: A New Yorker State of Mind

How To Read Nancy authors, Karasik & Newgarden join Gil Roth on his Virtual Memories ShowListen here.

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Blog of Interest: A New Yorker State of Mind: Reading Every Issue of The New Yorker Magazine

A look at the issue of December 8, 1928 —  wherein appears one of the most famous of all New Yorker cartoons:

  Read it here

*Here’s a revamped Spill post from Dec. 21, 2013 on the evolution of the caption for the drawing:

E.B. White is remembered as author of one of the most popular cartoon captions of the magazine’s earlier days, but perhaps it might be more accurate to say he was co-author, having adapted the caption from the artist’s original submission. The published caption, as it appeared beneath Carl Rose’s drawing in the December 8, 1928 New Yorker:spinach

“It’s broccoli, dear.”

“I say it’s spinach, and I say the hell with it.”

 

The original caption, below, as submitted by Rose himself provided the framework for White’s sterling re-working. Rose’s original caption:

“Mother, if I eat my spinach, may I have some chocolate pudding?”

“No, dear, there isn’t any chocolate pudding today.”

“Well, the, the hell with the spinach.”

 

Most Popular Instagrammed New Yorker Cartoons; Site of Continued Interest: A New Yorker State of Mind; A Reminder: Tomorrow is Nancy Night at The Society of Illustrators

The New Yorker‘s cartoon editor, Emma Allen presents Instagram’s most liked New Yorker cartoons of 2017 (by # of Instagram likes, of course). The list includes cartoons by (in no particular order here) : Farley Katz, Peter Kuper, Liana Finck, Paul Noth, Jeremy Nguyen, Roz Chast, Ben Schwartz, Kim Warp, Mort Gerberg, Emily Flake, Charlie Hankin, Alex Gregory, Maddie Dai, and Lars Kenseth. I believe these cartoons are a mix of work that appeared in the print version of the magazine or in the online only Daily cartoon slot.  See them here!  

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Site of Continued Interest: A New Yorker State of Mind

Yet another fun & fascinating installment from this site. Read here.

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A Reminder:  Karasik’s & Newgarden’s Nancy Night Tomorrow at the Society of Illustrators

All the info here

Liniers, the Musician; PR: More Nancy, More Blitt; Bob Eckstein’s Daily News Op-Ed

Liniers, the  Musician

“The Argentine Cartoonist Who Moonlights As A Rock Nerd” — a piece about Liniers, the fellow responsible for the above 2016 anniversary cover. Read it here

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More Nancy, More Blitt

From the Vineyard Gazette, “When Brevity  Underscores Genius, A Good Laugh Is Around the Corner”  — a piece on Karasik & Newgarden’s How To Read NancyRead it here.

…And here’s an interview with  Barry Blitt on The Roundtable on WAMC in Albany.  Mr. Blitt is on tour promoting his anthology, Blitt. Listen here.

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Bob Eckstein’s New York Daily News Op-Ed

Mr. Eckstein‘s latest Op-ed piece in the Daily News. Read it here.

The Monday Tilley Watch: The New Yorker Issue of December 11, 2017; Event of Note: “How To Read Nancy” Authors at The Society of Illustrators; A “More Spills” Correction Re: Jack Ziegler

The Monday Tilley Watch is a meandering take on the cartoons in the current issue of The New Yorker.

Up above, in red, I use the word “meandering”; after this morning’s look- through of the new issue  I double-checked my usage.  “Aimless” is a good part of the definition (as I sensed when I first used the word “meandering” to describe the Tilley Watch) — as in “aimlessly moving through” something or someplace.  Aimlessly wandering through is exactly what the Monday Tilley Watch is all about.  It’s not a critique of the cartoons (or drawings as traditionalists refer to them), although there’s sometimes a critical ‘tude lurking within the paragraphs.

I wander through each issue as I might wander through a bakery or book store, appreciating this or that and ignoring that or this.  You never know as you pass by books or baked goods what might attract you — plenty of it is just a blur.   And so it was with this new issue. This is a different Monday Tilley Watch because I’m not going to go drawing by drawing, I’m only going to mention a few things I saw that attracted me.  Just like at a bakery, these are the things I might think about for a  while once I’ve walked out of the store. For instance, I’m still thinking about these cookies I saw yesterday in our local supermarket’s bakery:

And now on to the issue: first, the “spot drawings”;  I’ve not mentioned spots much, if at all.  They tell a story (a modern thing: they didn’t through most of the magazine’s history) but admittedly I don’t follow the stories they tell.  I look at them as I page through the magazine and if they’re pleasing I note that they are. I find this issue’s spot drawings exceptionally pleasing (again, I didn’t follow the story being told).  But story or no story, they’re lovely. The spot artist is Clo’e Floirat

Also of note are Tom Bachtell‘s Talk of the Town drawings.  I’ve mentioned him before, and with good reason.  His work is a welcome modern tradition.

Among this weeks cartoonists is Jon Adams who(m?) I owe an apology to.  I noted last week that he was making his debut (with the Michelin Man drawing).  Wrong. He made his debut this Fall in the October 2nd issue of The New Yorker.  In the Spill‘s ongoing count of Emma Allen’s newbies (Ms. Allen is the magazine’s cartoon editor) Mr. Adams is one of 8 cartoonists introduced in 8 months.  Slightly keeping ahead of the average of one newbie a month, there are two debuts in this issue:  Mary Lawton and Maggie Mull, who are  Ms. Allen’s 9th and 10th new cartoonists. (sorry, I cannot find a website for either cartoonist. Please let me know if either or both have one).  If 10 sounds like a lot of new creative blood we should remember that her predecessor introduced approximately 130 cartoonists. 

Here for the record are this week’s cartoonists:

Ps:  what I wish I did see as I looked through the issue is Rea Irvin’s classic masthead for The Talk of The Town (shown below). Alas, it’s been shuffled off to Buffalo, or wherever classic mastheads are shuffled off to. 

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Event of Note: How To Read Nancy Authors at The Society of Illustrators

Paul Karasik & Mark Newgarden join Columbia’s Karen Green at The Society.  Details here!

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A More Spills Correction

My colleague,  Joe Dator has Tweeted a correction to the  Jack Ziegler drawing mentioned here yesterday.

Here’s Mr. Dator’s Tweet: