The Weekend Spill: Chuck Jones’s Eustace; The Cartoon Takeover Issue; The Tilley Watch Online, December 22-28, 2019

Here’s something new to me: the great Chuck Jones  take-off on Eustace Tilley. The poster can be found here.

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The Cartoon Takeover

It was an exciting week in The New Yorker cartoon world, what with the arrival of the magazine’s first ever Cartoon Takeover issue (covered here last Monday). For everyone who says that the first thing they turn to in the magazine is the cartoons, you had a lot to turn to.

Read about the issue in this piece, “The Cartoon Department Coup” by Emma Allen, The New Yorker‘s cartoon editor.

Fingers crossed this special issue becomes a yearly thing, leading up to the magazine’s super-duper anniversary in 2025.

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The Tilley Watch Online: An end of the week listing of New Yorker artists who contributed to newyorker.com features.

Artists contributing to newyorker.com are of two stripes: some contribute solely to the online magazine, and others cross-over from print to online. For now, only the artists appearing in print are listed on the Spill‘s A-Z. Artists solely appearing online are italicized below.

The Daily Cartoon: Teresa Burns Parkhurst, Paul Karasik, David Ostow, Felipe Galindo, Benjamin Slyngstad.

Daily Shouts: J.A.K., Olivia de Recat, Ali Fitzgerald.

And…

From Barry Blitt’s Kvetchbook: “The Latest On J.D. Salinger Unearthed”

“The New Yorker Cartoons For The Holidays” — by Colin Stokes, the magazine’s assistant cartoon editor.

The Weekend Spill: Happy 125th James Thurber!; Three New Yorkers; New Cast Album For Arno’s 1930’s Musical “The New Yorkers”; The Tilley Watch Online, The Week Of December 2-6, 2019

Happy 125th James Thurber!

Anyone who follows the Spill knows that James Thurber is a mighty big deal around here. I’ve written numerous times over the years how seeing his drawing, “What have you done with Dr. Millmoss?” changed everything for me. Today marks the 125th anniversary of Thurber’s birth.  Michael Rosen’s recently published A Mile and a Half of Lines: The Art of James Thurber is an excellent book to throw yourself into today, or any day.

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Three New Yorkers

The three issues above unexpectedly arrived in the mail the other day, courtesy of a friend.  I immediately shoved my stack of drawing paper to the side and dove into the magazines. When I look through older copies of The New Yorker I focus on the art (so many cartoons to see, so little time).

So, what do these three issues have in common besides being three issues of The New Yorker and all published in the early 60s? Each has at least one drawing by Frank Modell, James Stevenson, and Dana Fradon. That trio, in their time, along with perhaps ten other cartoonists, anchored hundreds, if not thousands of issues of The New Yorker.

When I arrived at The New Yorker in the late 1970s, Messrs. Modell, Fradon, and Stevenson had already been contributing for decades, with Frank Modell the most veteran of the bunch, having begun at The New Yorker during the mid-1940s.  As I was beginning my New Yorker education by studying back issues of the magazine I was astounded to discover how long these artists had already been at the magazine. Even more astounding: there were cartoonists who’d been at The New Yorker even longer, and were still contributing — such greats as Al Ross, who began contributing in 1937, Whitney Darrow, Jr. (1933), George Price (1929), and William Steig (1930).

I was lucky enough to meet and get to know (if only a little) most of the cartoonists mentioned above. Of the three exceptions: Steig, Darrow, and Price, I communicated via a few letters with Steig — Whitney Darrow turned an idea of mine into a New Yorker drawing. I regret not walking over and meeting Whitney Darrow, and George Price at the only once-in-a-lifetime  opportunities I had with each. I’ve written before of the magazine’s artists family tree — the generations overlapping at the magazine. Just a few weeks ago I met several New Yorker cartoonists who’ve just started their careers in the past couple of years — one in just the past six months. Picking up almost any issue of the magazine, from the earliest years to the most recent is an instant reminder of the connectivity.

From the Spill‘s A-Z, the Modell, Fradon, and Stevenson entries:

Frank Modell ( photograph taken early 1990s) Born, Philadelphia, Pennsylvania, September 6, 1917. Died, May 27, 2016, Guilford, Connecticut. New Yorker work: 1946 – 1997. Mr. Modell began his New Yorker career as assistant to the Art Editor, James Geraghty. He soon began contributing his cartoons (and cartoon ideas for others), with his first drawing appearing July 20, 1946. Besides his work for The New Yorker, he was a children’s book author and an actor (he appeared, most notably, in Woody Allen’s 1980 film, Stardust Memories). Key collection: Stop Trying To Cheer Me Up! (Dodd, Mead, 1978).

Dana Fradon (photo: 1978). Born, Chicago, Illinois, 1922. Died, October 3, 2019, Woodstock, NY.  Studied at the Art Institute of Chicago prior to service in the U.S. Army Air Forces during World War II. Following his service, he attended the Art Students League of New York, New Yorker work: May 1, 1948 – April 21, 2003. Collection: Insincerely Yours (Scribners, 1978) To read Ink Spill’s 2013 interview with Mr. Fradon, “Harold Ross’s Last Cartoonist” link here.

 

James Stevenson Born, NYC, 1929. Died, February 17, 2017, Cos Cob, Connecticut. New Yorker work: March 10, 1956 -. Stevenson interned as an office boy at The New Yorker in the mid 1940s when he began supplying ideas for other NYer artists. Nine years later he was hired a full-time ideaman, given an office at the magazine and instructed not to tell anyone what he did. He eventually began publishing his own cartoons and covers as well as a ground-breaking Talk of the Town pieces (ground breaking in that the pieces were illustrated). His contributions to the magazine number over 2000. Key collections: Sorry Lady — This Beach is Private! (MacMillan, 1963), Let’s Boogie ( Dodd, Mead, 1978). Stevenson has long been a children’s book author, with roughly one hundred titles to his credit. He is a frequent contributor to the Op-Ed page of The New York Times, under the heading Lost and Found New York. Stevenson’s recent book, published in 2013, The Life, Loves and Laughs of Frank Modell, is essential. “Stevenson Lost and Found,” a documentary film by Sally Williams, was released in 2019.

— The cover artists for The New Yorkers  shown at the top of this post: l-r: Robert Kraus, Garrett Price, and Arthur Getz

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New Cast Album For Cole Porter’s (and Peter Arno’s) 1930 Musical, The New Yorkers

From Broadway World, December 6th, 2019, “The New Cast Album of ‘The New Yorkers,’ the 1930 Cole Porter Musical, is Available today”

If you want to read a lot more about “The New Yorkers” I modestly suggest my Arno biography, specifically Chapter Seven:  Up Broadway and Down.

Above left: The cover of the new cast recording. To the right “The New Yorkers” original 1930 program, with art by Peter Arno.

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The Tilley Watch Online, The Week Of December 2-6, 2019

An end of the week listing of New Yorker artists who’ve contributed to newyorker.com

The Daily Cartoon: David Ostow, Tom Toro, Paul Karasik, Ali Solomon, Jon Adams.

Daily Shouts: Julia Wertz, Olivia de Recat.

…and Barry Blitt’s Kvetchbook.

To see all of the above, and much more, link here.

 

 

The Wednesday Watch: Meet The Artist (1943): Rea Irvin; Event Of Interest: Jeremy Nguyen; A Case For Pencils Spotlights Robert Leighton’s Tools Of The Trade; Today’s Daily Cartoonist & Cartoon

Meet The Artist (1943): Rea Irvin

The last in a series of self portraits of New Yorker artists included in the Meet The Artist catalog published by the M.H. de Young Memorial Museum in 1943.

Here’s Mr. Irvin’s entry on the Spill‘s A-Z:

Rea Irvin  *Born, San Francisco, 1881; died in the Virgin Islands,1972. Irvin was the cover artist for the New Yorker’s first issue, February 21, 1925. He was the magazine’s first art editor, holding the position from 1925 until 1939 when James Geraghty assumed the title. Irvin became art director and remained in that position until William Shawn succeeded Harold Ross. Irvin’s last original work for the magazine was the magazine’s cover of July 12, 1958. The February 21, 1925 Eustace Tilley cover had been reproduced every year on the magazine’s anniversary until 1994, when R. Crumb’s Tilley-inspired cover appeared. Tilley has since reappeared, with other artists substituting from time-to-time.

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Event Of Interest: Jeremy Nguyen

From Meetup.com, “Jeremy Nguyen: The Cartoon Life” –presented by The Comic Arts Workshop.

Mr. Nguyen began contributing to The New Yorker in 2017. Visit his website here.

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A Case For Pencils Spotlights Robert Leighton’s Tools Of The Trade

From A Case For Pencils, December 3, 2019, “Robert Leighton” — another entry in Jane Mattimoe’s wonderful series of posts looking at the tools of the trade used by various New Yorker artists.

Robert Leighton began contributing to The New Yorker in 2002. Visit his website here.

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Today’s Daily Cartoonist & Cartoon

Raking & shoveling by Paul Karasik, who has been contributing to The New Yorker since 1999.

Photos Of Interest; Today’s Daily Cartoonist & Cartoon; More Spills…Chast, Campbell, Karasik

Photos Of Interest

If you link here to the photographer Deborah Feingold’s website you’ll find portraits of a number of New Yorker folks including Edward Sorel, John Cuneo, Barry Blitt, Loveis Wise, and Bob Staake.

 

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Today’s Daily Cartoonist & Cartoon

Two million Trump bucks, by Jon Adams.  Mr. Adams has been contributing to The New Yorker since 2017. Visit his website here.

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...here’s a recent interview with Paul Karasik (his first New Yorker cartoon appeared in 1999).

….Roz Chast and a former New Yorker editor will appear at NYC’s 92Y.  Info here.  Ms. Chast began contributing to The New Yorker in 1978.

…If you like planning ahead, here’s a link to a Chast appearance in 2020.

…From The New York Times Book Review, posted November 8, 2019, A Graphic Review piece by Hilary Fitzgerald Campbell. Ms. Campbell began contributing to The New Yorker in 2017.